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Audiation
Gordon music-learning theory is a model for music education based on Edwin Gordon's research on musical aptitude and achievement in the greater field of music learning theory. The theory is an explanation of music learning, based on audiation (see below) and students' individual musical differences. The theory takes into account the concepts of discrimination and inference learning in terms of tonal, rhythmic, and harmonic patterns. Audiation "Audiation" is a term Gordon coined in 1975 to refer to comprehension and internal realization of music, or the sensation of an individual hearing or feeling sound when it is not physically present.Gerhardstein, R. C. (2002). The historical roots and development of audiation: A process for musical understanding. In Hanley, B. & Goolsby, T.W. (Eds.) Musical understanding: Perspectives in theory and practice. [Canada] : Canadian Music Educators Association. Musicians previously used terms such as "aural perception" or "aural imagery" to describe ...
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Music Education
Music education is a field of practice in which educators are trained for careers as primary education, elementary or secondary education, secondary music teachers, school or music conservatory ensemble directors. Music education is also a research area in which scholars do original research on ways of teaching and learning music. Music education scholars publish their findings in peer-reviewed journals, and teach undergraduate and Graduate school, graduate education students at university education or music schools, who are training to become music teachers. Music education touches on all learning domains, including the domain (the development of skills), the cognitive domain (the acquisition of knowledge), and, in particular and the affective domain (the learner's willingness to receive, internalize, and share what is learned), including music appreciation and sensitivity. Many music education curriculums incorporate the usage of mathematical skills as well fluid usage and und ...
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Music Learning Theory
The field of music education contains a number of learning theories that specify how students learn music based on behavioral and cognitive psychology.Laurie Taetle and Robert Cutietta, ''Learning Theories as Roots of Current Musical Practice and Research'', 279/ref> Classical learning theory While formal music education has roots going at least as far back as the Hebrews in EgyptMichael L. Mark and Charles L. Gary, ''A History of American Music Education, Third Edition'' (2007: New York: Rowman & Littlefield Education), 5. or the ancient Greeks,Michael L. Mark and Charles L. Gary, ''A History of American Music Education, Third Edition'' (2007: New York: Rowman & Littlefield Education), 9. challenges arose as music became more specialized and technically complex after the 5th century BCE in Ancient Greece and as the development of notation shifted music education from training in singing to training in music reading.Michael L. Mark and Charles L. Gary, ''A History of American Mu ...
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Tonic (music)
In music, the tonic is the first scale degree () of the diatonic scale (the first note of a scale) and the tonal center or final resolution tone that is commonly used in the final cadence in tonal (musical key-based) classical music, popular music, and traditional music. In the movable do solfège system, the tonic note is sung as ''do''. More generally, the tonic is the note upon which all other notes of a piece are hierarchically referenced. Scales are named after their tonics: for instance, the tonic of the C major scale is the note C. The triad formed on the tonic note, the tonic chord, is thus the most significant chord in these styles of music. In Roman numeral analysis, the tonic chord is typically symbolized by the Roman numeral "" if it is major and by "" if it is minor. These chords may also appear as seventh chords: in major, as M7, or in minor as 7 or rarely M7: The tonic is distinguished from the root, which is the reference note of a chord, rathe ...
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Dominant (music)
In music Music is the arrangement of sound to create some combination of Musical form, form, harmony, melody, rhythm, or otherwise Musical expression, expressive content. Music is generally agreed to be a cultural universal that is present in all hum ..., the dominant is the fifth degree (music), scale degree () of the diatonic scale. It is called the ''dominant'' because it is second in importance to the first scale degree, the tonic (music), tonic. In the Solfège#Movable do solf%C3%A8ge, movable do solfège system, the dominant note is sung as "So(l)". The Triad (music), triad built on the dominant note is called the dominant chord. This chord is said to have dominant Function (music), function, which means that it creates an instability that requires the tonic (music), tonic for resolution (music), resolution. Dominant triads, Seventh chord, seventh chords, and Ninth chord, ninth chords typically have dominant function. Leading-tone triad, Leading-tone triads and Leadin ...
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Cadence (music)
In Classical music, Western musical theory, a cadence () is the end of a Phrase (music), phrase in which the melody or harmony creates a sense of full or partial resolution (music), resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a chord progression, progression of two or more chord (music), chords that conclusion (music), concludes a phrase, section (music), section, or composition (music), piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in de ...
