Adi Tala

	Adi Tala {{Carnatic Adi tala (Sanskrit: ''ādi tāḷa'', Kannada: ಆದಿ ತಾಳ, literally "primary rhythm" also spelled aadi taalam or adi talam) is the name of one of the most popular tala or rhythms used in Carnatic Music Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is o .... Its full technical name according to the Carnatic Music's tala system is ''Chaturashra-naDe Chaturashra-jaati triputa taLa''. Structure This tala has eight aksharas, each being 4 svaras long. Many kritis and around half of the varnams are set to this tala. Carnatic music Carnatic music terminology ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
picture info	Carnatic Music Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is one of three main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. (The other two are Hindustani music and Odissi music.) The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulae), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani music. Although improvisation plays an important role, Carnatic music is mainly sung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
picture info	Tala (music) A tala (IAST ''tāla'') literally means a 'clap, tapping one's hand on one's arm, a musical measure'. It is the term used in Indian classical music similar to Metre (music), musical meter, that is any rhythmic beat or strike that measures musical time. The measure is typically established by hand clapping, waving, touching fingers on thigh or the other hand, verbally, striking of small cymbals, or a percussion instrument in the Indian subcontinental traditions. Along with ''raga'' which forms the fabric of a melodic structure, the ''tala'' forms the life cycle and thereby constitutes one of the two foundational elements of Indian music. ''Tala'' is an ancient music concept traceable to Vedas, Vedic era texts of Hinduism, such as the ''Samaveda'' and methods for singing the Vedic hymns. The music traditions of the North and South India, particularly the ''raga'' and ''tala'' systems, were not considered as distinct until about the 16th century. There on, during the tumultuous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
	Akshara Akshara () is a term used in the traditional grammar of the Sanskrit language and in the Vedanta school of Indian philosophy. The term is derived from अ, '' a-'' "not" and क्षर्, ''kṣar-'' "melt away, perish". The uniting aspect of its use is the mystical view of language, or ''shabda'', in Hindu tradition, and especially the notion of the ''syllable'' as a kind of immutable (or "atomic") substance of both language and truth, most prominently, the mystical syllable Aum, which is given the name of ''ekākṣara'' (i.e. ''eka-akṣara''), which can be translated as both "the sole imperishable thing" and as "a single syllable". Grammatical tradition The akshara is the unit of graphemic symbols in the Brahmic scripts. An akshara is more a syllable-like unit for writing which requires the knowledge of syllables and the ''matra'', i.e. the measure of prosodic marking. In writing it prototypically stands for CV, CVV, CCV, CCVV, CCCV, CCCVV, V and VV where "C" stands for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]
	Carnatic Music Carnatic music (known as or in the Dravidian languages) is a system of music commonly associated with South India, including the modern Indian states of Andhra Pradesh, Karnataka, Kerala, Tamil Nadu, Telangana and southern Odisha. It is one of three main subgenres of Indian classical music that evolved from ancient Hindu texts and traditions, particularly the Samaveda. (The other two are Hindustani music and Odissi music.) The main emphasis in Carnatic music is on vocal music; most compositions are written to be sung, and even when played on instruments, they are meant to be performed in ''gāyaki'' (singing) style. Although there are stylistic differences, the basic elements of (the relative musical pitch), (the musical sound of a single note), (the mode or melodic formulae), and (the rhythmic cycles) form the foundation of improvisation and composition in both Carnatic and Hindustani music. Although improvisation plays an important role, Carnatic music is mainly sung ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu]