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Aplomb
In classical ballet Classical ballet is any of the traditional, formal styles of ballet that exclusively employ classical ballet technique. It is known for its aesthetics and rigorous technique (such as en pointe, pointe work, turnout (ballet), turnout of the legs, ..., aplomb () refers to an unwavering stability maintained during a vertical pose or movement. The word is of French origin, with "aplomb" meaning "perpendicularity", literally "according to the plummet". French ballet master Jean-Étienne Despréaux used the term in 1806 to refer to the dynamic balancing that is fundamental to all well-executed ballet positions and movements.Bernard Taper (1996) "Balanchine: A Biography", In 1887, German dance theorist Friedrich Albert Zorn analogized aplomb in dancers as "the sureness of touch of the pianist".Grammar of the Art of Dancing, Theoretical and Practical', a translation of an 1887 book by Friedrich Zorn Friedrich Zorn described aplomb in terms of both its outward ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plumb Bob
A plumb bob, plumb bob level, or plummet, is a weight, usually with a pointed tip on the bottom, suspended from a string and used as a vertical direction as a reference line, or plumb-line. It is a precursor to the spirit level and used to establish a vertical datum. It is typically made of stone, wood, or lead, but can also be made of other metals. If it is used for decoration, it may be made of bone or ivory. The instrument has been used since at least the time of ancient EgyptDenys A. Stocks. Experiments in Egyptian archaeology: stoneworking technology in Ancient Egypt'. Routledge; 2003. . p. 180. to ensure that constructions are " plumb", or vertical. It is also used in surveying, to establish the nadir (opposite of zenith) with respect to gravity of a point in space. It is used with a variety of instruments (including levels, theodolites, and steel tapes) to set the instrument exactly over a fixed survey marker or to transcribe positions onto the ground for placing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fouetté En Tournant (CF46618267 109996904033)
In dance and gymnastics, a turn is a rotation of the body about the vertical axis. It is usually a complete rotation of the body, although quarter (90°) and half (180°) turns are possible for some types of turns. Multiple, consecutive turns are typically named according to the number of 360° rotations (e.g., ''double'' or ''triple'' turn). There are many types of turns, which are differentiated by a number of factors. The performer may be supported by one or both legs or be airborne during a turn. When supported by one leg, that leg is known as the ''supporting'' leg and the other as the ''free'', ''raised'', or ''working'' leg. During airborne turns, the first leg to leave the floor is the ''leading'' leg. Trunk, arm and head positions can vary, and in turns with one supporting leg, the free leg may be straight or bent. Turns can begin in various ways as well. For example, ballet turns may begin by rising to ''relevé (dance), relevé'' (supported on the Ball (anatomy), ball of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Ballet
Classical ballet is any of the traditional, formal styles of ballet that exclusively employ classical ballet technique. It is known for its aesthetics and rigorous technique (such as en pointe, pointe work, turnout (ballet), turnout of the legs, and high extensions), its flowing, precise movements, and its ethereal qualities. There are stylistic variations related to an area or origin, which are denoted by classifications such as Russian ballet, French ballet, British ballet and Italian ballet. For example, Russian ballet features high extensions and dynamic turns, whereas Italian ballet tends to be more grounded, with a focus on fast, intricate footwork. Many of the stylistic variations are associated with specific training methods that have been named after their originators. Despite these variations, the performance and vocabulary of classical ballet are largely consistent throughout the world. History Ballet originated in the Italian Renaissance courts and was brought to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Étienne Despréaux
Jean-Étienne Despréaux (; 31 August 1748 – 26 March 1820) was a French ballet dancer, choreographer, composer, singer and playwright. Biography The son of an oboist of the orchestra of the Académie royale de musique, he made here his début in 1763, four years after his brother Claude-Jean-François. A remarkable dancer for his lightness in the high dance, he was applauded in several ballets : *1771: ''Pyramus and Thisbe'', by La Serre, Rebel and Francœur *1773: ''Les Amours de Ragonde'', by Destouches and Mouret *1774: ''Iphigénie en Aulide'', by Du Roullet and Gluck *1774: '' Sabinus'', by Chabanon and Gossec *1778: ''La Chercheuse d'esprit'', a ballet by Maximilien Gardel. He retired in 1781 with a 1,000 livres pension and married the famous ballerina Marie-Madeleine Guimard on 14 August 1789. Charles-Maurice Descombes, in his 1856 ''Histoire anecdotique du théâtre'', writes: Works Despréaux wrote several parodies of operas that Louis XV particularly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Positions
