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Women And Captains First
''Women and Captains First'' is the debut solo album by English musician Captain Sensible, best known as guitarist for The Damned, released on 3 September 1982 by A&M Records. It features contributions from producer Tony Mansfield, Robyn Hitchcock and the band Dolly Mixture. The album was preceded by the singles "Happy Talk" and "Wot", which peaked at numbers 1 and 26 on the UK Singles Chart, respectively. The album reached No. 64 on the UK Albums Chart. It was reissued on CD in 2009 by Cherry Red Records, including six bonus tracks. Background ''Women and Captains First'' was recorded while Captain Sensible was still a member of punk rock band The Damned. He had released his debut solo record, the three song EP ''This is Your Captain Speaking'', in November 1981 on Crass Records. The producer of ''Women and Captains First'', Tony Mansfield of synth-pop band New Musik, had previously produced The Damned's ''Friday 13th EP'', also released in November 1981. Sensible record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Captain Sensible
Raymond Ian Burns (born 24 April 1954), known by the stage name Captain Sensible, is an English singer, songwriter and guitarist. Captain Sensible co-founded the punk rock band the Damned, originally playing bass before switching to guitar. He embarked on a solo career during the 1980s, following a UK number one hit with his cover of "Happy Talk". Captain Sensible's distinctive appearance includes a red beret and sunglasses, typically with white frames. He was also a founder of the Blah! Party. Early life Captain Sensible was born in Balham, London, on 24 April 1954. He went to Stanley Technical School for Boys in South Norwood, Croydon. The first musical instrument he played was a Bontempi organ. Growing up, he listened to Brian Auger, Syd Barrett, Small Faces, Egg, Stray, Soft Machine and the Groundhogs. The Damned Originally a member of the Johnny Moped band, Captain Sensible joined the Damned in 1976 on the suggestion of his colleague Rat Scabies, the band's drummer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South Pacific (musical)
''South Pacific'' is a musical theatre, musical composed by Richard Rodgers, with lyrics by Oscar Hammerstein II and Book (musical theatre), book by Hammerstein and Joshua Logan. The work premiered in 1949 on Broadway theatre, Broadway and was an immediate hit, running for 1,925 performances. The plot is based on James A. Michener's Pulitzer Prize for Fiction, Pulitzer Prize–winning 1947 book ''Tales of the South Pacific'' and combines elements of several of those stories. Rodgers and Hammerstein believed they could write a musical based on Michener's work that would be financially successful and, at the same time, send a strong progressive message on racism. The plot centers on an American nurse stationed on a South Pacific island during World War II, who falls in love with a middle-aged expatriate French plantation owner but struggles to accept his mixed-race children. A secondary romance, between a U.S. Marine lieutenant and a young Tonkinese woman, explores his fears of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rodgers And Hammerstein
Rodgers and Hammerstein was a theater-writing team of composer Richard Rodgers (1902–1979) and lyricist-dramatist Oscar Hammerstein II (1895–1960), who together created a series of innovative and influential American musicals. Their popular Broadway productions in the 1940s and 1950s initiated what is considered the "golden age" of musical theater. Gordon, John Steele''Oklahoma'!'. Retrieved June 13, 2010 Five of their Broadway shows, ''Oklahoma!'', '' Carousel'', ''South Pacific'', '' The King and I'' and ''The Sound of Music'', were outstanding successes, as was the television broadcast of ''Cinderella'' (1957). Of the other four shows that the team produced on Broadway during their lifetimes, '' Flower Drum Song'' was well-received, and none was an outright flop. Most of their shows have received frequent revivals around the world, both professional and amateur. Among the many accolades their shows (and film versions) garnered were thirty-four Tony Awards, fifteen Acad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song " Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a subgenre of new wave music that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the new wave movement of the late 1970s to the mid-1980s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psychedelic Rock
Psychedelic rock is a rock music Music genre, genre that is inspired, influenced, or representative of psychedelia, psychedelic culture, which is centered on perception-altering hallucinogenic drugs. The music incorporated new electronic sound effects and recording techniques, extended instrumental solos, and improvisation. Many psychedelic groups differ in style, and the label is often applied spuriously. Originating in the mid-1960s among British and American musicians, the sound of psychedelic rock invokes three core effects of LSD: depersonalization, dechronicization, and dynamization, all of which detach the user from everyday reality. Musically, the effects may be represented via novelty studio tricks, electronic music, electronic or non-Western instrumentation, disjunctive song structures, and extended instrumental segments. Some of the earlier 1960s psychedelic rock musicians were based in contemporary folk music, folk, jazz, and the blues, while others showcased an expl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock music is a broad genre of popular music that originated as "rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk music, folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a Time signature, time signature using ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Demo (music)
A demo (shortened from "demonstration") is a song or group of songs typically recorded for limited circulation or for reference use, rather than for general public release. A demo is a way for a musician to approximate their ideas in a fixed format, such as cassette tape, compact disc, or digital audio files, and to thereby pass along those ideas to record labels, producers, or other artists. Musicians often use demos as quick sketches to share with bandmates or arrangers, or simply for personal reference during the songwriting process; in other cases, a songwriter might make a demo to send to artists in hopes of having the song professionally recorded, or a publisher may need a simple recording for publishing or copyright purposes. Background Demos are typically recorded on relatively crude equipment such as "boom box" cassette recorders, small four- or eight-track machines, or on personal computers with audio recording software. Songwriters' and publishers' demos are rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friday 13th (EP)
''Friday 13th EP'' is a four-track EP by English rock band the Damned, issued as the result of a one-off deal with the NEMS Records label. It was released on 13 November 1981, which fell on a Friday. The EP was released in the UK and Sweden on 7" vinyl, and also in Germany on 12" vinyl. In 1981, EPs were still eligible for the UK Top 75 Singles chart, and ''Friday 13th'' reached No. 50. The lead-off track, "Disco Man", was featured on many compilations, also becoming a live favourite. Two of the other three tracks, "Billy Bad Breaks" and "Limit Club", were composed by the band; the final track was a cover version of The Rolling Stones song "Citadel". "Limit Club" was a tribute to the late Malcolm Owen of The Ruts. Track listing All songs written by Rat Scabies, Captain Sensible, Paul Gray and Dave Vanian, except where noted. # "Disco Man" – 3:20 # "Limit Club" – 4:15 # "Billy Bad Breaks" – 3:53 # "Citadel" (Mick Jagger, Keith Richards) – 2:48 Personnel ;The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Musik
New Musik were an English synthpop group active from 1977 to 1982. Led by Tony Mansfield, they achieved success in 1980 with the top 20 single " Living by Numbers" which was followed up with the top 40 hits "This World of Water", "Sanctuary" and hit album '' From A to B''. History New Musik formed in 1977 in London, growing out of a casual band of South London school friends who jammed together under the name End of the World. The lead vocalist and frontman for the band was songwriter and record producer Tony Mansfield, who was also a former member of the Nick Straker Band, and was joined in the original line-up by Straker, bassist Tony Hibbert and drummer Phil Towner. Their first single, "Straight Lines", was released by GTO Records in 1979, and their debut album, '' From A to B'', came out in April 1980. Straker left the band to pursue a solo career and was replaced by Clive Gates for the album. New Musik made their first appearance on the BBC TV pop programme ''Top o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
