Let's Work Together
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Let's Work Together
"Let's Stick Together" is a twelve-bar blues, blues-based rhythm and blues song written by Wilbert Harrison. In 1962, Fury Records released it as a single. Harrison further developed the song and in 1969, Sue Records issued it as a two-part single titled "Let's Work Together". Although Harrison's original song did not appear in the record charts, his reworked version entered the U.S. Top 40. Several artists subsequently recorded the songs; "Let's Work Together" by Canned Heat (1970) and "Let's Stick Together" by Bryan Ferry (1976) were both chart successes. Original songs "Let's Stick Together" is a mid-tempo twelve-bar blues-style R&B song. According to music writer Richard Clayton, "Harrison probably intended 'Let’s Stick Together' as his follow-up single [to 'Kansas City'], but a contract dispute prevented him from releasing it while his star was in the ascendant". In 1959, "Kansas City (Leiber and Stoller song), Kansas City", written by Jerry Leiber and Mike Stoller, w ...
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Wilbert Harrison
Wilbert Huntington Harrison (January 5, 1929 – October 26, 1994) was an American rhythm and blues singer, pianist, guitarist and harmonica player. Biography Harrison was born in Charlotte, North Carolina. He had a Hot 100 number-one hits of 1959 (United States), Billboard #1 record in 1959 with the song "Kansas City (Leiber and Stoller song), Kansas City". The song was written in 1952 and was one of the first credited collaborations by the team of Jerry Leiber and Mike Stoller. It sold over one million copies, and was awarded a music recording sales certification, gold disc. Harrison recorded "Kansas City" for the Harlem-based entrepreneur Bobby Robinson (record producer, label owner), Bobby Robinson, who released it on his Fury Records, Fury record label. At the height of the song's success, Robinson was sued by Savoy Records who informed them that the release of the record in March 1959 violated a contract Harrison had with that label that was to expire in August 1959. Th ...
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Hot 100
The ''Billboard'' Hot 100, also known as simply the Hot 100, is the music industry standard record chart in the United States for songs, published weekly by ''Billboard'' magazine. Chart rankings are based on sales (physical and digital), online streaming, and radio airplay in the U.S. A new chart is compiled and released online to the public by ''Billboard''s website on Tuesdays but post-dated to the following Saturday, when the printed magazine first reaches newsstands. The weekly tracking period for sales is currently Friday–Thursday, after being changed in July 2015. It was initially Monday–Sunday when Nielsen started tracking sales in 1991. This tracking period also applies to compiling online streaming data. Radio airplay is readily available on a real-time basis, unlike sales figures and streaming, but is also tracked on the same Friday–Thursday cycle, effective with the chart dated July 17, 2021. Previously, radio was tracked Monday–Sunday and, before July ...
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EMI Records
EMI Records (formerly EMI Records Ltd.) is a British multinational record label owned by Universal Music Group. It was originally founded as a British flagship label by the music company EMI in 1972, and launched in January 1973 as the successor to its Columbia Graphophone Company, Columbia and Parlophone record labels. The label was later launched worldwide. It has a branch in India called EMI Records India, run by director Mohit Suri. In 2014, Universal Music Japan revived the label in Japan as the successor to EMI Records Japan. In June 2020, Universal revived the label as the successor to Virgin EMI, with Virgin Records now operating as an imprint of EMI Records. In February 2024, UMG Philippines relaunched EMI as a successor to PolyEast Records, the former EMI Philippines label after 22 years. History An EMI Records Ltd. legal entity was created in 1956 as the record manufacturing and distribution arm of EMI in the UK. It oversaw EMI's various labels, including Gramophon ...
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Uncanned! The Best Of Canned Heat
''Uncanned! The Best of Canned Heat'' is a two-disc CD set by American blues rock band Canned Heat issued in 1994 that features various tracks from previous albums and some previously unreleased tracks. Highlights include an alternate, longer take of " On the Road Again", and the first release of "Let's Work Together" in stereo. Track listing Disc one #" On the Road Again" (Alternate Take) (Floyd Jones, Alan Wilson) – 7:05 ° #"Nine Below Zero" (Sonny Boy Williamson II) – 4:08 ° #"TV Mama" (Lou Willie Turner) – 6:21 ° #" Rollin' and Tumblin'" ( McKinley Morganfield) – 3:05 #"Bullfrog Blues" (Hite Jr., Wilson, Taylor, Vestine, Cook) – 2:17 #" Evil Is Going On" (Willie Dixon) – 2:20 #"Goin' Down Slow" ( St. Louis Jimmy Oden) – 3:43 #"Dust My Broom" (Robert Johnson, Elmore James) – 3:14 #" Help Me" (Sonny Boy Williamson II, R. Bass) – 3:07 #"The Story of My Life" (E. Jones) – 3:38 #" The Hunter" (Steve Cropper, Donald "Duck" Dunn, Al Jackson Jr., Booker T ...
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Slide Guitar
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object (a slide) against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position (flat against the body) with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle, giving rise to the term bottleneck guitar to describe this type of playing. The strings are typically plucked (not strummed) while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar ( lap steel guitar). Creating music with a slide of some type has been traced back to African stringed instruments and also to the origin of the steel guitar in Hawaii. Near the beginning of the ...
