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What To Do When You Are Dead
''What to Do When You Are Dead'' is the second studio album by American rock band Armor for Sleep. Following the completion of two songs written from the perspective of being dead, vocalist/guitarist Ben Jorgensen created a whole story from this viewpoint. ''What to Do When You Are Dead'' is a concept album, with each song telling the story of the protagonist's suicide as well as his journey through the afterlife. Recording took place between August and October 2004 with producer Machine. A rough mix of "Car Underwater" was made available in November, followed by two US tours in February 2005. ''What to Do When You Are Dead'' was released on February 22 through independent label Equal Vision Records. Following a couple of US tours in April and May 2005, "Car Underwater" was released as a radio single. The group performed on the Warped Tour, before touring across the US in September and November. Later in November, a music video was released for "The Truth About Heaven", followed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Taking Back Sunday
Taking Back Sunday is an American rock band from Long Island, New York. The band was formed by guitarist Eddie Reyes and bassist Jesse Lacey in 1999. The band's members currently are Adam Lazzara (lead vocals), John Nolan (lead guitar, keyboards, vocals), Shaun Cooper (bass guitar) and Mark O'Connell (drums), accompanied by Nathan Cogan (guitar) for their live performances. The band's former members include Lacey, Reyes, bass guitarist Matthew Rubano, and guitarist and vocalist Fred Mascherino. Lacey quit Taking Back Sunday in 1999 and formed the critically acclaimed rock band Brand New in 2000, with whom Taking Back Sunday would become embroiled in a highly publicized feud. Lazzara replaced original vocalist Antonio Longo prior to the release of the band's 2002 debut album '' Tell All Your Friends.'' Nolan and Cooper left the band in 2003 to form Straylight Run before returning in 2010. The band's breakthrough album, 2006's ''Louder Now'', featured the popular lead sin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drop D Tuning
Drop D tuning is an alternative form of guitar tuning in which the lowest (sixth) string is tuned down from the usual E of standard tuning by one whole step to D. So where standard tuning is E2A2D3G3B3E4 (EADGBe), drop D is D2A2D3G3B3E4 (DADGBe). Drop D tuning, as well as other lowered altered tunings, are often used with the electric guitar in heavy metal music. It is also used in blues, country, folk (often with acoustic guitar), and classical guitar. Uses In drop D, the three open bass strings form a D5 power chord. Other fifth chords are made when barred with the index finger of the fretting hand shifted up the fretboard. Drop D tuning is frequently used in heavy metal and its various subgenres, as guitarists in these styles often need fast transitions between power chords. Drop D is also used in metal because it adds two lower semitones to the bass range of the rhythm guitar, which adds two more low-range power chords (Eb and D) and enables a heavier, deeper sound. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Effects Unit
An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing. Common effects include distortion/overdrive, often used with electric guitar in electric blues and rock music; dynamic effects such as volume pedals and compressors, which affect loudness; filters such as wah-wah pedals and graphic equalizers, which modify frequency ranges; modulation effects, such as chorus, flangers and phasers; pitch effects such as pitch shifters; and time effects, such as reverb and delay, which create echoing sounds and emulate the sound of different spaces. Most modern effects use solid-state electronics or digital signal processors. Some effects, particularly older ones such as Leslie speakers and spring reverbs, use mechanical components or vacuum tubes. Effects are often used as stompboxes, typically placed on the floor and controlled with footswitches. They may also be buil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Big Muff
The Big Muff Pi (π), often known simply as the Big Muff, is a fuzzbox produced in New York City by the Electro-Harmonix company, along with their Russian sister company Sovtek, primarily for use with the electric guitar. It is used by bassists as well due to the Big Muff's squeaky frequency response. History The following is a direct quote from Mike Matthews, Electro-Harmonix founder, and president: An earlier Electro-Harmonix pedal, the Axis Fuzz, was also manufactured for the Guild guitar company as the Foxey Lady and used a similar chassis as the early Big Muffs, but had a simpler two-transistor circuit. With the introduction of the Big Muff the Axis was discontinued and the Foxey Lady pedal became a rebranded Big Muff. It was available at least until the mid-1970s. The Big Muff Pi was the first overwhelming success for Electro-Harmonix's line of pedals. Due to its reliability, its low price and its distinctive sound, the Big Muff sold consistently through the 1970 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Line 6 DL4
The DL4 by Line 6, introduced in 1999, is a digital delay pedal. It is one of the first digital modeling effects units. The DL4 features models of 16 vintage delay effects, including the Echoplex, Roland Corporation's Space Echo, and the Electro-Harmonix Deluxe Memory Man. It is also used for looping. According to a May/June 2000 review in ''Canadian Musician ''Canadian Musician'' is a Canadian magazine that is published bi-monthly by Norris-Whitney Communications Inc. History and profile ''Canadian Musician'' was launched by Jim Norris in Toronto in 1979. The premier issue was published in March/Apri ...'', it "delivers a cavalcade of features for a reasonable price." The DL-4 was conceived by Greg Westall, Jeff Slingluff, and Patrick O’Connor. The original concept was a four preset design modeled in size and shape after the BOSS CE-1. Later Jeorge Trips, who was originally hired to procure source vintage pedals for study, made the suggestion that the fourth pedal be used ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Octave
