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Widescreen
Widescreen images are displayed within a set of aspect ratios (relationship of image width to height) used in film, television and computer screens. In film, a widescreen film is any film image with a width-to-height aspect ratio greater than the standard 1.37:1 Academy aspect ratio provided by 35 mm film. For television, the original screen ratio for broadcasts was in fullscreen 4:3 (1.33:1). Largely between the 1990s and early 2000s, at varying paces in different nations, 16:9 (1.78:1) widescreen TV displays came into increasingly common use. They are typically used in conjunction with high-definition television (HDTV) receivers, or Standard-Definition (SD) DVD players and other digital television sources. With computer displays, aspect ratios wider than 4:3 are also referred to as widescreen. Widescreen computer displays were previously made in a 16:10 aspect ratio (e.g. 1680 × 1050), but now are usually 16:9 (e.g. 1920 × 1080). Film History Widescreen was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aspect Ratio (image)
The aspect ratio of an image is the ratio of its width to its height, and is expressed with two numbers separated by a colon, such as ''16:9'', sixteen-to-nine. For the ''x'':''y'' aspect ratio, the image is ''x'' units wide and ''y'' units high. Common aspect ratios are 1.85:1 and 2.39:1 in cinematography, 4:3 and 16:9 in television photography, and 3:2 in still photography. Some common examples The common film aspect ratios used in cinemas are 1.85:1 and 2.39:1.The 2.39:1 ratio is commonly labeled 2.40:1, e.g., in the American Society of Cinematographers' ''American Cinematographer Manual'' (Many widescreen films before the 1970 SMPTE revision used 2.35:1). Two common videographic aspect ratios are 4:3 (1.:1), the universal video format of the 20th century, and 16:9 (1.:1), universal for high-definition television and European digital television. Other cinema and video aspect ratios exist, but are used infrequently. In still camera photography, the most common aspec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
35 mm Movie Film
35 mm film is a film gauge used in filmmaking, and the film standard. In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips wide. The standard image exposure length on 35 mm for movies ("single-frame" format) is four perforations per frame along both edges, which results in 16 frames per foot of film. A variety of largely proprietary gauges were devised for the numerous camera and projection systems being developed independently in the late 19th century and early 20th century, as well as a variety of film feeding systems. This resulted in cameras, projectors, and other equipment having to be calibrated to each gauge. The 35 mm width, originally specified as inches, was introduced around 1890 by William Kennedy Dickson and Thomas Edison, using 120 film stock supplied by George Eastman ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CinemaScope
CinemaScope is an anamorphic lens series used, from 1953 to 1967, and less often later, for shooting widescreen films that, crucially, could be screened in theatres using existing equipment, albeit with a lens adapter. Its creation in 1953 by Spyros P. Skouras, the president of 20th Century Fox, marked the beginning of the modern anamorphic format in both principal 2.55:1, almost twice as wide as the previously common Academy format's 1.37:1 ratio. Although the technology behind the CinemaScope lens system was made obsolete by later developments, primarily advanced by Panavision, CinemaScope's anamorphic format has continued to this day. In film-industry jargon, the shortened form, 'Scope, is still widely used by both filmmakers and projectionists, although today it generally refers to any 2.35:1, 2.39:1, 2.40:1, or 2.55:1 presentation or, sometimes, the use of anamorphic lensing or projection in general. Bausch & Lomb won a 1954 Oscar for its development of the CinemaS ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
70 Mm Grandeur Film
70mm Grandeur film, also called Fox Grandeur or Grandeur 70, is a 70mm widescreen film format developed by William Fox through his Fox Film and Fox-Case corporations and used commercially on a small but successful scale in 1929–30. Filmography In 1925, with the advent of television on the horizon, William Fox of the Fox Film Studio empire envisioned a "grand" cinema experience to keep the public coming to the movie theaters. As such, he soon put full efforts behind enhancing the silent 35mm film showings by the addition of sound to be coupled to a wider than 35mm end product, with the hoped for result being a grand and lifelike experience for the viewers. This wide screen vision of William Fox soon resulted in his creating a partnership with Theodore Case and his assistant, Earl Sponable, pioneers of Sound on Film, with the partnership to be named the Fox-Case Corporation. The result was, first, the advent of Movietone Sound, then soon combined with the 70mm "Grandeur" wide scre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fullscreen (filmmaking)
Fullscreen (or full screen) refers to the 4:3 (1.:1) aspect ratio of early standard television screens and computer monitors. Widescreen ratios started to become more popular in the 1990s and 2000s. Film originally created in the 4:3 aspect ratio does not need to be altered for full screen release, while other aspect ratios can be converted to full screen using techniques such as pan and scan, open matte or reframing. In pan and scan, the 4:3 image is extracted from within the original frame by cropping the sides of the film. In open matte, the 4:3 image is extracted from parts of the original negative which were shot but not intended to be used for the theatrical release. In reframing, elements within the image are repositioned. Reframing is almost exclusively a method used for entirely CG movies, where the elements can be easily moved. History Full screen aspect ratios in standard television have been in use since the invention of moving picture cameras. Early computer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The American (1927 Film)