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Kyra Gaunt
Kyra Danielle Gaunt is an African American Ethnomusicology, ethnomusicologist, Black Girl studies, girlhood studies advocate, social media researcher, Feminism, feminist Performance art, performance artist, and professor at the University at Albany in New York State. Gaunt's research focuses on the hidden musicianship of black girls' musical play at the intersections of Race (human categorization), race, racism, gender, heterosexism, misogynoir, Children's rights, age, and the kinetic-orality of the Gaze, female body in the age of hip-hop. Her current research focuses on "the unintended consequences of gender, race, and technology from YouTube to Wikipedia." She is a native of the Lincoln Park, Rockville, Maryland, Lincoln Park neighborhood in Rockville, Maryland, Rockville, Maryland, that began as a Racial segregation, segregated Black community founded in 1891. Notable Abolitionism, abolitionist author Josiah Henson was enslaved in Rockville and there is some evidence that reli ...
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Musicking
Christopher Neville Charles Small (17 March 1927 – 7 September 2011) was a New Zealand-born musician, educator, lecturer, and author of many influential books and articles in the fields of musicology, sociomusicology and ethnomusicology. He coined the term musicking, to highlight music as a ''process'' (verb) and not an ''object'' (noun.) Biography Small was born in Palmerston North, New Zealand, to a dentist and former schoolteacher, and was the youngest of three children. His early school education took place at the Terrace End and Russell Street Primary Schools (1932–1939), Palmerston North Boys' High School (1940–1941) and Wanganui Collegiate School (1942–1944). Between 1945 and 1952 he attended the University of Otago and then Victoria University of Wellington, Victoria University College. He taught at Horowhenua College (at the same time working at Morrow Productions Ltd making educational animated films) from 1953 to 1958, and at Waihi College from 1959 to 1960. I ...
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Eastman School Of Music
The Eastman School of Music is the music school of the University of Rochester, a private research university in Rochester, New York, United States. Established in 1921 by celebrated industrialist and philanthropist George Eastman, it was the first professional school of the university. The school offers Bachelor of Music (BM) degrees, Master of Arts (MA) degrees, Master of Music (MM) degrees, Doctor of Philosophy (PhD) degrees, and Doctor of Musical Arts (DMA) degrees in various musical fields, along with a special dual degree with the College of Arts & Sciences for students with multiple interests. As of 2024, there were more than 950 students enrolled in the collegiate division of the Eastman School (approximately 500 undergraduate and 450 graduate students). History Alfred Klingenberg, a Norwegian pianist, was the school's first director, serving from 1921 to 1923. He was succeeded by composer Howard Hanson in 1924, who had an enormous impact on the development of the ...
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Normal Distribution
In probability theory and statistics, a normal distribution or Gaussian distribution is a type of continuous probability distribution for a real-valued random variable. The general form of its probability density function is f(x) = \frac e^\,. The parameter is the mean or expectation of the distribution (and also its median and mode), while the parameter \sigma^2 is the variance. The standard deviation of the distribution is (sigma). A random variable with a Gaussian distribution is said to be normally distributed, and is called a normal deviate. Normal distributions are important in statistics and are often used in the natural and social sciences to represent real-valued random variables whose distributions are not known. Their importance is partly due to the central limit theorem. It states that, under some conditions, the average of many samples (observations) of a random variable with finite mean and variance is itself a random variable—whose distribution c ...
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Carl Seashore
Carl Emil Seashore, born Sjöstrand (January 28, 1866 – October 16, 1949) was a prominent American psychologist and educator. He was the author of numerous books and articles principally regarding the fields of speech–language pathology, music education, and the psychology of music and art. He served as Dean of the Graduate College of University of Iowa from 1908–1937. He is most commonly associated with the development of the ''Seashore Tests of Musical Ability''. Background Seashore was born in Mörlunda, Hultsfred Municipality, Kalmar County, Sweden, to Carl Gustav and Emily Sjöstrand. He emigrated with his family to the United States in 1870 at the age of 3 due to both economic and religious considerations and settled in Rockford, Iowa, before moving and settling in a farming community located in Boone County, Iowa. The name "Seashore" is a translation of the Swedish surname Sjöstrand. Seashore had two sisters and two brothers who were all educated in Swedish. His ...
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