In music, an octave ( la, octavus: eighth) or perfect octave (sometimes called the diapason) is the interval between one musical pitch and another with double its frequency. The octave relationship is a natural phenomenon that has been referred to as the "basic miracle of music," the use of which is "common in most musical systems." The interval between the first and second harmonics of the harmonic series is an octave. In Western music notation, notes separated by an octave (or multiple octaves) have the same name and are of the same pitch class. To emphasize that it is one of the perfect intervals (including unison, perfect fourth, and perfect fifth), the octave is designated P8. Other interval qualities are also possible, though rare. The octave above or below an indicated note is sometimes abbreviated ''8a'' or ''8va'' ( it, all'ottava), ''8va bassa'' ( it, all'ottava bassa, sometimes also ''8vb''), or simply ''8'' for the octave in the direction indicated by plac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orange Music Electronic Company
Orange Music Electronic Company is an English amplifier manufacturing company. The amplifiers have a distinctive sound and bright orange Tolex-like covering their heads and speaker cabinets. History 1960s Orange was founded in 1968 by musician and electronics designer Clifford Cooper of London, and opened premises at 3 New Compton Street in London's West End. Initially, Cooper used only the basement as a professional recording studio. The original studio featured an IBC mixing console originally owned by Joe Meek, producer of The Millionaires. Because the studio failed to meet its business costs, on September 2, 1968 the ground floor premises were opened as a music shop. In order to cover wage costs for the business, Cooper sold his own electronic musical equipment. Difficulties in obtaining stock meant that the new Orange shop at first dealt only in second hand equipment. Many musicians around that time preferred older, used, or beaten-up guitars as they were considered ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marshall JCM800
The JCM800 series (Models 2203, 2204, 2205 and 2210) is a line of guitar amplifiers made by Marshall Amplification. The series was introduced in 1981. Although models 1959 and 1987 had been in production since 1965 and the 2203 and 2204 had been in production since 1975, they were redesigned and introduced as JCM800 amplifiers in '81. The JCM800 amplifiers became a staple of 1980s hard rock and heavy metal bands. History In 1981, Marshall finally reached the end of its 15-year distribution deal with Rose-Morris, which had severely limited its potential to sell amplifiers outside England; Rose-Morris tagged 55% onto the sticker price for exported models. The JCM800 was the first series produced after the contract expired. The name comes from Jim Marshall's initials, "J.C.M.", coupled with the meaningless "800" from the number plate on his car. It was later noted that "800" stood for the decade. For example, the JCM900 was released in 1990 and the JCM2000 was released in 2000. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bogner Amplification
Bogner Amplification is an American guitar amplifier manufacturing company founded by Reinhold Bogner in 1989 in Los Angeles, California. Bogner began by custom-building boutique amplifiers based on classic (blackface) Fenders, and now offers different models of serially produced amplifiers. History German amp builder Reinhold Bogner moved to California hoping to gain entrance into the burgeoning market for high-gain guitar amplifiers, where Mesa Boogie was the market leader and companies like Soldano and Rivera Amplifiers were following in Mesa's footsteps. The first amplifiers he made were often based on 1960s Fender Showmans, even using the original faceplate and chassis. They were handwired "one-off custom amps", which he sold to players such as Eddie Van Halen, Steve Stevens, and Allan Holdsworth. Models Initially, Bogner made two custom models; earlier (three-channel) models were designated Ecstasy 100A and 100B and later models 101A and 101B—the "A" meaning "American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fender Telecaster Deluxe
The Fender Telecaster Deluxe is a solid-body electric guitar originally produced from 1972 to 1981, and re-issued by Fender multiple times starting in 2004. History The popularity of heavy rock in the late 1960s led Fender to re-think its strategy of exclusively using single-coil pickups, as they were not perceived as being suitable for the thick sound and extended sustain favored by heavy rock guitarists using double-coil humbucking pickups. Consequently, Fender hired former Gibson employee Seth Lover, the inventor of the humbucker himself, to design a humbucking pickup for use in a number of Fender guitars. The result was a pickup known as the Wide Range humbucker, and it was used in a variety of different Fender models including the Deluxe, Custom, and Thinline Telecasters as well as a semi-hollowbody design called the Starcaster. The Deluxe, originally conceived as the top-of-the-line model in the Telecaster series, was the last of these to be released, in 1973. The "hum ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fender Telecaster Thinline
The Fender Telecaster Thinline is a semi-hollow guitar made by the Fender company. It is a Telecaster with body cavities. Designed by German luthier Roger Rossmeisl in 1968, it was introduced in 1969 and updated in 1972 by replacing the standard Telecaster pickups with a pair of Fender Wide Range humbucking pickups, bullet truss-rod and 3-bolt neck. The design was originally an attempt to reduce the weight of the solid-body Telecaster guitar, which had become ever heavier throughout the 1960s due to the dwindling supply of the light ash wood Fender had formerly used. The f-hole and reshaped pickguard are the most apparent visual clues to its construction. There have been many different versions of the Telecaster Thinline over the years, although the original two are more recognizable. The 1969 version has two standard single-coil pickups and a mahogany body, while the 1972 version, based on the Fender Telecaster Deluxe, has two Fender Wide Range humbucking pickups and a natura ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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