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Zooming (writing Skill)
Zooming is a writing skill, as outlined in secondary education, that gives the reader the feeling of moving through space towards or away from a character or object, especially used in descriptive writing. It can be divided into two types: zooming in and zooming out. The idea of zooming finds an analog in the cinematic technique of the same name widely used in film. Zooming in When zooming in, the narrator guides the reader in following a point of view. A conventional use of the technique might first create in the reader's mind a bird's eye view, or aerial shot, of the setting . The narrator might then delimit the reader's scope, before leading the reader to the object of focus. Since the introduction of the object is suspended, there might be a surprise ending. Zooming out When zooming out, a single object might be the initial focus. The narrator then widens the view of the reader, and might eventually introduce the overview of the setting or fictional world. Reference ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Secondary Education
Secondary education or post-primary education covers two phases on the International Standard Classification of Education scale. Level 2 or lower secondary education (less commonly junior secondary education) is considered the second and final phase of basic education, and level 3 (upper) secondary education or senior secondary education is the stage before tertiary education. Every country aims to provide basic education, but the systems and terminology remain unique to them. Secondary education typically takes place after six years of primary education and is followed by higher education, vocational education or employment. In most countries secondary education is compulsory, at least until the age of 16. Children typically enter the lower secondary phase around age 12. Compulsory education sometimes extends to age 19. Since 1989, education has been seen as a basic human right for a child; Article 28, of the Convention on the Rights of the Child states that primary educatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Heinemann (publisher)
William Heinemann Ltd., with the imprint Heinemann, was a London publisher founded in 1890 by William Heinemann. Their first published book, 1890's ''The Bondman'', was a huge success in the United Kingdom and launched the company. He was joined in 1893 by Sydney Pawling. Heinemann died in 1920 and Pawling sold the company to Doubleday, having worked with them in the past to publish their works in the United States. Pawling died in 1922 and new management took over. Doubleday sold his interest in 1933. Through the 1920s, the company was well known for publishing works by famous authors that had previously been published as serials. Among these were works by H. G. Wells, Rudyard Kipling, W. Somerset Maugham, George Moore, Max Beerbohm, and Henry James, among others. This attracted new authors to publish their first editions with the company, including Graham Greene, Edward Upward, J.B. Priestley and Vita Sackville-West. Throughout, the company was also known for its class ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Character (arts)
In fiction, a character (or speaker, in poetry) is a person or other being in a narrative (such as a novel, play, radio or television series, music, film, or video game). The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word , the English word dates from the Restoration, although it became widely used after its appearance in ''Tom Jones'' by Henry Fielding in 1749. From this, the sense of "a part played by an actor" developed.Harrison (1998, 51-2) quotation: (Before this development, the term '' dramatis personae'', naturalized in English from Latin and meaning "masks of the drama," encapsulated the notion of characters from the literal aspect of masks.) Character, particularly when enacted by an actor in the theatre or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entity
An entity is something that exists as itself, as a subject or as an object, actually or potentially, concretely or abstractly, physically or not. It need not be of material existence. In particular, abstractions and legal fictions are usually regarded as entities. In general, there is also no presumption that an entity is animate, or present. The term is broad in scope and may refer to animals; natural features such as mountains; inanimate objects such as tables; numbers or sets as symbols written on a paper; human contrivances such as laws, corporations and academic disciplines; or supernatural beings such as gods and spirits. The adjectival form is ''entitative''. Etymology The word ''entity'' is derived from the Latin ''entitas'', which in turn derives from the Latin ''ens'' meaning "being" or "existing" (compare English '' essence''). ''Entity'' may hence literally be taken to mean "thing which exists". In philosophy Ontology is the study of concepts of existence, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Descriptive Writing
