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Wooly Bully (album)
''Wooly Bully'' is the debut studio album by the band Sam the Sham, Sam the Sham and the Pharaohs, released in 1965 on MGM Records SE-4297 (stereo). It was released following the success of their hit "Wooly Bully", and contains a mixture of cover songs and original compositions. It is an early example of Tex-Mex music that was also being popularized by groups like Sir Douglas Quintet, Freddy Fender and ? and the Mysterians. The song "Wooly Bully" was recorded at Phillips Recording, Phillips Recording Service in Memphis, which was owned by Sam Phillips. Reception The album reached No. 26 on the Billboard 200, ''Billboard'' albums chart on August 28, 1965. Allmusic's Eugene Chadbourne gives it a -star rating, writing that the band performed originals and cover songs with equal skill and the album was worth hearing beyond the hit song "Wooly Bully". Track listing Side one #"Wooly Bully" (Domingo Samudio) – 2:20 #"The Memphis Beat" (Milton Addington, Allen Reynolds) – 2:09 #"I ...
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Sam The Sham
Domingo Samudio (born February 28, 1937), better known by his stage name Sam the Sham, is a retired American rock and roll singer. Sam the Sham is known for his Camp (style), camp robe and turban and hauling his equipment in a 1952 Packard hearse with maroon velvet curtains. As the front man for the Pharaohs, he sang on several Top 40 hits in the mid-1960s; "Wooly Bully" by Sam the Sham and the Pharaohs was the number one song of 1965 according to Billboard magazine's year-end Hot 100. However, the song never reached number one on the weekly charts. "Li'l Red Riding Hood" was another charting song for Samudio. Biography Early career Samudio made his singing debut in second grade, representing his school in a radio broadcast. Later, he took up guitar and formed a group with friends, one of whom was Trini Lopez. After graduating from high school, Samudio joined the United States Navy, Navy, where he was known as "Big Sam." He lived in Panama for six years, until his discharg ...
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Domingo Samudio
Domingo Samudio (born February 28, 1937), better known by his stage name Sam the Sham, is a retired American rock and roll singer. Sam the Sham is known for his camp robe and turban and hauling his equipment in a 1952 Packard hearse with maroon velvet curtains. As the front man for the Pharaohs, he sang on several Top 40 hits in the mid-1960s; "Wooly Bully" by Sam the Sham and the Pharaohs was the number one song of 1965 according to Billboard magazine's year-end Hot 100. However, the song never reached number one on the weekly charts. " Li'l Red Riding Hood" was another charting song for Samudio. Biography Early career Samudio made his singing debut in second grade, representing his school in a radio broadcast. Later, he took up guitar and formed a group with friends, one of whom was Trini Lopez. After graduating from high school, Samudio joined the Navy, where he was known as "Big Sam." He lived in Panama for six years, until his discharge. Back in the States, Samudio e ...
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Richard Penniman
Richard Wayne Penniman (December 5, 1932 – May 9, 2020), known professionally as Little Richard, was an American singer, pianist, and songwriter. He was an influential figure in popular music and culture for seven decades. Described as the "Architect of Rock and Roll", Richard's most celebrated work dates from the mid-1950s, when his charismatic showmanship and dynamic music, characterized by frenetic piano playing, pounding backbeat and powerful raspy vocals, laid the foundation for rock and roll. Richard's innovative emotive vocalizations and uptempo rhythmic music played a key role in the formation of other popular music genres, including Soul music, soul and funk. He influenced singers and musicians across musical genres from rock to hip hop; his music helped shape rhythm and blues for generations. "Tutti Frutti (song), Tutti Frutti" (1955), one of Richard's signature songs, became an instant hit, crossing over to the pop charts in the United States and the United Kingdom. ...
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Enotris Johnson
"Long Tall Sally", also known as "Long Tall Sally (The Thing)", is a rock and roll song written by Robert "Bumps" Blackwell, Enotris Johnson, and Little Richard and released on Richard's album ''Here's Little Richard''. Richard recorded it for Specialty Records, which released it as a single in March 1956, backed with " Slippin' and Slidin'. The single reached number one on the ''Billboard'' rhythm and blues chart, staying at the top for six of 19 weeks, while peaking at number six on the pop chart. It received the ''Cash Box'' Triple Crown Award in 1956. The song as sung by Little Richard is listed at number 55 on ''Rolling Stone''s list of The 500 Greatest Songs of All Time. It also ranked at number 45 on ''Billboard''s year-end singles of 1956. It became one of the singer's best-known hits and has become a rock and roll standard covered by hundreds of artists, including Elvis Presley, Fleetwood Mac, the Kinks and the Beatles. In 1999, the 1956 Little Richard recording of ...
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Robert "Bumps" Blackwell
Robert Alexander "Bumps" Blackwell (May 23, 1918 – March 9, 1985) was an American bandleader, songwriter, arranger, and record producer, best known for his work overseeing the early hits of Little Richard, as well as mentoring Ray Charles, Quincy Jones, Ernestine Anderson, Lloyd Price, Sam Cooke, Herb Alpert, Larry Williams, and Sly and the Family Stone at the start of their music careers.White, Charles (2003), p. 43. ''The Life and Times of Little Richard: The Authorised Biography.'' Omnibus Press, White, Charles (2003), p. 78-79. ''The Life and Times of Little Richard: The Authorised Biography.'' Omnibus Press, Biography Born in Seattle, Washington, Blackwell led a jazz group in the late 1940s that included pianist Ray Charles and trumpeter Quincy Jones. He moved to Hollywood, California, to continue studying composition, but he instead took a job at Art Rupe's Specialty Records as an arranger and producer. He worked with Sam Cooke, Larry Williams, Lloyd Price and Gu ...
