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Acrostics
An acrostic is a poem or other word composition in which the ''first'' letter (or syllable, or word) of each new line (or paragraph, or other recurring feature in the text) spells out a word, message or the alphabet. The term comes from the French from post-classical Latin , from Koine Greek , from Ancient Greek "highest, topmost" and "verse". As a form of constrained writing, an acrostic can be used as a mnemonic device to aid memory retrieval. When the ''last'' letter of each new line (or other recurring feature) forms a word it is called a telestich (or telestic); the combination of an acrostic and a telestich in the same composition is called a double acrostic (e.g. the first-century Latin Sator Square). Acrostics are common in medieval literature, where they usually serve to highlight the name of the poet or his patron, or to make a prayer to a saint. They are most frequent in verse works but can also appear in prose. The Middle High German poet Rudolf von Ems for exa ...
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Book Of Lamentations
The Book of Lamentations (, , from its incipit meaning "how") is a collection of poetic laments for the destruction of Jerusalem in 586 BCE. In the Hebrew Bible, it appears in the Ketuvim ("Writings") as one of the Five Megillot ("Five Scrolls") alongside the Song of Songs, Book of Ruth, Ecclesiastes, and the Book of Esther. In the Christian Old Testament, it follows the Book of Jeremiah, for the prophet Jeremiah is traditionally understood to have been its author. By the mid-19th century, German scholars doubted Jeremiah's authorship, a view that has since become the prevailing scholarly consensus. Most scholars also agree that the Book of Lamentations was composed shortly after Jerusalem's fall in 586 BCE. Some motifs of a traditional Mesopotamian "city lament" are evident in the book, such as mourning the desertion of the city by God, its destruction, and the ultimate return of the deity; others "parallel the funeral dirge in which the bereaved bewails... and... addres ...
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Hebrew Alphabet
The Hebrew alphabet (, ), known variously by scholars as the Ktav Ashuri, Jewish script, square script and block script, is a unicase, unicameral abjad script used in the writing of the Hebrew language and other Jewish languages, most notably Yiddish, Judaeo-Spanish, Ladino, Judeo-Arabic languages, Judeo-Arabic, and Judeo-Persian. In modern Hebrew, vowels are increasingly introduced. It is also used informally in Israel to write Levantine Arabic, especially among Druze in Israel, Druze. It is an offshoot of the Aramaic alphabet, Imperial Aramaic alphabet, which flourished during the Achaemenid Empire and which itself derives from the Phoenician alphabet. Historically, a different abjad script was used to write Hebrew: the original, old Hebrew script, now known as the Paleo-Hebrew alphabet, has been largely preserved in a variant form as the Samaritan script, Samaritan alphabet, and is still used by the Samaritans. The present ''Jewish script'' or ''square script'', on the cont ...
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Sator Square
The Sator Square (or Rotas-Sator Square or Templar Magic Square) is a two-dimensional acrostic class of word square containing a five-word Latin palindrome. The earliest squares were found at Roman-era sites, all in ROTAS-form (where the top line is "ROTAS", not "SATOR"), with the earliest discovery at Pompeii (and also likely pre-AD 62). The earliest square with Christian-associated imagery dates from the sixth century. By the Middle Ages, Sator squares had been found across Europe, Asia Minor, and North Africa. In 2022, the ''Encyclopedia Britannica'' called it "the most familiar lettered square in the Western world". A significant volume of academic research has been published on the square, but after more than a century, there is no consensus on its origin and meaning. The discovery of the "Paternoster theory" in 1926 led to a brief consensus among academics that the square was created by early Christians, but the subsequent discoveries at Pompeii led many academics to b ...
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Psalm 145
Psalm 145 is the 145th psalm of the Book of Psalms, generally known in English by its first verse, in the King James Version, "I will extol thee, my God, O king; and I will bless thy name for ever and ever". In Latin, it is known as "Exaltabo te Deus meus rex". It is the last psalm in the final Davidic collection of psalms, comprising Psalms 138 to 145, which are specifically attributed to David in their opening verses. In the slightly different numbering system used in the Greek Septuagint version of the Bible, and in the Latin Vulgate, this psalm is Psalm 144. The psalm is a hymn psalm. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has often been set to music, notably by Antonín Dvořák who set several verses in Czech in his '' Biblical Songs''. Background and themes This is the only psalm which identifies itself as a תְּהִלָה (''tehillah'') – as a ''psalm'' (namely, a hymn of praise). The version ...
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Psalm 25
Psalm 25 is the 25th psalm of the Book of Psalms, beginning in English in the King James Version: "Unto thee, O LORD, do I lift up my soul". The Book of Psalms is part of the Ketuvim, third section of the Tanakh, Hebrew Bible, and a book of the Christianity, Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 24. In Latin, it is known as "Ad te Domine levavi animam meam". The psalm, attributed to David, has the form of an acrostic Hebrew poem. The psalm forms a regular part of Jewish history, Jewish, Catholic Church, Catholic, Lutheranism, Lutheran, Anglicanism, Anglican and Nonconformist Protestant liturgies. Metrical hymns in English and German were derived from the psalm, such as "Zu dir, o Gott, erheben wir". The psalm has often been set to music. Orlando Gibbons composed an anthem in English, ''O Lord, I lift my heart to thee''. Heinrich Schütz composed a setting i ...
