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What's Opera, Doc
''What's Opera, Doc?'' is a 1957 American Warner Bros. ''Merrie Melodies'' cartoon directed by Chuck Jones and written by Michael Maltese. The short was released on July 6, 1957, and stars Bugs Bunny and Elmer Fudd. The story features Elmer chasing Bugs through a parody of 19th-century classical composer Richard Wagner's operas, particularly ''Der Ring des Nibelungen'' (''The Ring of the Nibelung''), '' Der Fliegende Holländer'' (''The Flying Dutchman''), and '' Tannhäuser''. It borrows heavily from the second opera in the "Ring Cycle" ''Die Walküre'', woven around the typical Bugs–Elmer feud. Most of the dialogue is performed in recitative. The short marks the final appearance of Elmer Fudd in a Chuck Jones cartoon. It has been widely praised in the animation industry as the greatest animated cartoon that Warner Bros. ever released, and it has been ranked as such in the top 50 animated cartoons of all time. In 1992, the Library of Congress deemed it "culturally, historica ...
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Lobby Card
A film poster is a poster used to promote and advertise a film primarily to persuade paying customers into a theater to see it. Studios often print several posters that vary in size and content for various domestic and international markets. They normally contain an image with text. Today's posters often feature printed likenesses of the main actors. Prior to the 1980s, illustrations instead of photos were far more common. The text on film posters usually contains the film title in large lettering and often the names of the main actors. It may also include a tagline, the name of the director, names of characters, the release date, and other pertinent details to inform prospective viewers about the film. Film posters are often displayed inside and on the outside of movie theaters, and elsewhere on the street or in shops. The same images appear in the film exhibitor's pressbook and may also be used on websites, DVD (and historically VHS) packaging, flyers, advertisements in newspap ...
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Elmer Fudd
Elmer J. Fudd is an animated cartoon character in the Warner Bros. ''Looney Tunes''/''Merrie Melodies'' series and the archenemy of Bugs Bunny. Elmer Fudd's aim is to hunt Bugs, but he usually ends up seriously injuring himself and other antagonizing characters. He exhibits the speech sound disorder known as rhotacism, replacing his Rs and Ls with Ws thus referring to Bugs Bunny as a "scwewy" (screwy) or "wascawwy (rascally) wabbit." Elmer's signature catchphrase is, "Shhh. Be vewy vewy quiet, I'm hunting wabbits", as well as his trademark laugh. The best known Elmer Fudd cartoons include Chuck Jones' work ''What's Opera, Doc?'', the Gioachino Rossini, Rossini parody ''Rabbit of Seville'', and the "Hunting Trilogy" of "Rabbit Season/Duck Season" shorts (''Rabbit Fire'', ''Rabbit Seasoning'', and ''Duck! Rabbit, Duck!'') with Fudd, Bugs Bunny, and Daffy Duck. An earlier prototype of character named Elmer had some of Fudd's recognizable aspects before the character's more conspic ...
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Ride Of The Valkyries
The ''Ride of the Valkyries'' () is the popular name of the prelude to the first scene of the third and last act of ''Die Walküre'', the second of the four epic music dramas that constitute the operatic cycle ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''), composed by Richard Wagner. As a separate piece, the "Ride" is often heard in a purely instrumental version, which may be as short as three minutes. Together with the "Bridal Chorus" from ''Lohengrin'', the "Ride of the Valkyries" is one of Wagner's best-known pieces. Context The main theme of the "Ride", the leitmotif labelled , was first written down by the composer on 23 July 1851. The preliminary draft for the "Ride" was composed in 1854 as part of the composition of the entire opera, which was fully orchestrated by the end of March 1856. In the ''Walküre'' opera, the "Ride", which takes around eight minutes, begins in the prelude to the third act, building up successive layers of accompaniment ...
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Sigurd
Sigurd ( ) or Siegfried (Middle High German: ''Sîvrit'') is a legendary hero of Germanic heroic legend, who killed a dragon — known in Nordic tradition as Fafnir () — and who was later murdered. In the Nordic countries, he is referred to with the epithet "Fáfnir's bane" (, , , ), and is also widely known as "the Dragon Slayer". In both the Norse and continental Germanic traditions, Sigurd is portrayed as dying as the result of a quarrel between his wife (Gudrun/Kriemhild) and another woman, Brunhild, whom he has tricked into marrying the Burgundian king Gunnar/Gunther. His slaying of a dragon and possession of the hoard of the Nibelungen is also common to both traditions. In other respects, however, the two traditions appear to diverge. The most important works to feature Sigurd are the , the ''Völsunga saga'', and the ''Poetic Edda''. He also appears in numerous other works from both Germany and Scandinavia, including a series of medieval and early modern Scandinavi ...
