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Anti-fairy Tale
An anti-fairy tale, also called anti-tale, is a fairy tale which, unlike an ordinary one, has a tragic, rather than a happy ending, with the antagonists winning and the protagonists losing at the end of the story. Whereas fairy tales paint a magical, utopian world, anti-fairy tales paint a dark world of nastiness and cruelty. Such stories incorporate Horror fiction, horror, black comedy, mean-spirited practical jokes on innocent characters, sudden and often cruel plot twists, and biting satire.''The Greenwood Encyclopedia of Folktales and Fairy Tales: A-F''article "Anti-fairy tale", p. 50/ref>Catriona McAra, David Calvin, ''Anti-Tales: The Uses of Disenchantment'', Cambridge Scholars Publishing, May 25, 2011, p. 4/ref> The term () was introduced by André Jolles in his ''Einfache Formen'' (1930).André Jolles: Einfache Formen. Legende, Sage, Mythe, Rätsel, Spruch, Kasus, Memorabile, Märchen, Witz. Niemeyer, Halle (Saale) 1930 (Forschungsinstitut für Neuere Philologie Leipzig: Ne ...
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Fischer Und Frau
Fischer is a German occupational surname, meaning fisherman. The name Fischer is the fourth most common German surname. The English version is Fisher (surname), Fisher. People with the surname A * Abraham Fischer (1850–1913) South African public official * Adam Fischer (sculptor) (1888–1968), Danish sculptor * Ádám Fischer (born 1949), Hungarian conductor * Adolf Fischer (officer) (1893–1947), German Nazi general executed for war crimes * Adolph Fischer (1858–1887) German-American anarchist * Alfred Fischer (architect) (1881–1950), German architect * Alfred Fischer (judge) (1919–2004), German judge * :id:Andrew Andika, Andrew Andika Fischer (born 1987), Indonesian actor * Angeline Fuller Fischer (1841–1925), American writer * Annie Fischer (1914–1995), Hungarian pianist * Andrea Fischer (born 1960), German politician * Andrea Fischer (scientist), (born 1973), Austrian glaciologist * Anton Fischer (bobsleigh), German bobsledder * Artur Fischer (1919–2016), Ger ...
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Fairy Tale
A fairy tale (alternative names include fairytale, fairy story, household tale, magic tale, or wonder tale) is a short story that belongs to the folklore genre. Such stories typically feature magic, enchantments, and mythical or fanciful beings. In most cultures, there is no clear line separating myth from folk or fairy tale; all these together form the literature of preliterate societies. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicit moral tales, including beast fables. Prevalent elements include dragons, dwarfs, elves, fairies, giants, gnomes, goblins, griffins, merfolk, monsters, monarchy, pixies, talking animals, trolls, unicorns, witches, wizards, magic, and enchantments. In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy-tale ending" (a happy ending) or "fairy-tale romance". ...
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Happy Ending
A happy ending is an ending of the plot of a work of fiction in which there is a positive outcome for the protagonist or protagonists, and in which this is to be considered a favourable outcome. In storylines where the protagonists are in physical danger, a happy ending mainly consists of their survival and successful completion of the quest or mission; where there is no physical danger, a happy ending may be lovers consummating their love despite various factors which might have thwarted it. A considerable number of storylines combine both situations. In Steven Spielberg's version of '' War of the Worlds'', the happy ending consists of three distinct elements: The protagonists all survive the countless perils of their journey; humanity as a whole survives the alien invasion; ''and'' the protagonist father regains the respect of his estranged children. The plot is so constructed that all three are needed for the audience's feeling of satisfaction in the end. A happy ending ...
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Horror Fiction
Horror is a genre of speculative fiction that is intended to disturb, frighten, or scare an audience. Horror is often divided into the sub-genres of psychological horror and supernatural horror. Literary historian J. A. Cuddon, in 1984, defined the horror story as "a piece of fiction in prose of variable length... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society. History Before 1000 The horror genre has ancient origins, with roots in folklore and religious traditions focusing on death, the afterlife, evil, the demonic, and the principle of the thing embodied in the person. These manifested in stories of beings such as demons, witches, vampires, werewolves, and ghosts. Some early European horror-fiction were the Ancient Greeks and Ancie ...
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Black Comedy
Black comedy, also known as black humor, bleak comedy, dark comedy, dark humor, gallows humor or morbid humor, is a style of comedy that makes light of subject matter that is generally considered taboo, particularly subjects that are normally considered serious or painful to discuss, aiming to provoke discomfort, serious thought, and amusement for their audience. Thus, in fiction, for example, the term ''black comedy'' can also refer to a genre in which dark humor is a core component. Black comedy differs from ribaldry#Blue comedy, blue comedy—which focuses more on topics such as nudity, Human sexual activity, sex, and body fluids—and from obscenity. Additionally, whereas the term ''black comedy'' is a relatively broad term covering humor relating to many serious subjects, ''gallows humor'' tends to be used more specifically in relation to death, or situations that are reminiscent of dying. Black humor can occasionally be related to the grotesque genre. Literary critics h ...
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Practical Joke
A practical joke or prank is a trick played on people, generally causing the victim to experience embarrassment, perplexity, confusion, or discomfort.Marsh, Moira. 2015. ''Practically Joking''. Logan: Utah State University Press. The perpetrator of a practical joke is called a "practical joker" or "prankster". Other terms for practical jokes include gag, rib, jape, or shenanigan. Some countries in Western culture, western nations make it tradition to carry out pranks on April Fools' Day and Mischief Night. Purpose Practical jokes differ from confidence tricks or hoaxes in that the victim finds out, or is let in on the joke, rather than being talked into handing over money or other valuables. Practical jokes are generally lighthearted and without lasting effect; they aim to make the victim feel humbled or foolish, but not victimized or humiliation, humiliated. Thus most practical jokes are affectionate gestures of humour and designed to encourage laughter. However, practical ...
