|
Anti Art
Anti-art is a loosely used term applied to an array of concepts and attitudes that reject prior definitions of art and question art in general. Somewhat paradoxically, anti-art tends to conduct this questioning and rejection from the vantage point of art. The term is associated with the Dada movement and is generally accepted as attributable to Marcel Duchamp pre-World War I around 1914, when he began to use found objects as art. It was used to describe revolutionary forms of art. The term was used later by the Conceptual artists of the 1960s to describe the work of those who claimed to have retired altogether from the practice of art, from the production of works which could be sold. An expression of anti-art may or may not take traditional form or meet the criteria for being defined as a work of art according to conventional standards.Paul N. Humble. "Anti-Art and the Concept of Art". In: "A companion to art theory". Editors: Paul Smith and Carolyn Wilde, Wiley-Blackwell, 2002, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piero Manzoni - Merda D'artista (1961) - Panoramio
Piero is an Italian given name. Notable people with the name include: *Piero Angela (1928–2022), Italian television host * Piero Barucci (born 1933), Italian academic and politician *Piero Cassano (born 1948), Italian keyboardist, singer and composer, a founding member of the Genoan band Matia Bazar *Piero del Pollaiuolo (c. 1443–1496), Italian painter *Piero della Francesca (c1415–1492), Italian artist of the Early Renaissance * Piero De Benedictis (born 1945), Italian-born Argentine and Colombian folk singer * Piero Ciampi (1934–1980), Italian singer *Piero di Cosimo (1462-1522), also known as Piero di Lorenzo, Italian Renaissance painter *Piero di Cosimo de' Medici (1416–1469), ''de facto'' ruler of Florence from 1464 to 1469 *Piero Ferrari (born 1945), Italian businessman *Piero Focaccia (born 1944), Italian pop singer * Piero Fornasetti (1913–1988), Italian painter * Piero Gardoni (1934–1994), Italian professional footballer * Piero Golia (born 1974), Italian conce ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Duchamp, 1917, Fountain, Photograph By Alfred Stieglitz
Marcel may refer to: People * Marcel (given name), people with the given name Marcel * Marcel (footballer, born August 1981), Marcel Silva Andrade, Brazilian midfielder * Marcel (footballer, born November 1981), Marcel Augusto Ortolan, Brazilian striker * Marcel (footballer, born 1983), Marcel Silva Cardoso, Brazilian left back * Marcel (footballer, born 1992), Marcel Henrique Garcia Alves Pereira, Brazilian midfielder * Marcel (singer), American country music singer * Étienne Marcel (died 1358), provost of merchants of Paris * Gabriel Marcel (1889–1973), French philosopher, Christian existentialist and playwright * Jean Marcel (died 1980), Madagascan Anglican bishop * Jean-Jacques Marcel (1931–2014), French football player * Rosie Marcel (born 1977), English actor * Sylvain Marcel (born 1974), Canadian actor * Terry Marcel (born 1942), British film director * Claude Marcel (1793-1876), French diplomat and applied linguist Other uses * Marcel (Friends), Marcel (''Friends''), a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Found Art
A found object (a calque from the French ''objet trouvé''), or found art, is art created from undisguised, but often modified, items or products that are not normally considered materials from which art is made, often because they already have a non-art function. Pablo Picasso first publicly utilized the idea when he pasted a printed image of chair caning onto his painting titled '' Still Life with Chair Caning'' (1912). Marcel Duchamp is thought to have perfected the concept several years later when he made a series of readymades, consisting of completely unaltered everyday objects selected by Duchamp and designated as art. The most famous example is ''Fountain'' (1917), a standard urinal purchased from a hardware store and displayed on a pedestal, resting on its back. In its strictest sense the term "readymade" is applied exclusively to works produced by Marcel Duchamp, who borrowed the term from the clothing industry () while living in New York, and especially to works datin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Activism
Activism consists of efforts to promote, impede, direct or intervene in social, political, economic or environmental reform with the desire to make Social change, changes in society toward a perceived common good. Forms of activism range from Mandate (politics), mandate building in a community (including writing letters to newspapers), petitioning elected officials, running or contributing to a political campaign, preferential patronage (or boycott) of businesses, and demonstrative forms of activism like rallies, street marches, Strike action, strikes, sit-ins, or hunger strikes. Activism may be performed on a day-to-day basis in a wide variety of ways, including through the creation of art (artivism), computer hacking (hacktivism), or simply in how one chooses to spend their money (economic activism). For example, the refusal to buy clothes or other merchandise from a company as a protest against the Exploitation of labour, exploitation of workers by that company could be cons ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Revolution
In political science, a revolution (, 'a turn around') is a rapid, fundamental transformation of a society's class, state, ethnic or religious structures. According to sociologist Jack Goldstone, all revolutions contain "a common set of elements at their core: (a) efforts to change the political regime that draw on a competing vision (or visions) of a just order, (b) a notable degree of informal or formal mass mobilization, and (c) efforts to force change through noninstitutionalized actions such as Political demonstration, mass demonstrations, Protest, protests, strikes, or violence." Revolutions have occurred throughout human history and varied in their methods, durations and outcomes. Some revolutions started with List_of_peasant_revolts, peasant uprisings or guerrilla warfare on the periphery of a country; others started with urban insurrection aimed at seizing the country's capital city. Revolutions can be inspired by the rising popularity of certain political Ideology, ideo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Body Art
