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Wives Of Duryodhana
In the Hindu epic ''Mahabharata'', Duryodhana—the principal antagonist—is married to several princesses, though the epic provides little detail about them, not even mentioning any name. The mother of his son Lakshmana appears in prominence, who in her brief appearance in the '' Stri Parva'', mourns the death of her husband Duryodhana and her son. Elsewhere, in the ''Shanti Parva'', his marriage with an unnamed princess of Kalinga—daughter of King Chitrangada—is narrated, whom Duryodhana abducted from her svayamvara (a self-choice ceremony for selecting a husband), with the assistance of his close friend Karna. In the ''Bhishma Parva'', a princess of Kashi Kingdom is mentioned as his bride. The number of Duryodhana's wives is not clearly specified. Some variations of the ''Mahabharata'' introduce additional details about Duryodhana's wives. In the Southern Recension and Gita Press translation of the epic, it is mentioned that his chief wife is the princess of Kashi, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; , , ) is one of the two major Sanskrit Indian epic poetry, epics of ancient India revered as Smriti texts in Hinduism, the other being the ''Ramayana, Rāmāyaṇa''. It narrates the events and aftermath of the Kurukshetra War, a war of succession between two groups of princely cousins, the Kauravas and the Pandava, Pāṇḍavas. It also contains Hindu philosophy, philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the ''Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha (sage), Kacha and Devayani, the story of Rishyasringa and an Ramopakhyana, abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyasa, Vy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sanskrit Epics
Indian epic poetry is the epic poetry written in the Indian subcontinent, traditionally called ''Kavya'' (or ''Kāvya''; Sanskrit: काव्य, IAST: ''kāvyá''). The ''Ramayana'' and the ''Mahabharata'', which were originally composed in Sanskrit and later translated into many other Indian languages, and the Five Great Epics of Tamil literature and Sangam literature are some of the oldest surviving epic poems ever written. List of longest epics Hindi epics In modern Hindi literature, ''Kamayani'' by Jaishankar Prasad has attained the status of an epic. The narrative of Kamayani is based on a popular mythological story, first mentioned in Satapatha Brahmana. It is a story of the Deluge mythology#India, great flood and the central characters of the epic poem are Manu (Hinduism), Manu (a male) and Śraddhā, Shraddha (a female). Manu is representative of the human psyche and Shradha represents love. Another female character is Ida (goddess), Ida, who represents rational ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kisari Mohan Ganguli
Kisari Mohan Ganguli (also K. M. Ganguli) was an Indian translator known for being the first to provide a complete translation of the Sanskrit epic Mahabharata in English. His translation was published as ''The Mahabharata of Krishna-Dwaipayana Vyasa Translated into English Prose'' between 1883 and 1896, by Pratap Chandra Roy (1842–1895), a Calcutta bookseller who owned a printing press and raised funds for the project. Publication of the translation The "Translator's Preface" in Book 1: Adi Parva, Ganguli mentions the sequence of events that led to the publication. Sometime in the early 1870s, Pratapa Chandra Roy, with Babu Durga Charan Banerjee, visited Ganguli at his home in Shibpur in Howrah, Bengal, requesting him to take up the translation project, which he took up after initial reluctance and a second meeting, when extensive plans were drawn, and the copy of a translation by Max Müller was left behind, made some thirty years ago, which on study Ganguli found to be lit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandhari (character)
Gandhari (, ) is a prominent female character in the ancient Hindu epic ''Mahabharata''. She is the daughter of King Subala, the ruler of Gandhara, and becomes the wife of Dhritarashtra, the blind king of Kuru Kingdom. In a remarkable act of solidarity, Gandhari blindfolds herself for life upon learning of her husband's blindness, choosing to share his condition. Blessed by the god Shiva and the sage Vyasa, she bears one hundred sons through miraculous means, collectively known as the Kauravas, with her eldest, Duryodhana, becoming a key antagonist in the epic. Besides her hundred sons, Gandhari also has a daughter, Dushala. Her brother, Shakuni, becomes a central figure in aiding Duryodhana's schemes against his cousins, the Pandavas. Gandhari is portrayed as a woman of great virtue and moral strength, who nonetheless struggles to dissuade her sons from their destructive path. She speaks out at pivotal moments in the narrative, including during the humiliation of Draupadi. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lakshmana Kumara
Lakshmana (Sanskrit: लक्ष्मण, romanized: ''Lakṣmaṇa'') was a son of Duryodhana, a prominent figure in the Hindu epic ''Mahabharata''. He is described as a valiant warrior and a skilled archer. During the Kurukshetra War, Lakshmana was slain on the thirteenth day of the Kurukshetra War by Abhimanyu, who decapitates him using an arrow. Role in the ''Mahabharata'' The ''Mahabharata'' gives sparse information about Lakshmana, other than his participation in the Kurukshetra War between two rival cousin groupPandavas and Kauravas. Lakshmana fought from the Kaurava side, supporting his father Duryodhana, the leader of the Kauravas. On the second day of the Kurukshetra War, a furious melee ensued between Lakshmana and Abhimanyu, the son of Pandava Arjuna. When Abhimanyu was on the cusp of victory, Duryodhana rushed to his son's aid. On the twelfth day of the war, Lakshmana injured Kshatradeva, the son of warrior Shikhandi. On the thirteenth day of the war, Lakshman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hastinapur