Dance position is the position of a dancer or the mutual position of a dance couple assumed during a dance. Describing and mastering proper dance positions is an important part of dance technique. These dance positions of a single dancer may be further detailed into body, head, arm, hand, leg, and foot positions; also, these positions in a dance couple can additionally take into account connection, the relative orientation of partners, and directions of movement (or of movement intention). In ballet, the term "pose" is used to describe stationary dance positions; the most important are referred to as "first position" through to "fifth position." The following includes descriptions of all major ballet positions. Development Classical ballet positions were influenced by Baroque art, especially the ideal of contraposto in sculpture, where the limbs were arranged "as an active spiral, denying any flattening symmetrical frontality." Added to this was the "conscious elegance" and marti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Albert Zorn
Friedrich Albert Zorn (3 April 1816, Kempten – 1 January 1895, Odesa) was a German dancer, choreographer and dance theorist. He was a member of the Berlin Academy of Dance, the Society of Dance Teachers in Berlin, and the Society of Dance Teachers in Canada. Biography He studied dance in Königsberg and Leipzig. At the age of 19, he taught dance in Dresden and Oslo. From 1839 he lived in Odesa, where in 1840 he began teaching dancing, gymnastics, and swimming at the Richelieu Gymnasium. At the same time, he worked in four other Odesa gymnasiums and had private lessons. Later, he opened a private dance school located at 12 Politseiska Street. In 1887, in Leipzig, he published the ''Grammatik der Tanzkunst'', in which he described a system of dance notation inspired by Arthur Saint-Léon. Based on many years of research and discussions with Paul Taglioni and Saint-Léon, Zorn's theories were taken up by several German students, and his work was translated into English in 1905. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agrippina Vaganova
Agrippina Yakovlevna Vaganova (; 26 June 1879 – 5 November 1951) was a Soviet and Russian ballet teacher who developed the Vaganova method – the technique which derived from the teaching methods of the old Imperial Ballet School (today the Vaganova Academy of Russian Ballet) under the ''Premier Maître de Ballet'' Marius Petipa throughout the mid to late 19th century, though mostly throughout the 1880s and 1890s. It was Vaganova who perfected and cultivated this form of teaching the art of classical ballet into a workable syllabus. Her ''Fundamentals of the Classical Dance'' (1934) remains a standard textbook for the instruction of ballet technique. Her technique is one of the most popular techniques today. Biography Vaganova was born in Saint Petersburg to Akop Vaganov, an Armenian from Astrakhan, who worked as an usher at the Mariinsky Theatre, and a Russian mother. Vaganova's whole life was connected with the Imperial Ballet (later the Kirov Ballet) of the Mariinsky Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vertebral Column
The spinal column, also known as the vertebral column, spine or backbone, is the core part of the axial skeleton in vertebrates. The vertebral column is the defining and eponymous characteristic of the vertebrate. The spinal column is a segmented column of vertebrae that surrounds and protects the spinal cord. The vertebrae are separated by intervertebral discs in a series of cartilaginous joints. The dorsal portion of the spinal column houses the spinal canal, an elongated body cavity, cavity formed by the alignment of the vertebral neural arches that encloses and protects the spinal cord, with spinal nerves exiting via the intervertebral foramina to innervate each body segment. There are around 50,000 species of animals that have a vertebral column. The human spine is one of the most-studied examples, as the general structure of human vertebrae is fairly homology (biology), typical of that found in other mammals, reptiles, and birds. The shape of the vertebral body does, howev ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Technique
Ballet technique is the foundational principles of body movement and form used in ballet. It is an important aspect of ballet performance because ballet (especially classical ballet) puts great emphasis on the method and execution of movement., pp. 6-7 & 21. The techniques found in classical ballet are a framework for many other styles of dance, including jazz and contemporary ballet. Aspects of ballet technique include alignment, which refers to keeping the head, shoulders, and hips vertically aligned. Turnout refers to completing movements with legs rotated outward; this promotes clean footwork, graceful '' port de bras'' (movement of the arms), and correct body positions, lines and angles. Other aspects of ballet technique include posture, toe pointing, keeping shoulders down, and pulling up, which combines proper posture and lifting of the muscles to increase turnout and enhance alignment and thus improve the quality of turns. Ballet technique is also used to exhibit '' ballon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
