Yakusoku No Basho E
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Yakusoku No Basho E
Yakusoku may refer to: * The Rendezvous (1972 film), or Yakusoku, a Japanese film * Yakusoku (Lead song), 2015 * Yakusoku (Eir Aoi song) is a song by Japanese pop singer Eir Aoi. It was released on her official YouTube on February 8, 2018 as her comeback song from her hiatus, before received a physical release together with the song " Ryūsei" on June 13, 2018 as her fourteenth si ...
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The Rendezvous (1972 Film)
is a 1972 Japanese film directed by Kōichi Saitō. It was entered into the 22nd Berlin International Film Festival. Plot summary Cast * Keiko Kishi - Woman on parole * Kenichi Hagiwara - Burglar * Yoshie Minami - Supervisor * Rentarō Mikuni - Detective * Jin Nakayama * Taiji Tonoyama was a Japanese character actor who made many appearances in films and on television from 1939 to 1989. He was a close friend of Kaneto Shindo and one of his regular cast members. He was also an essayist. In 1950 he helped form the film company ... References External links * * * 1972 films Films directed by Kōichi Saitō 1970s Japanese-language films 1970s Japanese films {{1970s-Japan-film-stub ...
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Yakusoku (Lead Song)
''Yakusoku'' (約束 / ''Promise'') is the twenty-sixth single by the Japanese hip-hop group Lead, and was the final single before the release of their studio album '' The Showcase'' (2016). It performed well on Oricon at #5 and remained on the charts for two weeks. The single was released as a standard CD and three limited edition versions, two of which were CD+DVD combos, each carrying different content. While all editions contained the b-side "Always Love", each of the limited editions harbored differing bonus tracks. The CD+DVD editions not only contained different content on the CD portions, but also carried different content on the DVD portions. Information ''Yakusoku'' is the twenty-sixth single released by the Japanese hip-hop group Lead. It was their final single before their seventh studio album, '' The Showcase,'' which was released the following year on June 8. It charted well on the Oricon Singles Charts at #5 for the week, and remained on the charts for two con ...
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