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Arma Christi
Arma Christi ("weapons of Christ"), or the Instruments of the Passion, are the objects associated with the Passion of Jesus Christ in Christian symbolism and art. They are seen as arms in the sense of heraldry, and also as the weapons Christ used to achieve his conquest over Satan. There is a group, at a maximum of about 20 items, which are frequently used in Christian art, especially in the Late Middle Ages. Typically, they surround either a cross or a figure of Christ of the Man of Sorrows type, either placed around the composition, or held by angels. History The prime member, the Cross, had been introduced to Christian art in the 4th century as the ''crux invicta'', a symbol of victory. As a group, they have a long tradition in iconography, dating back to the 9th century; the Utrecht Psalter of 830 is an example, though the only one from the Early Middle Ages known to Gertrud Schiller. This reflected an increase in theological interest in the sufferings of Christ at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ As Man Of Sorrows Between Four Angels
Jesus (AD 30 or 33), also referred to as Jesus Christ, Jesus of Nazareth, and many Names and titles of Jesus in the New Testament, other names and titles, was a 1st-century Jewish preacher and religious leader. He is the Jesus in Christianity, central figure of Christianity, the Major religious groups, world's largest religion. Most Christians consider Jesus to be the Incarnation (Christianity), incarnation of God the Son and awaited Messiah#Christianity, messiah, or Christ (title), Christ, a descendant from the Davidic line that is prophesied in the Old Testament. Virtually all modern scholars of classical antiquity, antiquity agree that Historicity of Jesus, Jesus existed historically. Accounts of Life of Jesus, Jesus's life are contained in the Gospels, especially the four canonical Gospels in the New Testament. Since the Age of Enlightenment, Enlightenment, Quest for the historical Jesus, academic research has yielded various views on the historical reliability of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
True Cross
According to Christian tradition, the True Cross is the real instrument of Jesus' crucifixion, cross on which Jesus of Nazareth was Crucifixion of Jesus, crucified. It is related by numerous historical accounts and Christian mythology, legends that Helena, mother of Constantine I, Helen, the mother of Roman emperor Constantine the Great, recovered the True Cross at the Holy Sepulchre in Jerusalem, when she travelled to the Holy Land in the years 326–328. The late fourth-century historians Gelasius of Caesarea and Tyrannius Rufinus wrote that while Helen was there, she discovered the hiding place of three crosses that were believed to have been used at the crucifixion of Jesus and the two thieves, Penitent thief, Dismas and Impenitent thief, Gestas, who were executed with him. To one cross was affixed the Titulus (inscription), titulus bearing Jesus' name, but according to Rufinus, Helen was unsure of its legitimacy until a miracle revealed that it was the True Cross. This event ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crown Of Thorns
According to the New Testament, a woven crown of thorns ( or ) was placed on the head of Jesus during the Passion of Jesus, events leading up to his crucifixion of Jesus, crucifixion. It was one of the Arma Christi, instruments of the Passion, employed by Jesus' captors both to cause him pain and to Mocking of Jesus, mock his Jesus, King of the Jews, claim of authority. It is mentioned in the gospels of Gospel of Matthew, Matthew (Matthew 27:29), Gospel of Mark, Mark (Mark 15:17) and Gospel of John, John (John 19:2, 19:5), and is often alluded to by the early Church Fathers, such as Clement of Alexandria, Origen and others, along with being referenced in the New Testament Apocrypha, apocryphal Gospel of Peter. Since around 400 AD, a relic has been Veneration, venerated as the crown of thorns. The Franc Emperor of the Middle-East kept it in his on chapel. Louis IX acquired it in 1239 from the emperor Baldwin II, Latin Emperor, Baldwin Il, who was financially in debt due to heavy m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Cross
The Christian cross, seen as representing the crucifixion of Jesus, is a religious symbol, symbol of Christianity. It is related to the crucifix, a cross that includes a ''corpus'' (a representation of Jesus' body, usually three-dimensional) and to the more general family of cross, cross symbols. The term '':wikt:cross, cross'' is now detached from its original specifically Christian meaning, in Early Modern English, modern English and many other Western languages. The basic forms of the cross are the Latin cross with unequal arms and the Greek cross with equal arms; there are numerous Christian cross variants, variants, partly with confessional significance—such as the tau cross, the Patriarchal cross, double-barred cross, Papal cross, triple-barred cross, and Jerusalem cross, cross-and-crosslets—and many heraldic cross, heraldic variants, such as the cross potent, cross pattée, and cross moline, cross fleury. Pre-Christian symbolism A version of the cross symbol was use ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christ In Majesty