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Bob Hite
Robert Ernest Hite (February 26, 1943 – April 5, 1981) was an American musician who was the co-lead vocalist of the blues rock band Canned Heat from 1965 to his death in 1981. His nickname was "The Bear". Canned Heat Hite was introduced to Alan Wilson by Henry Vestine and the two of them helped convince blues pianist Sunnyland Slim (1906–1995) to get back into the recording studio to record. In 1965, Hite formed a band with Wilson and Vestine. This trio formed the core of Canned Heat. They were eventually joined by Larry Taylor (bass) and Frank Cook (drums). Hite performed with Canned Heat at Monterey in June 1967 and Woodstock in August 1969. The performances were not included in the original (1970) film ''Woodstock'', but are in the 1994 director's cut version. Canned Heat appeared on a November 1969 episode of '' Playboy After Dark''. Hite was an avid record collector, and on the episode, informed Hugh Hefner that he had over 15,000 78s. He produced the John Le ...
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Alan Wilson (musician)
Alan Christie Wilson (July 4, 1943 – September 3, 1970), nicknamed "Blind Owl", was an American musician, best known as the co-founder, leader, co-lead singer, and primary composer of the blues rock band Canned Heat. He sang and played harmonica and guitar with the group, live and on recordings. Wilson was the lead singer for the group's two biggest U.S. hit singles: "On the Road Again (Canned Heat song), On the Road Again" and "Going Up the Country". Early years Alan Christie Wilson was born on July 4, 1943, to John (Jack) Wilson, a bricklayer, and Shirley Bingham, an artist. He grew up in the Boston suburb of Arlington, Massachusetts. He had an older sister Darrell. His parents divorced when he was three and both later remarried. Wilson was highly intelligent, setting him apart from his peers. As a result, he was often bullied by his schoolmates. His father, Jack, was a amateur radio, ham radio operator. Alan became involved with amateur radio as a child but his interest s ...
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Going Up The Country
"Going Up the Country" (also "Goin' Up the Country") is a song adapted and recorded by American blues rock band Canned Heat. Called a "rural hippie anthem", it became one of the band's biggest hits and best-known songs. As with their previous single, " On the Road Again", the song was adapted from a 1920s blues song by Henry Thomas "Bull Doze Blues" and sung by Alan Wilson. Background and composition Canned Heat, who were early blues enthusiasts, based "Going Up the Country" on "Bull Doze Blues", recorded in 1928 by Texas bluesman Henry Thomas. Thomas was from the songster tradition and had a unique sound, sometimes accompanying himself on quills, an early Afro-American wind instrument similar to panpipes. He recorded "Bull Doze Blues" in Chicago on June 13, 1928, for Vocalion Records. For "Going Up the Country", Canned Heat's Wilson used Thomas' melody on the quills and his basic rhythm, but arranged it for a rock setting and rewrote the lyrics. In addition to the bass an ...
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On The Road Again (Canned Heat Song)
"On the Road Again" is a song recorded by the American blues rock group Canned Heat in 1967. A driving blues rock boogie, it was adapted from earlier blues songs and includes mid-1960s psychedelic rock elements. Unlike most of Canned Heat's songs from the period which were sung by Bob Hite, second guitarist and harmonica player Alan Wilson provides the distinctive high-pitched vocal, sometimes described as a ''falsetto''. "On the Road Again" first appeared on their second album, '' Boogie with Canned Heat'', in January 1968. An edited version was released as a single in April 1968 on the Liberty label and became Canned Heat's first record chart hit and one of their best-known songs. Earlier songs "On the Road Again" is based on early blues songs by Tommy Johnson and Floyd Jones. The lyrics to Johnson's "Big Road Blues" (1928) include: "Well I ain't goin' down that big road by myself ... If I don't carry you gonna carry somebody else". In "Dark Road" (1951), Jones "res ...
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Liberty Records
Liberty Records was a record label founded in the United States by chairman Simon Waronker in 1955 with Alvin Bennett as president and Theodore Keep as chief engineer. It was reactivated in 2001 in the United Kingdom and had two previous revivals. History 1950s Liberty's early releases focused on film and orchestral music. Its first single was Lionel Newman's "The Girl Upstairs". Its first big hit, in 1955, was by Julie London singing her version of the torch song, " Cry Me a River", which climbed to No. 9 in the ''Billboard'' Hot 100. It helped Liberty sell her first album, '' Julie Is Her Name''. In 1956, Liberty signed Henry Mancini and released two singles and several albums by him. He left in 1958, signing with RCA Victor, where his record sales increased. Billy Rose and Lee David's song " Tonight You Belong to Me" reached number 4 (US) and number 28 (UK) when it was performed by teen sisters Patience and Prudence (McIntyre), selling over a million copies. Liberty ...
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Blues Rock
Blues rock is a fusion music genre, genre and form of rock music, rock and blues music that relies on the chords/scales and instrumental improvisation of blues. It is mostly an electric ensemble-style music with instrumentation similar to electric blues and rock (electric guitar, electric bass guitar, drums, and sometimes with keyboards and harmonica). From its beginnings in the early to mid-1960s, blues rock has gone through several stylistic shifts and along the way it inspired and influenced hard rock, Southern rock, and early heavy metal music, heavy metal. Blues rock started with rock musicians in the United Kingdom and the United States performing American blues songs. They typically recreated electric Chicago blues songs, such as those by Willie Dixon, Muddy Waters, and Jimmy Reed, at faster tempos and with a more aggressive sound common to rock. In the UK, the style was popularized by groups such as the Rolling Stones, the Yardbirds, and the Animals, who put several blues ...
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Background In 1964, Harriett Wasser came on board as the magazine's New York correspondent. She was no stranger to the music industry and she had been associated with many prominent figures in the industry that included Bobby Darin and Bob Crewe. The address at the time for correspondence was Harriet Wasser, 161 West 54th Street, Suite 1202, New York, N.Y. 10019. An example of her work can be seen in page 5 of the October 9, 1964 edition of ''R. P. M.'', in DATELINE NEW YORK by Harriet Wasser. Discontination In the fall of 2000, faced with changing advertisin ...
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