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Architraves
In classical architecture, an architrave (; , also called an epistyle; ) is the lintel or beam, typically made of wood or stone, that rests on the capitals of columns. The term can also apply to all sides, including the vertical members, of a frame with mouldings around a door or window. The word "architrave" has come to be used to refer more generally to a style of mouldings (or other elements) framing a door, window or other rectangular opening, where the horizontal "head" casing extends across the tops of the vertical side casings where the elements join (forming a butt joint, as opposed to a miter joint). Classical architecture In an entablature in classical architecture, it is the lowest part, below the frieze and cornice. The word is derived from the Greek and Latin words ''arche'' and ''trabs'' combined to mean "main beam". The architrave is different in the different Classical orders. In the Tuscan order, it only consists of a plain face, crowned with a fillet, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
9607 - Milano - Sant'Ambrogio - Facciata - Architrave Portale Sin
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Annulet (architecture)
An annulet is a small square component in the Doric capital, under the quarter-round. It is also called a fillet or listel, although ' and ' are also more general terms for a narrow band or strip, "a narrow band in architecture: fillet" such as the ridge between flutes. An annulet is also a narrow flat architectural moulding, common in other parts of a column, ''viz.'' the bases, as well as the capital. It is so called, because it encompasses the column round. In this sense, ''annulet'' is frequently used for baguette or little astragal An astragal is a Moulding (decorative), moulding profile composed of a half-round surface surrounded by two flat planes (Annulet (architecture), fillets). An astragal is sometimes referred to as a miniature torus. It can be an architecture, a .... Image:Hammond-Harwood House annulet HABS MD,2-ANNA,18-27.jpg, Carved wood annulet References * Columns and entablature Ornaments (architecture) {{architecturalelement-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lintel
A lintel or lintol is a type of beam (a horizontal structural element) that spans openings such as portals, doors, windows and fireplaces. It can be a decorative architectural element, or a combined ornamented/structural item. In the case of windows, the bottom span is referred to as a sill, but, unlike a lintel, does not serve to bear a load to ensure the integrity of the wall. Modern-day lintels may be made using prestressed concrete and are also referred to as beams in beam-and-block slabs or as ribs in rib-and-block slabs. These prestressed concrete lintels and blocks can serve as components that are packed together and propped to form a suspended-floor concrete slab. An arch functions as a curved lintel. Structural uses In worldwide architecture of different eras and many cultures, a lintel has been an element of post and lintel construction. Many different building materials have been used for lintels. In classical Western architecture and construction methods ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dolmen
A dolmen, () or portal tomb, is a type of single-chamber Megalith#Tombs, megalithic tomb, usually consisting of two or more upright megaliths supporting a large flat horizontal capstone or "table". Most date from the Late Neolithic period (40003000 BCE) and were sometimes covered with earth or smaller stones to form a tumulus (burial mound). Small pad-stones may be wedged between the cap and supporting stones to achieve a level appearance. In many instances, the covering has eroded away, leaving only the stone "skeleton". In Sumba (Indonesia), dolmens are still commonly built (about 100 dolmens each year) for collective graves according to lineage. The traditional village of Wainyapu, Sumba, Wainyapu has some 1,400 dolmens. Etymology Celtic or French The word ''dolmen'' entered archaeology when Théophile Corret de la Tour d'Auvergne used it to describe megalithic tombs in his (1796) using the spelling ''dolmin'' (the current spelling was introduced about a decade later and h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archivolt
An archivolt (or voussure) is an ornamental Molding (decorative), moulding or band following the curve on the underside of an arch. It is composed of bands of ornamental mouldings (or other architectural elements) surrounding an arched opening, corresponding to the architrave in the case of a rectangular opening. The word is sometimes used to refer to the under-side or inner curve of the arch itself (more properly, the ''intrados''). Most commonly archivolts are found as a feature of the arches of church Portal (architecture), portals. The mouldings and sculptures on these archivolts are used to convey a Theology, theological story or depict religious figures and ideologies of the church in order to represent the gateway between the Sacredness, holy space of the church and the external world. The presence of archivolts on churches is seen throughout history, although their design, both architecturally and artistically, is heavily influenced by the period they were built in and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prastara
Prastara (, extension, flat top) is a sort of entablature in Hindu temple architecture. Overview It is a horizontal superstructure of bands and moldings above column capitals, sometimes functioning as a parapet of a story. Prastara is both functional and decorative element located above the architrave of the temple. Being the third part of the building counting from the bottom, prastara is a very important element of the overall architectural composition of the temple. Meaning In the Dravidian context, prastara signifies a meeting place, where the two divisions of the temple, ''prasada varga'' (the Earth) and the ''pada varga'' (the Heaven), meet each other. Parts Prastara consists of several parts from bottom to top: uttara, valabhi (stringcourse A belt course, also called a string course or sill course, is a continuous row or layer of stones or brick set in a wall. Set in line with window sills, it helps to make the horizontal line of the sills visually more prominent. Se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stambha
