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When I Grow Up (To Be A Man)
"When I Grow Up (To Be a Man)" is a song by American rock band the Beach Boys from their 1965 album ''The Beach Boys Today!''. Written by Brian Wilson and Mike Love, it was first issued as a single on August 24, 1964, paired with the B-side " She Knows Me Too Well". It peaked at number 9 in the U.S., number 27 in the UK, and number 1 in Canada. The lyrics describe a boy who is feeling anxious about his own future when he will no longer be a teenager, pondering such questions as "Will I love my wife for the rest of my life?" It is possibly the earliest U.S. top 40 song to contain the expression "turn on", and is one of the earliest rock songs to cover the topic of impending adulthood. Musically, the song has been highlighted for its jazz influence and unique arrangement and harmonic structure. Background and inspiration "When I Grow Up (To Be a Man)" was composed by Brian Wilson with lyrics by both him and his cousin and frequent writing partner Mike Love. At the time, Brian tol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beach Boys
The Beach Boys are an American Rock music, rock band formed in Hawthorne, California, in 1961. The group's original lineup consisted of brothers Brian Wilson, Brian, Dennis Wilson, Dennis, and Carl Wilson, their cousin Mike Love, and their friend Al Jardine. Distinguished by their vocal harmonies, adolescent-oriented lyrics, and musical ingenuity, they are one of the most influential acts of the rock era. The group drew on the music of Traditional pop, older pop vocal groups, 1950s rock and roll, and black R&B to create their unique sound. Under Brian's direction, they often incorporated classical music, classical or jazz elements and Recording studio as an instrument, unconventional recording techniques in innovative ways. The Beach Boys formed as a garage band centered on Brian's songwriting and managed by the Wilsons' father, Murry Wilson, Murry. Jardine was briefly replaced by David Marks during 1962–1963. In 1963, they enjoyed their first national hit with "Surfin' U.S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timothy Leary
Timothy Francis Leary (October 22, 1920 – May 31, 1996) was an American psychologist and author known for his strong advocacy of psychedelic drugs. Evaluations of Leary are polarized, ranging from "bold oracle" to "publicity hound". According to poet Allen Ginsberg, he was "a hero of American consciousness", while writer Tom Robbins called him a "brave neuronaut". President Richard Nixon disagreed, calling Leary "the most dangerous man in America". During the 1960s and 1970s, at the height of the counterculture movement, Leary was arrested 36 times. As a clinical psychologist at Harvard University, Leary founded the Harvard Psilocybin Project after a revealing experience with magic mushrooms he had in Mexico in 1960. For two years, he tested psilocybin's therapeutic effects, in the Concord Prison Experiment and the Marsh Chapel Experiment. He also experimented with lysergic acid diethylamide (LSD), which was also legal in the U.S. at the time. Other Harvard faculty que ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Four Freshmen
The Four Freshmen is an American male vocal quartet that blends close and open harmony, open-harmonic jazz arrangements with the big band vocal group sounds of The Modernaires, The Pied Pipers, and The Mel-Tones, founded in the Barbershop music, barbershop tradition. The singers accompany themselves on guitar, horns, bass, and drums, among other instrumental configurations. The group was founded in 1948 in Indiana and reached its peak popularity in the mid-1950s. The last original member retired in 1993, but the group continues to tour internationally. It has recorded jazz harmonies since its founding in the late 1940s in the halls of the Jordan School of Music at Butler University in Indianapolis. History Early beginnings Brothers Don and Ross Barbour grew up in a musical family in Columbus, Indiana, and had sung with their cousin Bob Flanigan as kids. In 1947, while attending the Arthur Jordan Conservatory of Music at Butler University in Indianapolis, Indiana, music theory cl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dennis Wilson
