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Arangetram (dance)
Arangetram in Tamil and Malayalam, known as "Rangapravesha" in Kannada and "Rangapravesham" in Telugu is the debut on-stage performance of a former student of Indian classical dance and music that follows years of training in classical music and dancing. Many Indian classical dance forms require their followers to perform an arangetram. Once a student has done so, they are thereafter allowed to perform dances on their own and to teach aspiring dancers. Etymology Arangetram is a portmanteau of the Tamil words for stage ("arangu") and ascent ("etram") and its literal translation is "climbing or ascending the stage". In the context of dance, the word refers to the graduation ceremony in which the guru presents his or her pupil to the public. Its origins can be traced to the devdasi (temple dancer) tradition. Arangetram can be performed for other Indian classical dance styles such as Kuchipudi, Manipuri, Kathakali, Bharatanatyam, and Mohiniattam as well as vocal and instrument re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Devdasi
In India, a devadasi is a female artist who is dedicated to the worship and service of a deity or a temple for the rest of her life. The dedication takes place in a ceremony that is somewhat similar to a marriage ceremony. In addition to taking care of the temple and performing rituals, these women also learn and practice classical Indian dances such as Bharatanatyam, Mohiniyattam, Kuchipudi, and Odissi. Their status as dancers, musicians, and consorts was an essential part of temple worship. Devadasis also engaged in providing sexual services to temple officials and devotees as part of their temple responsibilities, with the earnings from these services being handed over to the temple. The practice of temple prostitution became more prominent with the emergence of Puranic Hinduism. Between the sixth and thirteenth centuries, Devadasis had a high rank and dignity in society and were exceptionally affluent as they were seen as the protectors of the arts. During this period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghatam
The ''ghaṭam'' (Sanskrit: घटm ''ghaṭ''; Kannada: ಘಟ ''ghaṭa''; Tamil: கடம் ''ghatam''; Telugu: ఘటం ''ghataṃ''; Malayalam: ഘടം ''ghataṃ'') is a percussion instrument used in various repertoires across the Indian subcontinent, especially in Southern India . Its variant is played in Punjab Punjab (; ; also romanised as Panjāb or Panj-Āb) is a geopolitical, cultural, and historical region in South Asia. It is located in the northwestern part of the Indian subcontinent, comprising areas of modern-day eastern Pakistan and no ... and known as '' gharha'' as it is a part of Punjabi folk traditions. Its analogue in Rajasthan is known as the ''madga'' and ''pani mataqa'' ("water jug"). The ghatam is one of the most ancient percussion instruments in Pakistan and India. It is a clay pot with a narrow mouth. From the mouth, it slants outwards to form a ridge. Made mainly of clay baked with brass or copper filings with a small amount of ir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mridangam
The ''mridangam'' is an ancient percussion instrument originating from the Indian subcontinent. It is the primary rhythmic accompaniment in a Carnatic music ensemble. In Dhrupad, a modified version, the pakhawaj, is the primary percussion instrument. A related instrument is the Kendang, played in Maritime Southeast Asia. Its a complex instrument to tune and involves a lot of mathematics to construct korvais. During a percussion ensemble, the mridangam is often accompanied by the ghatam, the kanjira, and the morsing. Etymology The word "Mridangam" is formulated by the union (sandhi) of the two Sanskrit words ''mŗd'' (clay or earth) and ''anga'' (limb), as the Khol, earliest versions of the instrument were made of hardened clay. An Article in the Journal of the Madras Music Academy (Vol. XXIV P:135- 136) Dr V Raghavan opines that the Mridangam gets its name by applying the black paste which produces the specialised tone for the instrument. Eventhough the original version of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mohiniyattam
''Mohiniyattam'' is an Indian classical dance form originating from the state of Kerala. The dance gets its name from Mohini – the female enchantress avatar of the Hindu deity Vishnu, who helps the devas prevail over the asuras using her feminine charm. ''Mohiniyattams roots, like all classical Indian dances, are in the ''Natya Shastra'' – the ancient Hindu Sanskrit text on performance arts. However, it follows the Lasya style described in ''Natya Shastra'', that is a dance which is delicate, eros-filled and feminine. It is traditionally a solo dance performed by women after extensive training, though men also perform the dance in the contemporary period. The repertoire of Mohiniyattam includes music in the Carnatic style, singing and acting a play through the dance, where the recitation may be either by a separate vocalist or the dancer themselves. The song is typically in Malayalam-Sanskrit hybrid called Manipravalam. The earliest mention of the word is found in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bharatanatyam
''Bharatanatyam'' is a Indian classical dance form that came from Tamil Nadu, India. It is a classical dance form recognized by the Sangeet Natak Akademi, and expresses South Indian religious themes and spiritual ideas of Hinduism and Jainism.Bharata-natyam ''Encyclopædia Britannica''. 2007 A description of precursors of ''Bharatanatyam'' from the Natya Shastra dated around (500 BCE) and in the ancient Tamil epic ''Silappatikaram'' dated around (171 CE), while temple sculptures of the 6th to 9th century CE suggest dance was a refined performance art by the mid-1st millennium CE. Sadiraattam, which was renamed Bharatanatyam in 1932, is the oldest classical dance tradition in India. ''Bharatanatyam'' contains different types of ''bani''. ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kathakali