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Plot Twist
A plot twist is a literary technique that introduces a radical change in the direction or expected outcome of the plot in a work of fiction. When it happens near the end of a story, it is known as a twist ending or surprise ending. It may change the audience's perception of the preceding events, or introduce a new conflict that places it in a different context. A plot twist may be foreshadowed, to prepare the audience to accept it, but it usually comes with some element of surprise. There are various methods used to execute a plot twist, such as withholding information from the audience, or misleading them with ambiguous or false information. Not every plot has a twist, but some have multiple lesser ones, and some are defined by a single major twist. Since the effectiveness of a plot twist usually relies on the audience's not having expected it, revealing a plot twist to readers or viewers in advance is commonly regarded as a ''spoiler''. Even revealing the fact that a work cont ...
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Satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposing or shaming the perceived flaws of individuals, corporations, government, or society itself into improvement. Although satire is usually meant to be humorous, its greater purpose is often constructive social criticism, using wit to draw attention to both particular and wider issues in society. Satire may also poke fun at popular themes in art and film. A prominent feature of satire is strong irony or sarcasm—"in satire, irony is militant", according to literary critic Northrop Frye— but parody, burlesque, exaggeration, juxtaposition, comparison, analogy, and double entendre are all frequently used in satirical speech and writing. This "militant" irony or sarcasm often professes to approve of (or at least accept as natural) th ...
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André Jolles
Johannes Andreas Jolles, known as André Jolles (August 7, 1874, in Den Helder, Netherlands – February 22, 1946, in Leipzig, Germany) was a Dutch-German art historian, Literary criticism, literary critic and Philology, linguist who was affiliated with the Nazi Party. He is best known for his work on ' (). Life Jolles was born on August 7, 1874, in Den Helder. His father, Hendrik Jolle Jolles, died on February 25, 1888, in Naples. Jolles grew up as an only child with his mother Jacoba Cornelia Singles (1847–1901) in Amsterdam. In the 1890s, he worked on magazines such as ''Van Nu en Straks'' and ''De Kroniek'' in 1893 and 1895 respectively, and was the editor for art and science at ''De Telegraaf'' from 1897 to 1898. He studied Egyptian language, Egyptian and Semitic languages in Paris and Amsterdam from 1893 to 1894 and again in 1899 at the University of Leiden. In 1896, Jolles met Johan Huizinga in Groningen, who became a long-time friend. On a trip to Italy with Huizing ...
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The Fisherman And His Wife
"The Fisherman and His Wife" (Low German: ''Von dem Fischer un syner Fru'') is a German fairy tale collected by the Brothers Grimm in 1812 (KHM 19). The tale is of Aarne–Thompson type 555, about dissatisfaction and greed. It may be classified as an anti-fairy tale.''The Greenwood Encyclopedia of Folktales and Fairy Tales: A-F''article "Anti-fairy tale", p. 50/ref> Origin The tale was published by the Brothers Grimm in the first edition of ''Kinder- und Hausmärchen'' in 1812 as tale no. 19. Their source was the German painter Philipp Otto Runge (1777–1810), from whom the Grimms obtained a manuscript of the tale in 1809. Johann Gustav Büsching published another version of Runge's manuscript a few months earlier in 1812 in ''Volkssagen, Märchen und Legenden'', with some discrepancies with Grimm's version. Synopsis There is a poor fisherman who lives with his wife in a hovel by the sea. One day the fisherman catches a fish who claims to be able to grant wishes and begs t ...
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The Swineherd
"The Swineherd" () is a literary fairy tale by Hans Christian Andersen about a prince who disguises himself as a swineherd to win an arrogant princess. The tale was first published December 20, 1841 by C. A. Reitzel in Copenhagen, Denmark in '' Fairy Tales Told for Children. New Collection. Third Booklet'' (''Eventyr, fortalte for Børn. Ny Samling. Tredie Hefte''). The tale appears to be original with Andersen though similar tales are known. "The Swineherd" has been adapted to other media. Plot A wealthy prince wants to marry the Emperor's daughter and sends her two beautiful gifts, a nightingale and a rose. The princess rejects the humble gifts because they're real and natural, rather than artificial. The prince then disguises himself and applies for the position of swineherd at the palace. Once on the job, he creates a musical pot. The princess slogs through the mud to the swineherd's hut and pays ten kisses for the pot. When the swineherd follows the pot with the creation of a ...
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Fabien Vehlmann
Fabien Vehlmann (born 30 January 1972) is a French comics writer best known for '' Green Manor'' and '' Seuls''. Yvan Delportecalled him " e René Goscinny of the third millennium". Biography Fabien Vehlmann, born in 1972 in Mont-de-Marsan, grew up in the Landes and the Savoie. He studied in Nantes. He started writing comics in 1996, but only got to work for '' Spirou'' magazine the next year, where he provided very short stories for the weekly summary of the magazine. Soon, some stories of a few pages followed, with artwork by a number of different artists, including Eric Maltaite and René Follet. His first recurring series was '' Green Manor'' with Denis Bodart. With Bruno Gazzotti he created '' Seuls''. In January 2009, it was announced in '' Spirou'' magazine #3694 that Jean-David Morvan and José-Luis Munuera would be succeeded as the creative team behind the series ''Spirou et Fantasio'' by Yoann and Vehlmann, who had together created the first volume of '' Une ave ...
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