Dennis Carl Wilson (December 4, 1944 – December 28, 1983) was an American musician, singer, and songwriter who co-founded the Beach Boys. He was their drummer and the middle brother of bandmates Brian Wilson, Brian and Carl Wilson as well as a first cousin of other bandmate Mike Love. Dennis was the only true surfer in the Beach Boys, and his personal life exemplified the "California sound, California myth" that the band's early songs often celebrated. He was also known for his association with the Manson Family and for co-starring in the 1971 film ''Two-Lane Blacktop.'' Wilson served mainly on drums and backing vocals for the Beach Boys. His playing can be heard on many of the group's hits, belying the popular misconception that he was always replaced on record by studio musicians. He originally had few lead vocals on the band's songs due to his limited baritone range, but his prominence as a singer-songwriter increased following their 1968 album ''Friends (The Beach Boys alb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Al Jardine
Alan Charles Jardine (born September 3, 1942) is an American musician who co-founded the Beach Boys. He is best known as the band's rhythm guitarist, background vocalist, and for occasionally singing lead vocals on singles such as number-one hit "Help Me, Rhonda" (1965), "Then I Kissed Her" (1965), "Cotton Fields#The Beach Boys cover, Cottonfields" (1970), and a cover of the Del-Vikings' "Come Go with Me" (1981). His song "Lady Lynda" was also a UK top 10 hit for the group in 1979. Other Beach Boys songs that feature Jardine on lead include "I Know There's an Answer" (1966), "Vegetables (song), Vegetables" (1967), a cover of Buddy Holly's "Peggy Sue (song), Peggy Sue" (1978), and "From There to Back Again" (2012). Following the death of fellow band member Carl Wilson in 1998, Jardine left the Beach Boys touring band and has since performed as a solo artist, rejoining the band only for their The 50th Reunion Tour, 50th anniversary tour in 2012. Jardine has toured alongside fellow B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Wilson
Carl Dean Wilson (December 21, 1946 – February 6, 1998) was an American musician, singer, and songwriter who co-founded the Beach Boys. He was their lead guitarist, the youngest sibling of bandmates Brian Wilson, Brian and Dennis Wilson, Dennis, and the group's ''de facto'' leader in the early to mid-1970s. He was also the band's musical director on stage from 1965 until his death. Influenced by the guitar playing of Chuck Berry and the Ventures, Wilson's initial role in the group was that of lead guitarist and backing singer, but he performed lead vocals on several of their later hits, including "God Only Knows" (1966), "Good Vibrations" (1966), "I Can Hear Music" (1969), and "Kokomo (song), Kokomo" (1988). Unlike other members of the band, he often played alongside the session musician, studio musicians employed during the group's critical and commercial peak in the mid-1960s. After Brian's reduced involvement with the group, Carl produced the bulk of their albums betwee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inside The Music Of Brian Wilson
''Inside the Music of Brian Wilson'' (subtitled ''The Songs, Sounds, and Influences of the Beach Boys' Founding Genius'') is a 2007 book that analyzes the music of Brian Wilson of the Beach Boys, authored by American musicologist Philip Lambert. It is the first book dedicated primarily to Wilson's music, rather than his personal life. Background Philip Lambert (1960–2022) was a professor of music at the CUNY Graduate Center in New York. He was initially known for specializing in the music of composer Charles Ives, and authored a book on the subject, ''The Music of Charles Ives'' (1997). After the mid-2000s, he specialized in popular music and musical theatre. His textbooks ''Basic Post-Tonal Theory'' (2018) and ''Analysis and Principles of Music'' (2017) are also widely used. Reception In his review for ''PopMatters'', Adam Bunch rued that the book has limited appeal to casual fans of the Beach Boys, as it requires the reader to have a rudimentary understanding of music theor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Harmony
Jazz harmony is the theory and practice of how chords are used in jazz music. Jazz bears certain similarities to other practices in the tradition of Western harmony, such as many chord progressions, and the incorporation of the major and minor scales as a basis for chordal construction. In jazz, chords are often arranged vertically in major or minor thirds, although '' stacked fourths'' are also quite common. Also, jazz music tends to favor certain harmonic progressions and includes the addition of ''tensions'', intervals such as 9ths, 11ths, and 13ths to chords. Additionally, scales unique to style are used as the basis of many harmonic elements found in jazz. Jazz harmony is notable for the use of seventh chords as the basic harmonic unit more often than triads, as in classical music. In the words of Robert Rawlins and Nor Eddine Bahha, "7th chords provide the building blocks of jazz harmony." The piano and guitar are the two instruments that typically provide harmony for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metric Modulation