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Long Tall Sally
"Long Tall Sally", also known as "Long Tall Sally (The Thing)", is a rock and roll song written by Robert "Bumps" Blackwell, Enotris Johnson, and Little Richard and released on Richard's album '' Here's Little Richard''. Richard recorded it for Specialty Records, which released it as a single in March 1956, backed with " Slippin' and Slidin'. The single reached number one on the ''Billboard'' rhythm and blues chart, staying at the top for six of 19 weeks, while peaking at number six on the pop chart. It received the ''Cash Box'' Triple Crown Award in 1956. The song as sung by Little Richard is listed at number 55 on ''Rolling Stone''s list of The 500 Greatest Songs of All Time. It also ranked at number 45 on ''Billboard''s year-end singles of 1956. It became one of the singer's best-known hits and has become a rock and roll standard covered by hundreds of artists, including Elvis Presley, Fleetwood Mac, the Kinks and the Beatles. In 1999, the 1956 Little Richard recording ...
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Johnny "Guitar" Watson
John Watson Jr. (February 3, 1935 – May 17, 1996), often known professionally as Johnny "Guitar" Watson, was an American musician. A flamboyant showman and electric guitarist in the style of T-Bone Walker, his recording career spanned 40 years, and encompassed rhythm and blues, funk and soul music. Watson recorded throughout the 1950s and 1960s with some success. His 1954 instrumental single "Space Guitar" was the first of his recordings to showcase his electric guitar playing. His creative self-reinvention in the 1970s, with funk overtones, saw Watson have hits with "Ain't That a Bitch" and "Superman Lover". His highest charting single was 1977's "A Real Mother for Ya". Early life Watson was born in Houston, Texas. His father John Sr. was a pianist, and taught his son the instrument. But young Watson was immediately attracted to the sound of the guitar, in particular the electric guitar as played by T-Bone Walker and Clarence "Gatemouth" Brown. His grandfather, a preacher, ...
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Gangster Of Love
"Gangster of Love" is a blues song recorded by Johnny "Guitar" Watson in 1957. When he re-recorded the song in 1978, it became a hit. It is perhaps Watson's best known song and several artists have recorded interpretations. Original song Johnny "Guitar" Watson first recorded a demo version of "Gangster of Love" while he was with RPM Records in the mid-1950s. In 1957, he recorded a version of the song, a mid-tempo blues shuffle featuring a stop-time arrangement, which was released by Keen Records. The single did not appear in the record charts. However, with Johnny Otis producing, Watson re-recorded the song in 1963 for King Records. The newer recording gained wider exposure, but again did not reach the charts. 1970s version In 1978, during his "flamboyant funkster" phase, Watson's recorded an updated "Gangster of Love" for DJM Records. It became a hit, reaching number 32 during a stay of thirteen weeks on ''Billboard's'' Hot Soul Singles chart. The song was a feature of ...
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The Hombres
The Hombres were an American garage rock band from Memphis, Tennessee, known primarily for the 1967 single, "Let It Out (Let It All Hang Out)". Origins Formed in 1966, The Hombres comprised Jerry Lee Masters (leader and bass player); Gary Wayne McEwen on guitar; B. B. Cunningham, Jr. (died October 14, 2012), on lead vocals and electronic organ; and John Will Hunter (died February 1976) on drums. Greatest hit Written by Masters, Hunter, McEwen and Cunningham and released on Verve Forecast Records, "Let It Out (Let It All Hang Out)" hit number 12 in 1967, and was revived on the soundtrack of the 2005 Cameron Crowe film, '' Elizabethtown''. On WLS, The Box Tops' " The Letter" (with Bill Cunningham) and The Hombres' "Let It Out" (with Bill Cunningham's brother B.B. Cunningham Jr.) were respectively number one and number two for two weeks in October 1967. The song's spoken introduction – "A preachment, dear friends, you are about to receive on John Barleycorn, nicotine and t ...
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Junior Walker
Autry DeWalt Mixon Jr. (June 14, 1931 – November 23, 1995), known professionally as Junior Walker, was an American multi-instrumentalist (primarily saxophonist) and vocalist who recorded for Motown during the 1960s. He also performed as a session and live-performing saxophonist with the band Foreigner during the 1980s. Early life Walker was born Autry DeWalt Mixon Jr. on June 14, 1931, in Blytheville, Arkansas, but grew up in South Bend, Indiana. He began playing saxophone while in high school, and his saxophone style was the anchor for the sound of the bands he later played in. Career His career started when he developed his own band in the mid-1950s as the Jumping Jacks. His longtime friend and drummer Billy Nicks (1935–2017) formed his own group, the Rhythm Rockers. Periodically, Nicks would sit in on Jumping Jack's shows, and Walker would sit in on the Rhythm Rockers shows. Nicks obtained a permanent gig at a local TV station in South Bend, Indiana, and asked Walker ...
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Shotgun (Junior Walker & The All Stars Song)
"Shotgun" is a song written and performed by American soul musician Junior Walker that the singer-songwriter recorded with his group the All Stars. Called a "dance tune", it was produced by Berry Gordy Jr. and Lawrence Horn. Gordy's Soul Records, a Motown Records subsidiary, issued it as a single in 1965. It reached number 1 on the U.S. R&B Singles chart for four non-consecutive weeks and peaked at number 4 on the ''Billboard'' Hot 100. In Canada, the song reached number 26. In 2002, the 1964 recording of the song by credited to the full band Junior Walker & the All Stars on Soul Records was inducted into the Grammy Hall of Fame. Recording "Shotgun" was Walker's debut as a vocalistwhen the singer who was hired to perform at the recording session did not show up, Walker stood in. Rather than re-record the vocal at a later date, producer Gordy decided to keep Walker's take, much to the latter's surprise. The song opens with the sound of a shotgun blast and a drum roll, wit ...
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