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Psalm 37
Psalm 37 is the 37th psalm of the Book of Psalms, beginning in English in the King James Version: "Fret not thyself because of evildoers, neither be thou envious against the workers of iniquity". The Book of Psalms is part of the third section of the Hebrew Bible, and a book of the Christian Old Testament. In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 36. In Latin, it is known as ''Noli aemulari in malignantibus''. The psalm has the form of an acrostic Hebrew poem,New American Bible, Revised EditionNote on Psalm 37 accessed 21 March 2021 and is thought to have been written by David in his old age. Charles H. SpurgeonTreasury of David (The Sword and the Trowel Magazine, 1885)/ref> The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has inspired hymns based on it, and has been set to music, by Baroque composers such as Heinrich Schütz a ...
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Psalm 111
Psalm 111 is the 111th psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the LORD. I will praise the LORD with my whole heart". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 110. In Latin, it is known as Confitebor tibi Domine. It is a psalm "in praise of the divine attributes". This psalm, along with Psalm 112, is acrostic by phrase, that is, each 7-9 syllable phrase begins with a letter of the Hebrew alphabet in order. Psalm 119 is also acrostic, with each eight-verse strophe commencing with a letter of the Hebrew alphabet in order. The Jerusalem Bible describes Psalm 112, "in praise of the virtuous", as "akin to this psalm in doctrine, style and poetic structure. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. Musical settings include works by Heinrich Schütz in German, and Marc-Antoine Charpen ...
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Psalm 112
Psalm 112 is the 112th psalm of the Book of Psalms, beginning in English in the King James Version: "Praise ye the LORD. Blessed is the man that feareth the LORD". In the slightly different numbering system used in the Greek Septuagint and Latin Vulgate translations of the Bible, this psalm is Psalm 111. In Latin, it is known as Beatus vir qui timet Dominum. It is a psalm "in praise of the virtuous". This psalm, along with Psalm 111, is acrostic by phrase, that is, each 7-9 syllable phrase begins with a letter of the Hebrew alphabet in order. The psalm forms a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. Musical settings abound, as the psalm was a common part of Vespers, such as Monteverdi's 1610 ''Vespro della Beata Vergine'' and Mozart's '' Vesperae de Dominica'' and '' Vesperae solennes de confessore'' (K. 339). Górecki composed Beatus Vir as an extended work for baritone, choir and orchestra in 1979. Uses New Testament In the New ...
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Psalm 119
Psalm 119 is the 119th psalm of the Book of Psalms, beginning in the English of the King James Version: "Blessed are the undefiled in the way, who walk in the law of the Lord". The Book of Psalms is in the third section of the Hebrew Bible, the ''Ketuvim'', and a book of the Christian Old Testament. The psalm, which is anonymous, is referred to in Hebrew by its opening words, "Ashrei temimei derech" ("happy are those whose way is perfect"). In Latin, it is known as "Beati inmaculati in via qui ambulant in lege Domini". The psalm is a Psalms#Primary types, hymn psalm and an acrostic poem, in which each set of eight verses begins with a letter of the Hebrew alphabet. The theme of the verses is the prayer of one who delights in and lives by the Torah, the sacred law. Psalm 1, Psalms 1, Psalm 19, 19 and 119 may be referred to as "the psalms of the Law".Alexander Kirkpatrick, Kirkpatrick, A.Cambridge Bible for Schools and Collegeson Psalm 119, accessed 29 May 2022 In the slightly dif ...
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1850 Acrostic Dearborn
Year 185 ( CLXXXV) was a common year starting on Friday of the Julian calendar. At the time, it was known as the Year of the Consulship of Lascivius and Atilius (or, less frequently, year 938 ''Ab urbe condita''). The denomination 185 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Nobles of Britain demand that Emperor Commodus rescind all power given to Tigidius Perennis, who is eventually executed. * Publius Helvius Pertinax is made governor of Britain and quells a mutiny of the British Roman legions who wanted him to become emperor. The disgruntled usurpers go on to attempt to assassinate the governor. * Tigidius Perennis, his family and many others are executed for conspiring against Commodus. * Commodus drains Rome's treasury to put on gladiatorial spectacles and confiscates property to support his pleasures. He participates as ...
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Ashrei
Ashrei () is a prayer that is recited at least three times daily in Jewish prayers, twice during Shacharit (morning service) and once during Mincha (afternoon service). The prayer is composed primarily of Psalm 145 in its entirety, with Psalm 84:5 and Psalm 144:15 appended to the beginning and Psalm 115:18 to the end. The first two verses added both begin with the Hebrew word , which means 'happy is he who...', 'praiseworthy', or 'fortunate'. This gives the prayer its name. The Talmud does not refer to the psalm by the (current) title of Ashrei, but rather as the opening words, ''Tehillah l'David''. Times of recitation Ashrei is recited three times daily during the full course of Jewish prayers, in accordance with the Talmudic statement that one who recites Ashrei three times daily is guaranteed a place in the World to Come. Talmud Bavli, Tractate Berachot 4b:16 For this reason, not only is Ashrei recited these three times, but many of its verses occur throughout liturgy ...
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Jewish Services
Jewish prayer (, ; plural ; , plural ; Yinglish: davening from Yiddish 'pray') is the prayer recitation that forms part of the observance of Rabbinic Judaism. These prayers, often with instructions and commentary, are found in the '' Siddur'', the traditional Jewish prayer book. Prayer, as a "service of the heart," is in principle a Torah-based commandment. It is mandatory for Jewish women and men. However, the rabbinic requirement to recite a specific prayer text does differentiate between men and women: Jewish men are obligated to recite three prayers each day within specific time ranges ('' zmanim''), while, according to many approaches, women are only required to pray once or twice a day, and may not be required to recite a specific text. Traditionally, three prayer services are recited daily: * Morning prayer: ''Shacharit'' or ''Shaharit'' (, "of the dawn") * Afternoon prayer: '' Mincha'' or ''Minha'' (), named for the flour offering that accompanied sacrifi ...
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