In music, metric modulation is a change in pulse rate (tempo) and/or pulse grouping ( subdivision) which is derived from a note value or grouping heard before the change. Examples of metric modulation may include changes in time signature across an unchanging tempo, but the concept applies more specifically to shifts from one time signature/tempo (metre) to another, wherein a note value from the first is made equivalent to a note value in the second, like a pivot or bridge. The term "modulation" invokes the analogous and more familiar term in analyses of tonal harmony, wherein a pitch or pitch interval serves as a bridge between two keys. In both terms, the pivoting value functions differently before and after the change, but sounds the same, and acts as an audible common element between them. Metric modulation was first described by Richard Franko Goldman while reviewing the Cello Sonata of Elliott Carter, who prefers to call it tempo modulation. Another synonymous term is proport ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Diatonic Function
In music, function (also referred to as harmonic function) is a term used to denote the relationship of a chord"Function", unsigned article, ''Grove Music Online'', . or a scale degree to a tonal centre. Two main theories of tonal functions exist today: * The German theory created by Hugo Riemann in his ''Vereinfachte Harmonielehre'' of 1893, which soon became an international success (English and Russian translations in 1896, French translation in 1899), and which is the theory of functions properly speaking."It was Riemann who coined the term 'function' in ''Vereinfachte Harmonielehre'' (1893) to describe relations between the dominant and subdominant harmonies and the referential tonic: he borrowed the word from mathematics, where it was used to designate the correlation of two variables, an 'argument' and a 'value'". Brian Hyer, "Tonality", ''Grove Music Online'', . Riemann described three abstract tonal "functions", tonic, dominant and subdominant, denoted by the letters T, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key Change
In music, modulation is the change from one tonality ( tonic, or tonal center) to another. This may or may not be accompanied by a change in key signature (a key change). Modulations articulate or create the structure or form of many pieces, as well as add interest. Treatment of a chord as the tonic for less than a phrase is considered tonicization. Requirements *Harmonic: quasi- tonic, modulating dominant, pivot chordForte (1979), p. 267. *Melodic: recognizable segment of the scale of the quasi-tonic or strategically placed leading-tone *Metric and rhythmic: quasi-tonic and modulating dominant on metrically accented beats, prominent pivot chord The quasi-tonic is the tonic of the new key established by the modulation. The modulating dominant is the dominant of the quasi-tonic. The pivot chord is a predominant to the modulating dominant and a chord common to both the keys of the tonic and the quasi-tonic. For example, in a modulation to the dominant, ii/V–V/V–V could ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
PopMatters
''PopMatters'' is an international online magazine of cultural criticism that covers aspects of popular culture. ''PopMatters'' publishes reviews, interviews, and essays on cultural products and expressions in areas such as music, television, films, books, video games, comics, sports Sport is a physical activity or game, often competitive and organized, that maintains or improves physical ability and skills. Sport may provide enjoyment to participants and entertainment to spectators. The number of participants in ..., theater, visual arts, travel, and the Internet. History ''PopMatters'' was founded by Sarah Zupko, who had previously established the cultural studies academic resource site PopCultures. ''PopMatters'' launched in late 1999 as a sister site providing original essays, reviews and criticism of various media products. Over time, the site went from a weekly publication schedule to a five-day-a-week magazine format, expanding into regular review ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