Hastinapur is a city in the Meerut district in the Indian state of Uttar Pradesh. ''Hastinapura'' is described as the capital of the Kuru Kingdom in Hindu texts such as the ''Mahabharata'' and the Puranas; it is also mentioned in ancient Jain texts. Hastinapur is located on the right bank of the Ganga river. Etymology In Sanskrit, ''Hastinapura'' translates to 'the City of Elephants' from ''Hastina'' (elephant) and ''pura'' (city). Its history dates back to the period of ''Mahabharata''. It is said that the city was named after King Hasti. It is also mentioned in the ''Ramayana'', the 13th and 14th verses of which say (translated): History The early archaeological remains of the region belong to Ochre Coloured Pottery culture which was a Bronze Age culture of Ganga Yamuna doab. Around c.1200 BCE the region transformed to an Iron Age culture. The region was occupied by the Painted Grey Ware culture which corresponds to the Vedic Period. In the ''Mahabharata'', Hastinapur i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arjuna
Arjuna (, , Help:IPA/Sanskrit, [ɐɾd͡ʒun̪ə]) is one of the central characters of the ancient Hindu epic ''Mahabharata''. He is the third of the five Pandava brothers, and is widely regarded as the most important and renowned among them. He is the son of Indra, the king of the Deva (Hinduism), gods, and Kunti, wife of King Pandu of Kuru kingdom, Kuru dynasty—making him a Demigod, divine-born hero. Arjuna is famed for his extraordinary prowess in archery and mastery over Astra (weapon), celestial weapons. Throughout the epic, Arjuna sustains a close friendship with his maternal cousin, Krishna, who serves as his spiritual guide. Arjuna is celebrated for numerous heroic exploits throughout the epic. From childhood, he emerges as an excellent pupil, studying under the warrior-sage Drona. In his youth, Arjuna wins the hand of Draupadi, the princess of the Pañcāla, Panchalas, by excelling in a formidable archery competition. Soon after, he goes on a journey during a period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandharvas
A ''gandharva'' () is a member of a class of celestial beings in Indian religions, such as Hinduism, Buddhism, and Jainism, whose males are divine performers such as musicians and singers, and the females are divine dancers. In Hinduism, they are regarded to be the celestial demigods who serve as the musicians of the devas. It is also a term for skilled singers in Indian classical music. In Buddhism, this term also refers to a being in the intermediate state (between death and rebirth). In Hinduism In Hinduism, the gandharvas () are a class of minor deities who serve as divine musicians in Hindu mythology. The term gandharva is present in Vedic sources (including in the Rigveda) as a singular deity. According to Oberlies, "In mandala I, IX and X the gandharva is presented as a celestial being (dwelling near the Sun / in the heavenly waters) which watches over the Soma (apparently) for the benefit of the gods and the sacrificers." The gandharva also "receives the Soma from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghoshayatra Parva
The Ghosayatra Parva () is a section and an episode of the Hindu epic Mahabharata. Consisting of 519 shlokas, it is named after the episode in which the Kauravas undertake an expedition to see the cowherds of Dvaitavana, a forest where the Pandavas reside. This is done under the pretext of cattle inspection, but with the ulterior motive of humiliating their cousins. During the course of this episode, the Kauravas are captured by the gandharvas, and are released from their captivity by the Pandavas. Duryodhana finds the outcome of the entire affair embarrassing, and resolves to fast to death until he is dissuaded from this course of action. Instead, he opts to return to Hastinapura to perform a sacrifice. Synopsis Duryodhana and the other Kauravas went on an expedition. During this trip, The Kaurava host were attacked by the Gandharavs. After a brief victory, the army of the Gandharvas used illusions on them, which broke the formation of the Kourava armies and they were rerouted. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhandarkar Oriental Research Institute
The Bhandarkar Oriental Research Institute (BORI) is a research institute involved in the conservation, preservation, and research of old manuscripts and rare books related to Orientalism, particularly Indology. It is located in Pune, Maharashtra, India. It was founded on 6 July 1917 and named after Ramakrishna Gopal Bhandarkar (1837–1925), a scholar of Orientalism. The institute is well known for its collection of old Sanskrit and Prakrit manuscripts. The institute This institute is of a public trust registered under Act XXI of 1860. Initially, the institute received an annual grant of 3,000 rupees from the government of Bombay. Presently, it is partially supported by annual grants from the government of Maharashtra. The institute also receives grants from the government of India and the University Grants Commission for specific research projects. The institute has one of the largest collections of rare books and manuscripts in South Asia, consisting of over 125,000 books ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurukshetra War
The Kurukshetra War (), also called the Mahabharata War, is a war described in the Hindu Indian epic poetry, epic poem ''Mahabharata'', arising from a dynastic struggle between two groups of cousins, the Kauravas and the Pandavas, for the throne of Hastinapura. The war is used as the context for the dialogues of the ''Bhagavad Gita. Background The ''Mahābhārata'' is an account of the life and deeds of several generations of a ruling dynasty called the Kuru (Hindu mythology), Kuru clan. Central to the epic is an account of a war that took place between two rival families belonging to this clan. Kurukshetra (literally "Kshetram, Region of the Kurus"), also known as Dharmakshetra (the "Region of Dharma"), was the battleground on which the Kurukshetra War was fought. The first ''Mahābhārata'' says that this site was chosen because a sin committed on land was forgiven because of the land's sanctity. The events of the war make up more than a quarter of the ''Mahabharata''. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