''The American'', ''The Flag Maker'', is a lost 1927 American silent Western film directed by J. Stuart Blackton and starring Bessie Love and Charles Ray. It was based on the short story "The Flag Maker" by Jewel Spencer, and was produced by George K. Spoor through his company Natural Vision Pictures. The film, made in the experimental widescreen process Natural Vision, developed by Spoor and P. John Berggren, was never released theatrically. Plot A rich Turk Seref is released from an American prison after 20 years, with plans to exact revenge on the fiancee who had betrayed him. Cast Production The Natural Vision process required the action to be filmed on two cameras: one for production and one for the dailies. The production camera was set back unusually far from the action, and subsequently filmed only wide shots and no close-ups. Canceled release The film was slated for a March 1927 premiere at New York's Roxy Theatre, which was to have been equipped to s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roxy Theatre (New York City)
The Roxy Theatre was a 5,920 seat movie palace at 153 West 50th Street between 6th and 7th Avenues, just off Times Square in New York City. It was one of the largest movie theatres ever built in North America. It opened on March 11, 1927 with the silent film '' The Love of Sunya'' starring Gloria Swanson. It was a leading Broadway film showcase through the 1950s and also noted for its lavish stage shows. It closed and was demolished in 1960. Early history The theater was conceived by film producer Herbert Lubin in mid-1925 as the world's largest and finest movie palace. To realize his dream, Lubin brought in the successful and innovative theater operator Samuel L. Rothafel, aka "Roxy", enticing him with a large salary, a percentage of the profits and stock options, and even offering to name the theatre after him. It was intended as the first of six Roxy Theatres in the New York area. Roxy was determined to make the theater the summit of his career, realizing all of his theatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyvision
Polyvision was the name given by the French film critic Émile Vuillermoz to a specialized widescreen film format devised exclusively for the filming and projection of Abel Gance's 1927 film '' Napoleon''. Polyvision involved the simultaneous projection of three reels of silent film arrayed in a horizontal row, making for a total aspect ratio of 4:1 (1.33×3:1). Polyvision's extremely wide aspect ratio was the widest aspect ratio yet seen, even though it is technically just three images side by side. In 1955, the Walt Disney Company developed Circle-Vision 360° for use in Disneyland theme parks which used nine 4:3 35 mm projectors to show an image that completely surrounds the viewer. This configuration is considered to be a similar precursor to Cinerama, which would debut a quarter of a century later; however, it is unlikely that Polyvision was a direct inspiration for later widescreen techniques, as the triptych sequence of ''Napoleon'' was cut from the film by its distri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Academy Ratio
The Academy ratio of 1.375:1 (abbreviated as 1.37:1) is an aspect ratio of a frame of 35 mm film when used with 4-perf pulldown.Monaco, James. ''How to Read a Film: The Art, Technology, Language, History and Theory of Film and Media''. Rev. ed. New York: Oxford University Press, 1981. .Bordwell, David and Thompson, Kristin. ''Film Art: An Introduction''. Rev. ed. New York: McGraw-Hill, 1993. . It was standardized by the Academy of Motion Picture Arts and Sciences as the standard film aspect ratio in 1932, although similar-sized ratios were used as early as 1928. History Silent films were shot at a 1. aspect ratio (also known as a 4:3 aspect ratio), with each frame using all of the negative space between the two rows of film perforations for a length of 4 perforations. The frame line between the silent film frames was very thin. When sound-on-film was introduced in the late 1920s, the soundtrack was recorded in a stripe running just inside one set of the perforations ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High-definition Television
High-definition television (HD or HDTV) describes a television system which provides a substantially higher image resolution than the previous generation of technologies. The term has been used since 1936; in more recent times, it refers to the generation following standard-definition television (SDTV), often abbreviated to HDTV or HD-TV. It is the current de facto standard video format used in most broadcasts: terrestrial broadcast television, cable television, satellite television and Blu-ray Discs. Formats HDTV may be transmitted in various formats: * 720p (1280 horizontal pixels × 720 lines): 921,600 pixels * 1080i (1920×1080) interlaced scan: 1,036,800 pixels (~1.04 MP). * 1080p (1920×1080) progressive scan: 2,073,600 pixels (~2.07 MP). ** Some countries also use a non-standard CEA resolution, such as 1440×1080i: 777,600 pixels (~0.78 MP) per field or 1,555,200 pixels (~1.56 MP) per frame When transmitted at two megapixels per frame, HDTV provides about five tim ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janet Gaynor
Janet Gaynor (born Laura Augusta Gainor; October 6, 1906 – September 14, 1984) was an American film, stage, and television actress. Gaynor began her career as an extra in shorts and silent films. After signing with Fox Film Corporation (later 20th Century-Fox) in 1926, she rose to fame and became one of the biggest box offices draws of the era. In 1929, she became the first recipient of the Academy Award for Best Actress for her performances in three films: '' 7th Heaven'' (1927), '' Sunrise: A Song of Two Humans'' (1927), and '' Street Angel'' (1928). This was the only occasion an actress won one Oscar for multiple film roles. Gaynor's career success continued into the sound film era, and she achieved notable success in the original version of '' A Star Is Born'' (1937), for which she received a second Best Actress Academy Award nomination. After retiring from acting in 1939, Gaynor married film costume designer Adrian, with whom she had a son. She briefly returned to actin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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