The rhetorical modes (also known as modes of discourse) are a long-standing attempt to broadly classify the major kinds of language-based communication, particularly writing and Speech, speaking, into Narrative, narration, description, Exposition (narrative), exposition, and Argumentation theory, argumentation. First attempted by Samuel P. Newman in ''A Practical System of Rhetoric'' in 1827, the modes of discourse have long influenced Teaching writing in the United States, US writing instruction and particularly the design of mass-market writing assessments, despite critiques of these classification's explanatory power for non-school writing. Definitions Different definitions of mode apply to different types of writing. Chris Baldick defines mode as an unspecific critical term usually designating a broad but identifiable kind of literary method, mood, or manner that is not tied exclusively to a particular form or genre. Examples are the ''satiric'' mode, the ''ironic'', the '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Zooming (filmmaking)
In filmmaking and television production, zooming is the technique of changing the focal length of a zoom lens (and hence the angle of view) during a shot – this technique is also called a zoom. The technique allows a change from close-up to wide shot (or vice versa) during a shot, giving a cinematographic degree of freedom. But unlike changes in camera position, zooming does not change the perspective (the relative sizes of near and far objects); it only magnifies or reduces the size of the entire image as a whole. Zooming can either be performed towards longer focal lengths, giving a "zoom in" effect: The filmed object will then increase in apparent size, and fewer objects become visible on film. Or it is performed towards shorter focal lengths, giving a "zoom out" effect: The filmed object will shrink in apparent size, and more objects come into view. The speed of the zoom allows for a further degree of cinematographic freedom. Combined with a dolly camera move it is poss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Point Of View (literature)
Narration is the use of a written or spoken commentary to convey a story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot (the series of events). Narration is a required element of all written stories (novels, short stories, poems, memoirs, etc.), with the function of conveying the story in its entirety. However, narration is merely optional in most other storytelling formats, such as films, plays, television shows, and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action. The narrative mode encompasses the set of choices through which the creator of the story develops their narrator and narration: * ''Narrative point of view, perspective,'' or ''voice'': the choice of grammatical person used by the narrator to establish whether or not the narrator and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bird's Eye View
A bird's-eye view is an elevated view of an object or location from a very steep viewing angle, creating a perspective as if the observer were a bird in flight looking downwards. Bird's-eye views can be an aerial photograph, but also a drawing, and are often used in the making of blueprints, floor plans and maps. Before crewed flight was common, the term "bird's eye" was used to distinguish views drawn from direct observation at high vantage locations (e.g. a mountain or tower), from those constructed from an imagined bird's perspectives. Bird's eye views as a genre have existed since classical times. They were significantly popular in the mid-to-late 19th century in the United States and Europe as photographic prints. Terminology The terms aerial view and aerial viewpoint are also sometimes used synonymous with bird's-eye view. The term ''aerial view'' can refer to any view from a great height, even at a wide angle, as for example when looking sideways from an airplan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Focus (cognitive Process)
Attention is the behavioral and cognitive process of selectively concentrating on a discrete aspect of information, whether considered subjective or objective, while ignoring other perceivable information. William James (1890) wrote that "Attention is the taking possession by the mind, in clear and vivid form, of one out of what seem several simultaneously possible objects or trains of thought. Focalization, concentration, of consciousness are of its essence." Attention has also been described as the allocation of limited cognitive processing resources. Attention is manifested by an attentional bottleneck, in terms of the amount of data the brain can process each second; for example, in human vision, only less than 1% of the visual input data (at around one megabyte per second) can enter the bottleneck, leading to inattentional blindness. Attention remains a crucial area of investigation within education, psychology, neuroscience, cognitive neuroscience, and neuropsychology. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Surprise Ending
A plot twist is a literary technique that introduces a radical change in the direction or expected outcome of the plot in a work of fiction. When it happens near the end of a story, it is known as a twist or surprise ending. It may change the audience's perception of the preceding events, or introduce a new conflict that places it in a different context. A plot twist may be foreshadowed, to prepare the audience to accept it. There are a variety of methods used to execute a plot twist, such as withholding information from the audience or misleading it with ambiguous or false information. Revealing a plot twist to readers or viewers in advance is commonly regarded as a " spoiler", since the effectiveness of a plot twist usually relies on the audience's not having expected it. Even revealing the fact that a work contains plot twists – especially at the ending – can also be controversial, as it changes the audience's expectations. However, at least one study suggests that this do ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
