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Alpine Folk Music
Alpine folk music (; German's ''Volksmusik'' means "people's music" or as a Germanic connotative translation, "folk's music") is the common umbrella designation of a number of related styles of traditional folk music in the Alpine regions of Slovenia, Northern Croatia, Germany, Austria, Switzerland and South Tyrol (Italy). It tends to be dialect-heavy and invokes local and regional lifestyles, cultures and traditions, particularly, those of the Alpine farmers and peasants. Originally transmitted by oral tradition, the oldest historical records like the Appenzell '' Kuhreihen'' by Georg Rhau (1488–1548) date back to the 16th century. Alpine folk is characterized by improvisation and variation, uncomplicated major key melodies and simple harmonies. Typical instruments range from alpenhorns to hackbretts, zithers and acoustic guitars, and even violas and harmonicas. Harmonized singing is frequent, but other pieces may require yodeling, while instrumental arrangements are particu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Traditional Folk Music
Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has been defined in several ways: as music transmitted orally, music with unknown composers, music that is played on traditional instruments, music about cultural or national identity, music that changes between generations (folk process), music associated with a people's folklore, or music performed by Convention (norm), custom over a long period of time. It has been contrasted with popular music, commercial and art music, classical styles. The term originated in the 19th century, but folk music extends beyond that. Starting in the mid-20th century, a new form of popular folk music evolved from traditional folk music. This process and period is called the (second) folk revival and reached a zenith ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ranz Des Vaches
A ''Ranz des Vaches'' (, ) or ''Kuhreihen'' () is a simple melody traditionally played on the horn by the Swiss Alpine herdsmen as they drove their cattle to or from the pasture. The ''Kuhreihen'' was linked to the Swiss nostalgia and Homesickness (also known as ''mal du Suisse'' "Swiss illness" or ''Schweizerheimweh'' "Swiss homesickness"). In Swiss nostalgia The Reverend James Wood, writing in '' The Nuttall Encyclopaedia'' in 1907, said that such a tune "when played in foreign lands, produces on a Swiss an almost irrepressible yearning for home", repeating 18th century accounts the ''mal du Suisse'' or ''nostalgia'' diagnosed in Swiss mercenaries. Singing of ''Kuhreihen'' was forbidden to Swiss mercenaries because they led to ''nostalgia'' to the point of desertion, illness or death. The 1767 ''Dictionnaire de Musique'' by Jean-Jacques Rousseau claims that Swiss mercenaries were threatened with severe punishment to prevent them from singing their Swiss songs. The Romantic c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Volkstümliche Musik
Volkstümliche Musik (German for "folksy/traditional/popular music") is a modern popular derivation of the traditional ''Volksmusik'' genre of German-speaking regions. Though it is often marketed as ''Volksmusik'', it differs from traditional folk music in that it is commercially performed by celebrity singers and concentrates on newly created sentimental and cheerful feel-good compositions. Volkstümliche Musik is sometimes instrumental, but usually presented by one or especially two singers and is most popular amongst an adult audience in Germany, Austria, Switzerland, and also in South Tyrol (Italy), Alsace-Moselle (France), Netherlands, Flanders (Belgium), Slovenia, Silesia (Poland) and northern Croatia. Characteristics Closely related to the German schlager genre, many titles stress a Heimat affect, being presented in regional dialects (e.g. Bavarian, Upper Saxon, Low German) or colloquial language (e.g. Rhinelandic) and invoke local and regional lifestyles and tradit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrumental Music
An instrumental or instrumental song is music without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duo or trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, before the singer starts to sing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yodeling
Yodeling (also jodeling) is a form of singing which involves repeated and rapid changes of pitch between the low-pitch chest register (or "chest voice") and the high-pitch head register or falsetto. The English word ''yodel'' is derived from the German word ''jodeln'', meaning "to utter the syllable ''jo''" (pronounced "yo"). This vocal technique is used in many cultures worldwide. Recent scientific research concerning yodeling and non-Western cultures suggests that music and speech may have evolved from a common prosodic precursor. Alpine yodeling was a longtime rural tradition in Europe, and became popular in the 1830s as entertainment in theaters and music halls. In Europe, yodeling is still a major feature of folk music (''Volksmusik'') from Switzerland, Austria, and southern Germany and can be heard in many contemporary folk songs, which are also featured on regular TV broadcasts. In the United States, traveling minstrels were yodeling in the 19th century, and, in 1920, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violas
The viola ( , () ) is a string instrument of the violin family, and is usually bowed when played. Violas are slightly larger than violins, and have a lower and deeper sound. Since the 18th century, it has been the middle or alto voice of the violin family, between the violin (which is tuned a perfect fifth higher) and the cello (which is tuned an octave lower). The strings from low to high are typically tuned to C3, G3, D4, and A4. In the past, the viola varied in size and style, as did its names. The word ''viola'' originates from the Italian language. The Italians often used the term ''viola da braccio'', meaning, literally, 'of the arm'. "Brazzo" was another Italian word for the viola, which the Germans adopted as ''Bratsche''. The French had their own names: ''cinquiesme'' was a small viola, ''haute contre'' was a large viola, and ''taile'' was a tenor. Today, the French use the term ''alto'', a reference to its range. The viola was popular in the heyday of five-part har ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zither