Christ in Majesty or Christ in Glory () is the Western Christian image of Christ seated on a throne as ruler of the world, always seen frontally in the centre of the composition, and often flanked by other sacred figures, whose membership changes over time and according to the context. The image develops from Early Christian art, as a depiction of the Heavenly throne as described in 1 Enoch, Daniel 7, and The Apocalypse of John. In the Byzantine world, the image developed slightly differently into the half-length Christ Pantocrator, "Christ, Ruler of All", a usually unaccompanied figure, and the Deesis, where a full-length enthroned Christ is entreated by Mary and St. John the Baptist, and often other figures. In the West, the evolving composition remains very consistent within each period until the Renaissance, and then remains important until the end of the Baroque, in which the image is ordinarily transported to the sky. Development From the latter part of the fourth cen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Veil Of Veronica
The Veil of Veronica, or (Latin for sweat-cloth), also known as the Vernicle, the Veronica and the Holy Face, is a Christian relic consisting of a piece of cloth said to bear an image of the Holy Face of Jesus produced by other than human means (an '' acheiropoieton'', "made without hand"). Various existing images have been claimed to be the original relic, as well as early copies of it; representations of it are also known as vernicles. The story of the image's origin is related to the sixth Station of the Cross, wherein Saint Veronica, encountering Jesus along the Via Dolorosa to Calvary, wipes the blood and sweat from his face with her veil. According to some versions, St. Veronica later traveled to Rome to present the cloth to the Roman Emperor Tiberius. The veil has been said to quench thirst, cure blindness, and even raise the dead. The first written account of the story is from the Middle Ages, and during the 14th century, the veil became a central icon in the West ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andachtsbilder
''Andachtsbilder'' (singular ''Andachtsbild'', German for devotional image) is a German term often used in English in art history for Christian devotional images designed as aids for prayer or contemplation. The images "generally show holy figures extracted from a narrative context to form a highly focused, and often very emotionally powerful, vignette". The term is especially used of Northern Gothic art around the 14th and 15th centuries, when new subjects such as the ''Pietà'', '' Pensive Christ'', '' Man of Sorrows'', '' Arma Christi'', ''Veil of Veronica'', the severed head of John the Baptist, and the '' Virgin of Sorrows'' became extremely popular. Subjects and genres Traditional subjects from the narrative of the Passion of Christ such as the '' Ecce Homo'' and the ''Crucifixion of Jesus'' were also treated in the same way. Though the ''Crucifix'' had been treated as an intense, isolated image for centuries, at least as far back as the 10th century ''Gero Cross'' i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crusade
The Crusades were a series of religious wars initiated, supported, and at times directed by the Papacy during the Middle Ages. The most prominent of these were the campaigns to the Holy Land aimed at reclaiming Jerusalem and its surrounding territories from Muslim rule. Beginning with the First Crusade, which culminated in the Siege of Jerusalem (1099), capture of Jerusalem in 1099, these expeditions spanned centuries and became a central aspect of European political, religious, and military history. In 1095, after a Byzantine request for aid,Helen J. Nicholson, ''The Crusades'', (Greenwood Publishing, 2004), 6. Pope Urban II proclaimed the first expedition at the Council of Clermont. He encouraged military support for List of Byzantine emperors, Byzantine emperor Alexios I Komnenos, AlexiosI Komnenos and called for an armed pilgrimage to Jerusalem. Across all social strata in Western Europe, there was an enthusiastic response. Participants came from all over Europe and had a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holy Chalice
The Holy Chalice, also known as the Holy Grail, is in some Christian traditions the vessel that Jesus used at the Last Supper to share his blood. The Synoptic Gospels refer to Jesus sharing a cup of wine with the Apostles in the New Testament, Apostles, saying it was the New Covenant, covenant in his blood. The use of wine and chalice in the Eucharist in Christian churches is based on the Last Supper event. In the late 12th century, the author Robert de Boron associated the pre-existing story of the Holy Grail, a magical item from Arthurian literature, with the Holy Chalice. This association was continued in many subsequent Arthurian works, including the Lancelot-Grail (Vulgate) cycle, the Post-Vulgate Cycle, and Sir Thomas Malory's ''Le Morte d'Arthur''. A cup kept in the Spanish Cathedral of Valencia has been identified since medieval times as the purported Holy Chalice used at the Last Supper. Last Supper The Gospel of Matthew (26:27–29) says: And He took a cup and when ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
