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All-over Painting
All-over painting refers to the non-differential treatment of the surface of a work of two-dimensional art, for instance a painting. This concept is most popularly thought of as emerging in relation to the so-called "drip" paintings of Jackson Pollock and the "automatic writing" or "abstract calligraphy" of Mark Tobey in the 1950s, though the applicability of the term all-over painting would be wider than that. "All-over painting" is not a formal style of painting and the term does not represent an "art movement." Some painting under the heading color field painting displays the "all-over" painting style. Such a painting would fail to treat the top, for instance, differently from the bottom; the left than the right. Uniform treatment of all sections of the surface are the hallmark of all-over painting. All-over paintings would lack a dominant point of interest, or any indication of which way is "up." Some paintings by Cy Twombly have had this term applied to them. Clement Greenber ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drip Painting
Drip painting is a form of art, often abstract art, in which paint is dripped or poured on to the canvas. This style of action painting was experimented with in the first half of the twentieth century by such artists as Francis Picabia, André Masson and Max Ernst, who employed drip painting in his works ''The Bewildered Planet'', and ''Young Man Intrigued by the Flight of a Non-Euclidean Fly'' (1942). Ernst used the novel means of painting Lissajous figures by swinging a punctured bucket of paint over a horizontal canvas. Drip painting found particular expression in the work of the mid-twentieth-century artists Janet Sobel—who pioneered the technique—and Jackson Pollock. Pollock found drip painting to his liking, later using the technique almost exclusively. He used unconventional tools like sticks, hardened brushes and even basting syringes to create large and energetic abstract works. Pollock used house or industrial paint to create his paintings—Pollock's wife Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jackson Pollock
Paul Jackson Pollock (; January 28, 1912August 11, 1956) was an American painter. A major figure in the abstract expressionist movement, Pollock was widely noticed for his "Drip painting, drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles. It was called all-over painting and action painting, since he covered the entire canvas and used the force of his whole body to paint, often in a frenetic dancing style. This extreme form of abstraction divided critics: some praised the immediacy of the creation, while others derided the random effects. A reclusive and volatile personality, Pollock struggled with alcoholism for most of his life. In 1945, he married the artist Lee Krasner, who became an important influence on his career and on his legacy. Pollock died at age 44 in an alcohol-related single-car collision when he was driving. In December 1956, four months after his death, Pollock was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Tobey
Mark George Tobey (December 11, 1890 – April 24, 1976) was an American painter. His densely structured compositions, inspired by Asian calligraphy, resemble Abstract expressionism, although the motives for his compositions differ philosophically from most Abstract Expressionist painters. His work was widely recognized throughout the United States and Europe. Along with Guy Anderson, Kenneth Callahan, Morris Graves, and William Cumming, Tobey was a founder of the Northwest School. Senior in age and experience, he had a strong influence on the others; friend and mentor, Tobey shared their interest in philosophy and Eastern religions. Similar to others of the Northwest School, Tobey was mostly self-taught after early studies at the Art Institute of Chicago. In 1921, Tobey founded the art department at The Cornish School in Seattle, Washington.Cornish, Nellie C. "Miss Aunt Nellie: The Autobiography of Nellie C. Cornish". Seattle, University of Washington, 1964, p. 134-35 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Movement
An art movement is a tendency or style in art with a specific art philosophy or goal, followed by a group of artists during a specific period of time, (usually a few months, years or decades) or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered a new avant-garde movement. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality ( figurative art). By the end of the 19th century many artists felt a need to create a new style which would encompass the fundamental changes taking place in technology, science and philosophy ( abstract art). Concept According to theories associated with modernism and also the concept of postmodernism, ''art movements'' are especially important during the period of time corresponding to modern art. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cy Twombly
Edwin Parker "Cy" Twombly Jr. (; April 25, 1928July 5, 2011) was an American Painting, painter, Sculpture, sculptor, and photographer. Twombly influenced artists such as Anselm Kiefer, Francesco Clemente, Julian Schnabel, and Jean-Michel Basquiat. His best-known works are typically large-scale, freely-scribbled, Calligraphy, calligraphic and graffiti, graffiti-like works on solid fields of mostly gray, tan, or off-white colors. His later paintings and works on paper shifted toward "romantic symbolism", and their titles can be interpreted visually through shapes and forms and words. Twombly often quoted poets such as Stéphane Mallarmé, Rainer Maria Rilke, and John Keats, as well as classical myths and allegories, in his works. Examples of this are his ''Apollo and The Artist'' and a series of eight drawings consisting solely of inscriptions of the word "VIRGIL". Twombly's works are in the permanent collections of modern art museums globally, including the Menil Collection i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clement Greenberg