''Kathakali'' (International Alphabet of Sanskrit Transliteration, IAST: Kathakaḷi ) is a traditional form of Indian Classical Dance, and one of the most complex forms of Theatre of India, Indian theatre. It is a play of verses. These verses are called Kathakali literature or ''Aattakatha (performance), Attakatha''. Mostly played in the courts of kings and temple festivals. Hence it is known as suvarna art forms. This performance uses the ''navarasas'' from the Natya Shastra text, authored by sage Bharata. Makeup and costumes are unique and large. It represents one of Kerala's traditional theater artforms. It is native to the Malayalam-speaking state of Kerala and is almost entirely practiced by Malayali people. Kathakali is closely related to a more ancient theater artform of Kerala called ''Kutiyattam'' which is the only surviving specimen of the ancient Sanskrit theatre, thought to have originated around the beginning of the common era, and is officially recognized by UN ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manipuri Dance
Manipuri dance, sometimes also referred to as the Manipuri Raas Leela (), is a jagoi and is one of the major Classical Indian dance, Indian classical dance forms, originating from the state of Manipur. It is one of the Meitei intangible cultural heritage. The "Manipuri dance" is a confluence of four ritualistic traditions – Lai Haraoba, Huiyen Lallong, Huyen Langlon, Meitei Sankirtana, Meitei Nata Sankirtana and Raslila, Raaslila. Owing to the Meitei civilization, the classical dance form, first formally developed by List of Meitei kings, Meitei Hindu king of the Kingdom of Manipur, is considered to be the highest spiritual expression of the worship of Hindu deity Krishna. Owing to its huge influences on the diverse cultural heritages across the Indian subcontinent, it is recognised by the Sangeet Natak Akademi of the Ministry of Culture (India), Ministry of Culture of the Government of India as one of the few primary classical dance forms of the Republic of India, and is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kuchipudi
''Kuchipudi'' ( ) is one of the eight major Indian classical dances. It originates from a village named Kuchipudi in the Indian state of Andhra Pradesh. Kuchipudi is a dance-drama performance, with its roots in the ancient Hindu Sanskrit text of Natya Shastra. It developed as a religious art linked to traveling bards, temples and spiritual beliefs, like all major classical dances of India. Evidence of Kuchipudi's existence in an older version is found in copper inscriptions of the 10th century, and by the 15th century in texts such as the ''Machupalli Kaifat''. Kuchipudi tradition holds that Narahari Tirtha – a sanyassin of Dvaita Vedanta persuasion,Krishna Chaitanya (1987), "Arts of India.", pages.74 and his disciple, an orphan named Siddhendra Yogi, founded and systematized the modern version of Kuchipudi in the 17th century. Kuchipudi largely developed as a Krishna-oriented Vaishnavism tradition, and it is known by the name of Bhagavata Mela in Thanjavur. In the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guru
Guru ( ; International Alphabet of Sanskrit Transliteration, IAST: ''guru'') is a Sanskrit term for a "mentor, guide, expert, or master" of certain knowledge or field. In pan-Indian religions, Indian traditions, a guru is more than a teacher: traditionally, the guru is a reverential figure to the disciple (or ''wikt:शिष्य, shisya'' in Sanskrit, literally ''seeker [of knowledge or truth'']) or student, with the guru serving as a "counsellor, who helps mould values, shares experiential knowledge as much as Knowledge#Hinduism, literal knowledge, an Role model, exemplar in life, an inspirational source and who helps in the spiritual evolution of a student". Whatever language it is written in, Judith Simmer-Brown says that a tantra, tantric spiritual text is often codified in an obscure twilight language so that it cannot be understood by anyone without the verbal explanation of a qualified teacher, the guru. A guru is also one's spiritual guide, who helps one to discover the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tamil Language
Tamil (, , , also written as ''Tamizhil'' according to linguistic pronunciation) is a Dravidian language natively spoken by the Tamil people of South Asia. It is one of the longest-surviving classical languages in the world,. "Tamil is one of the two longest-surviving classical languages in India" (p. 7). attested since 300 BC, 300 BCE.: "...the most acceptable periodisation which has so far been suggested for the development of Tamil writing seems to me to be that of A Chidambaranatha Chettiar (1907–1967): 1. Sangam Literature – 200BC to AD 200; 2. Post Sangam literature – AD 200 – AD 600; 3. Early Medieval literature – AD 600 to AD 1200; 4. Later Medieval literature – AD 1200 to AD 1800; 5. Pre-Modern literature – AD 1800 to 1900" at p. 610 Tamil was the lingua franca for early maritime traders in South India, with Tamil inscriptions found outside of the Indian subcontinent, such as Indonesia, Thailand, and Egypt. The language has a well-documented history wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portmanteau
In linguistics, a blend—also known as a blend word, lexical blend, or portmanteau—is a word formed by combining the meanings, and parts of the sounds, of two or more words together.Garner's Modern American Usage p. 644. English examples include '' smog'', coined by blending ''smoke'' and ''fog'', and '''', from ''motor'' ('' motorist'') and ''hotel''. A blend is similar to a [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