Zither (; , from the Greek ''cithara'') is a class of stringed instruments. The modern instrument has many strings stretched across a thin, flat body. Zithers are typically played by strumming or plucking the strings with the fingers or a plectrum. In the Hornbostel–Sachs classification system, the term refers to a larger family of similarly shaped instruments that also includes the hammered dulcimer family and piano and a few rare bowed instruments like the bowed psaltery, bowed dulcimer, and streichmelodion. Like an acoustic guitar or lute, a zither's body serves as a resonating chamber ( sound box), but, unlike guitars and lutes, a zither lacks a distinctly separate neck assembly. The number of strings varies, from one to more than fifty. In modern usage the term "zither" usually refers to three specific instruments: the concert zither (), its variant the Alpine zither (each of which uses a fretted fingerboard), and the chord zither (more recently described as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hackbrett
The hammered dulcimer (also called the hammer dulcimer) is a percussion-string instrument which consists of strings typically stretched over a trapezoidal resonant sound board. The hammered dulcimer is set before the musician, who in more traditional styles may sit cross-legged on the floor, or in a more modern style may stand or sit at a wooden support with legs. The player holds a small spoon-shaped mallet or ''hammer'' in each hand to strike the strings. The Graeco-Roman word ''dulcimer'' (sweet song) derives from the Latin ''dulcis'' (sweet) and the Greek ''melos'' (song). The dulcimer, in which the strings are beaten with small hammers, originated from the psaltery, in which the strings are plucked. Hammered dulcimers and other similar instruments are traditionally played in Iraq, India, Iran, Southwest Asia, China, Korea, and parts of Southeast Asia, Central Europe (Hungary, Slovenia, Romania, Slovakia, Poland, Czech Republic, Switzerland Appenzell.html" ;"title="articula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alpenhorn
The alphorn (; ; ) is a traditional lip-reed wind instrument. It consists of a very long straight wooden natural horn, with a length of , a conical bore and a wooden cup-shaped mouthpiece. Traditionally the alphorn was made in one piece from the trunk of a pine. Modern alphorns are usually made in three detachable sections for easier transport and handling, carved from blocks of spruce. The alphorn is used by rural communities in the Alps. Similar wooden horns were used for communication in most mountainous regions of Europe, from the Alps to the Carpathians. History The alphorn may have developed from instruments like the , a similarly shaped Etruscan instrument of classical antiquity, although there is little documented evidence of a continuous connection between them. A 2nd century Roman mosaic, found in Boscéaz, depicts a shepherd using a similar straight horn. The use of long signal horns in mountainous areas throughout Europe and Asia may indicate a long history of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmony
In music, harmony is the concept of combining different sounds in order to create new, distinct musical ideas. Theories of harmony seek to describe or explain the effects created by distinct pitches or tones coinciding with one another; harmonic objects such as chords, textures and tonalities are identified, defined, and categorized in the development of these theories. Harmony is broadly understood to involve both a "vertical" dimension (frequency-space) and a "horizontal" dimension (time-space), and often overlaps with related musical concepts such as melody, timbre, and form. A particular emphasis on harmony is one of the core concepts underlying the theory and practice of Western music. The study of harmony involves the juxtaposition of individual pitches to create chords, and in turn the juxtaposition of chords to create larger chord progressions. The principles of connection that govern these structures have been the subject of centuries worth of theoretical work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody
A melody (), also tune, voice, or line, is a linear succession of musical tones that the listener perceives as a single entity. In its most literal sense, a melody is a combination of Pitch (music), pitch and rhythm, while more figuratively, the term can include other musical elements such as Timbre, tonal color. It is the foreground to the background accompaniment. A line or Part (music), part need not be a foreground melody. Melodies often consist of one or more musical Phrase (music), phrases or Motif (music), motifs, and are usually repeated throughout a Musical composition, composition in various forms. Melodies may also be described by their melodic motion or the pitches or the interval (music), intervals between pitches (predominantly steps and skips, conjunct or disjunct or with further restrictions), pitch range, tension (music), tension and release, continuity and coherence, cadence (music), cadence, and shape. Function and elements Johann Philipp Kirnberger arg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, jazz music, art music, and pop music. A particular key features a '' tonic (main) note'' and its corresponding '' chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest. The tonic also has a unique relationship to the other pitches of the same key, their corresponding chords, and pitches and chords outside the key. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major mode, minor mode, or one of several other modes. Musicians assume major when this is not specified; for example, "this piece is in C" implies that the key of the piece is C major. Popular songs and classical music from the common practice period are usually in a single key; longer pieces in the classical repe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