Clement Greenberg () (January 16, 1909 – May 7, 1994), occasionally writing under the pseudonym K. Hardesh, was an American essayist known mainly as an art critic closely associated with American modern art of the mid-20th century and a formalist aesthetician. He is best remembered for his association with the art movement abstract expressionism and the painter Jackson Pollock. Early life Clement Greenberg was born in the Bronx, New York City, in 1909. His parents were middle-class Jewish immigrants, and he was the eldest of their three sons. Since childhood, Greenberg sketched compulsively, until becoming a young adult, when he began to focus on literature. He attended Erasmus Hall High School, the Marquand School for Boys, and Syracuse University, graduating with an A.B. in 1930, cum laude, Phi Beta Kappa. After college, already fluent in Yiddish and English since childhood, Greenberg taught himself Italian and German in addition to French and Latin. Over the next few year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janet Sobel
Janet Sobel (May 31, 1893 – November 11, 1968), born Jennie Olechovsky (occ. Lechovsky), was a Ukrainian-born American Abstract Expressionist painter who pioneered the drip painting technique; her work directly influenced Jackson Pollock. She was credited as exhibiting the first instance of all-over painting seen by Clement Greenberg, a notable art critic. Her career started mid-life, at age forty-five in 1938. Early life Janet Sobel was born as Jennie Olechovsky in 1893 in Katerynoslav, Russian Empire (now Dnipro, Ukraine). Her father, Baruch Olechovsky, was killed in a Russian pogrom. In 1908, Sobel moved to Brighton Beach, Brooklyn with her mother, Fannie Kinchuk, a midwife, and her siblings. Two years later, she married Max Sobel, a fellow emigrant from Ukraine, with whom she had five children. Career Sobel was already a grandmother when she began painting in 1937. She produced both non-objective abstractions and figurative artwork. Upon recognizing Sobel's talent, her s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Action Painting
Action painting, sometimes called "gestural abstraction", is a style of painting in which paint is spontaneously dribbled, splashed or smeared onto the canvas, rather than being carefully applied. The resulting work often emphasizes the physical act of painting itself as an essential aspect of the finished work or concern of its artist. Background The style was widespread from the 1940s until the early 1960s, and is closely associated with abstract expressionism (some critics have used the terms "action painting" and " abstract expressionism" interchangeably). A comparison is often drawn between the American action painting and the French tachisme. The New York School of American Abstract Expressionism (1940s-50s) is also seen as closely linked to the movement. The term was coined by the American critic Harold Rosenberg in 1952, in his essay "The American Action Painters", and signaled a major shift in the aesthetic perspective of New York School painters and critics. Ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Avant-garde Art
In the arts and literature, the term ''avant-garde'' ( meaning or ) identifies an experimental genre or work of art, and the artist who created it, which usually is aesthetically innovative, whilst initially being ideologically unacceptable to the artistic The Establishment, establishment of the time. The military metaphor of an ''advance guard'' identifies the artists and writers whose innovations in style, form, and subject-matter challenge the artistic and Aesthetics, aesthetic validity of the established forms of art and the literary traditions of their time; thus, the artists who created the anti-novel and Surrealism were ahead of their times. As a stratum of the intelligentsia of a society, avant-garde artists promote progressive and radical politics and advocate for societal reform with and through works of art. In the essay "The Artist, the Scientist, and the Industrialist" (1825), Olinde Rodrigues, Benjamin Olinde Rodrigues's political usage of ''vanguard'' identified ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Abstract Expressionism
Abstract expressionism in the United States emerged as a distinct art movement in the aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralism, Mexican muralists. The term was first applied to American art in 1946 by the art critic Robert Coates (critic), Robert Coates. Key figures in the New York School (art), New York School, which was the center of this movement, included such artists as Arshile Gorky, Jackson Pollock, Franz Kline, Mark Rothko, Norman Lewis (artist), Norman Lewis, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell, Theodoros Stamos, and Lee Krasner among others. The movement was not limited to painting but included influential collagists and sculptors, such as David Smith (sculptor), David Smith, Louise Nevelson, and others. Abstract expressionism was notably influenced by the spontaneous and subconscious creation met ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contemporary Art
Contemporary art is a term used to describe the art of today, generally referring to art produced from the 1970s onwards. Contemporary artists work in a globally influenced, culturally diverse, and technologically advancing world. Their art is a dynamic combination of Medium (arts), materials, methods, concepts, and subjects that continue the challenging of boundaries that was already well underway in the 20th century. Diverse and eclectic, contemporary art as a whole is distinguished by the very lack of a uniform, organising principle, ideology, or "-ism". Contemporary art is part of a cultural dialogue that concerns larger contextual frameworks such as personal and cultural identity, family, community, and nationality. In English, ''modern'' and ''contemporary'' are synonyms, resulting in some conflation and confusion of the terms ''modern art'' and ''contemporary art'' by non-specialists. Some specialists also consider that the frontier between the two is blurry; for instance, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