A stambha () is a pillar or a column employed in Indian architecture. A stambha sometimes bears inscriptions and religious emblems. Religion In Hindu mythology, a stambha is believed to be a cosmic column that functions as a bond, joining heaven (Svarga) and earth (Prithvi). A number of Hindu scriptures, including the ''Atharva Veda'', feature references to stambhas. In the ''Atharva Veda'', a celestial stambha has been described as an infinite scaffold, which supports the cosmos and material creation. In the legend of Narasimha, an avatara of Vishnu, the deity appears from a stambha to slay the asura Hiranyakashipu. The stambha has been interpreted to represent the axis mundi in this myth by Deborah A. Soifer. Architecture Stambhas are popularly employed in Indian architecture. Different stambhas serve different purposes, including the following: * A dhvaja stambha (''flagstaff tower'') is placed opposite the main shrine, on an axis with the main deity. * A kirti stam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindu Temple Architecture
Hindu temple architecture as the main form of Hindu architecture has many different styles, though the basic nature of the Hindu temple remains the same, with the essential feature an inner sanctum, the ''Garbhagriha, garbha griha'' or womb-chamber, where the primary ''Murti'' or the image of a deity is housed in a simple bare cell. For rituals and prayers, this chamber frequently has an open space that can be moved in a clockwise direction. There are frequently additional buildings and structures in the vicinity of this chamber, with the largest ones covering several acres. On the exterior, the garbhagriha is crowned by a tower-like ''shikhara'', also called the ''Vimana (architectural feature), vimana'' in the south. ''Gopuram'' gateways are elaborate in the south. The shrine building often includes an circumambulatory passage for circumambulation, parikrama, a mandapa congregation hall, and sometimes an antarala antechamber and porch between garbhagriha and mandapa. In additi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shilpa Shastras
''Shilpa Shastras'' ( ') literally means the Science of Shilpa (arts and crafts).Stella Kramrisch (1958)Traditions of the Indian Craftsman The Journal of American Folklore, Vol. 71, No. 281, Traditional India: Structure and Change (Jul. - Sep., 1958), pp. 224-230 It is an ancient umbrella term for numerous Hindu texts that describe arts, crafts, and their design rules, principles and standards. In the context of Hindu temple architecture and sculpture, Shilpa Shastras were manuals for sculpture and Hindu iconography, prescribing among other things, the proportions of a sculptured figure, composition, principles, meaning, as well as rules of architecture. Sixty-four techniques for such arts or crafts, sometimes called ' "external or practical arts", are traditionally enumerated, including carpentry, architecture, jewellery, farriery, acting, dancing, music, medicine, poetry etc., besides sixty-four ' or "secret arts", which include mostly "erotic arts" such as kissing, embracing, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Corinthian Order
The Corinthian order (, ''Korinthiakós rythmós''; ) is the last developed and most ornate of the three principal classical orders of Ancient Greek architecture and Ancient Roman architecture, Roman architecture. The other two are the Doric order, which was the earliest, followed by the Ionic order. In Ancient Greek architecture, the Corinthian order follows the Ionic in almost all respects, other than the capitals of the columns, though this changed in Roman architecture. A Corinthian capital may be seen as an enriched development of the Ionic capital, though one may have to look closely at a Corinthian capital to see the Ionic volutes ("helices"), at the corners, perhaps reduced in size and importance, scrolling out above the two ranks of Acanthus (ornament), stylized acanthus leaves and stalks ("cauliculi" or ''caulicoles''), eight in all, and to notice that smaller volutes scroll inwards to meet each other on each side. The leaves may be quite stiff, schematic and dry, or t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ionic Order
The Ionic order is one of the three canonic classical order, orders of classical architecture, the other two being the Doric order, Doric and the Corinthian order, Corinthian. There are two lesser orders: the Tuscan order, Tuscan (a plainer Doric), and the rich variant of Corinthian called the composite order. Of the three classical canonic orders, the Corinthian order has the narrowest columns, followed by the Ionic order, with the Doric order having the widest columns. The Ionic capital is characterized by the use of volutes. Ionic columns normally stand on a base which separates the shaft of the column from the stylobate or platform while the cap is usually enriched with egg-and-dart. The ancient architect and architectural historian Vitruvius associates the Ionic with feminine proportions (the Doric representing the masculine). Description Capital The major features of the Ionic order are the volutes of its capital (architecture), capital, which have been the subject of mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fascia (architecture)
Fascia () is an architectural term for a vertical frieze or band under a roof edge, or which forms the outer surface of a cornice, visible to an observer. Typically consisting of a wooden board, unplasticized PVC (uPVC), or non-corrosive sheet metal, many of the non-domestic fascias made of stone form an ornately carved or pieced together cornice, in which case the term fascia is rarely used. The word fascia derives from Latin ''fascia'' meaning "band, bandage, ribbon, swathe". The term is also used, although less commonly, for other such band-like surfaces like a wide, flat trim strip around a doorway, different and separate from the wall surface. The horizontal "fascia board" which caps the end of rafters outside a building may be used to hold the rain gutter. The finished surface below the fascia and rafters is called the soffit or eave. In classical architecture, the fascia is the plain, wide band (or bands) that make up the architrave section of the entablature, dire ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