Body art is art in which the artist uses their human body as the primary medium.Oxford Dictionary of Modern and Contemporary Art, Oxford University, p. 88 Emerging from the context of Conceptual Art during the 1970s, Body art may include performance art. Body art is likewise utilized for investigations of the body in an assortment of different media including painting, casting, photography, film and video. More extreme body art can involve mutilation or pushing the body to its physical limits. In more recent times, the body has become a subject of much broader discussion and treatment than can be reduced to body art in its common understanding. Important strategies that question the human body are: implants, body in symbiosis with the new technologies, virtual avatar bodies, among others. Popular use of the term Body art has been expanded into the popular culture and now covers a wide spectrum of usage, including tattoos, body piercings, scarification, and body painting. Phot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Performance Art
Performance art is an artwork or art exhibition created through actions executed by the artist or other participants. It may be witnessed live or through documentation, spontaneously developed or written, and is traditionally presented to a public in a fine art context in an interdisciplinary mode. Also known as artistic action, it has been developed through the years as a genre of its own in which art is presented live. It had an important and fundamental role in 20th century avant-garde art. It involves five basic elements: time, space, body, presence of the artist, and the relation between the artist and the public. The actions, generally developed in art galleries and museums, can take place in any kind of setting or space, and during any time period. Its goal is to generate a reaction, sometimes with the support of improvisation and a sense of aesthetics. The themes are commonly linked to life experiences of the artist themselves, the need for denunciation or social critic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Happening
A happening is a performance, event, or situation art, usually as performance art. The term was first used by Allan Kaprow in 1959 to describe a range of art-related events. History Origins Allan Kaprow first coined the term "happening" in the spring of 1959 at an art picnic at George Segal's farm to describe the art pieces being performed. The first appearance in print about one was in Kaprow's famous "Legacy of Jackson Pollock" essay that was published in 1958 but primarily written in 1956. "Happening" also appeared in print in one issue of the Rutgers University undergraduate literary magazine, ''Anthologist''. The form was imitated and the term was adopted by artists across the U.S., Germany, and Japan. Happenings are difficult to describe, in part because each one is unique. One definition comes from Wardrip-Fruin and Montfort in ''The New Media Reader'', "The term 'happening' has been used to describe many performances and events, organized by Allan Kaprow and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Appropriation (art)
In art, appropriation is the use of pre-existing objects or images with little or no transformation applied to them. The use of appropriation has played a significant role in the history of the arts (literary, visual, musical and performing arts). In the visual arts, "to appropriate" means to properly adopt, borrow, recycle or sample aspects (or the entire form) of human-made visual culture. Notable in this respect are the readymades of Marcel Duchamp. Inherent in the understanding of appropriation is the concept that the new work recontextualizes whatever it borrows to create the new work. In most cases, the original "thing" remains accessible as the original, without change. Definition Appropriation, similar to found object art is "as an artistic strategy, the intentional borrowing, copying, and alteration of preexisting images, objects, and ideas". It has also been defined as "the taking over, into a work of art, of a real object or even an existing work of art." The Tate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Combine Painting
A combine painting or Combine is an artwork that incorporates elements of both painting and sculpture. Items attached to paintings might include Dimension, three-dimensional everyday objects such as clothing or furniture, as well as printed matter including photographs or newspaper clippings. The term is most closely associated with the artwork of American artist Robert Rauschenberg (1925–2008) who coined the phrase Combine to describe his own artworks that explore the boundary between art and the everyday world. By placing them in the context of art, he endowed a new significance to ordinary objects. These cross-medium creations challenged the doctrine of medium specificity mentioned by modernist art critic Clement Greenberg. American artist Frank Stella created a large body of paintings in the late 1950s that recall the Combines of Robert Rauschenberg. In these works, Stella juxtaposed a wide variety of surfaces and materials, a process which led to Stella's later sculptur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Détournement
A détournement (), meaning "rerouting, hijacking" in French, is a technique developed in the 1950s by the Letterist International, and later adapted by the Situationist International (SI),'' Report on the Construction of Situations'' (1957) that was defined in the SI's inaugural 1958 journal as " e integration of present or past artistic productions into a superior construction of a milieu. In this sense there can be no situationist painting or music, but only a situationist use of those means. In a more elementary sense, ''détournement'' within the old cultural spheres is a method of propaganda, a method which reveals the wearing out and loss of importance of those spheres." The brand marketing specialist Douglas B. Holt defined it as "turning expressions of the capitalist system and its media culture against itself". Détournement was prominently used to set up subversive political pranks, an influential tactic called situationist prank that was reprised by the punk ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Readymades Of Marcel Duchamp
The readymades of Marcel Duchamp are ordinary manufactured objects that the artist selected and modified, as an antidote to what he called "retinal art".Tomkins: ''Duchamp: A Biography'', page 158. By simply choosing the object (or objects) and repositioning or joining, titling and signing it, the found object became art. Duchamp was not interested in what he called "retinal art"—art that was only visual—and sought other methods of expression. As an antidote to retinal art he began creating readymades in 1914, when the term was commonly used in the United States to describe manufactured items to distinguish them from handmade goods. He selected the pieces on the basis of "visual indifference",Cabanne: ''Dialogs with Marcel Duchamp'', Thames and Hudson (1971), page 48. ''Cabanne: What determined your choice of readymades? Duchamp: That depended on the object. In general, I had to beware, at the end of fifteen days, you begin to like it or hate it. You have to approach somethin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