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Demigod
A demigod is a part-human and part-divine offspring of a deity and a human, or a human or non-human creature that is accorded divine status after death, or someone who has attained the "divine spark" (divine illumination). An immortality, immortal demigod often has tutelary status and a religious cult following, while a death, mortal demigod is one who has fallen or died, but is popular as a legendary hero in various polytheistic religions. Figuratively, it is used to describe a person whose talents or abilities are so superlative that they appear to approach being divine. Etymology The English language, English term "wiktionary:demi-, demi-god" is a calque of the Latin language, Latin word , "half-god". The Roman poet Ovid probably Derivation (linguistics), coined ''semideus'' to refer to less important gods, such as dryads. Compare the Greek language, Greek ''hemitheos''. The term demigod first appeared in English in the late sixteenth or early seventeenth century, when it ...
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National Film Registry
The National Film Registry (NFR) is the United States National Film Preservation Board's (NFPB) collection of films selected for preservation (library and archival science), preservation, each selected for its cultural, historical, and aesthetic contributions since the NFPB's inception in 1988. History Throughout the 1980s, several prominent filmmakers and industry personalities in the United States, such as Frank Capra and Martin Scorsese, advocated for Congress to enact a film preservation bill in order to avoid commercial modifications (such as pan and scan and editing for TV) of classic films, which they saw as negative. In response to the controversy over the Film colorization#Entertainment make-overs, colorization of originally black and white films in the decade specifically, Representatives Robert J. Mrazek and Sidney R. Yates introduced the National Film Preservation Act of 1988, which established the National Film Registry, its purpose, and the criteria for selecti ...
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Library Of Congress
The Library of Congress (LOC) is a research library in Washington, D.C., serving as the library and research service for the United States Congress and the ''de facto'' national library of the United States. It also administers Copyright law of the United States, copyright law through the United States Copyright Office, and it houses the Congressional Research Service. Founded in 1800, the Library of Congress is the oldest Cultural policy of the United States, federal cultural institution in the United States. It is housed in three buildings on Capitol Hill, adjacent to the United States Capitol, along with the National Audio-Visual Conservation Center in Culpeper, Virginia, and additional storage facilities at Fort Meade, Fort George G. Meade and Cabin Branch in Hyattsville, Maryland. The library's functions are overseen by the librarian of Congress, and its buildings are maintained by the architect of the Capitol. The LOC is one of the List of largest libraries, largest libra ...
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List Of Films Considered The Best
This is a list of films voted the best in national and international Opinion poll, surveys of Film criticism, critics and the public. Some surveys focus on all films, while others focus on a particular genre or country. Electoral system, Voting systems differ, and some surveys suffer from biases such as Self-selection bias, self-selection or skewed Demography, demographics, while others may be susceptible to forms of interference such as vote stacking. Critics and filmmakers ''Sight and Sound'' Every decade, starting in 1952, the British film magazine ''Sight and Sound'' asks an international group of film critics to vote for the greatest film of all time. Since 1992, they have invited directors to vote in a separate poll. Sixty-three critics participated in 1952, 70 critics in 1962, 89 critics in 1972, 122 critics in 1982, 132 critics and 101 directors in 1992, 145 critics and 108 directors in 2002, 846 critics and 358 directors in 2012, and 1639 critics and 480 direct ...
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Recitative
Recitative (, also known by its Italian name recitativo () is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repeat lines as formally composed songs do. It resembles sung ordinary speech more than a formal musical composition. Recitative can be distinguished on a continuum from more speech-like to more musically sung, with more sustained melodic lines. The mostly syllabic ''recitativo secco'' ("dry", accompanied only by Basso continuo, continuo, typically cello and harpsichord) is at one end of the spectrum, through ''recitativo accompagnato'' (using orchestra), the more melismatic arioso, and finally the full-blown aria or ensemble, where the pulse is entirely governed by the music. Secco recitatives can be more improvisatory and free for the singer, since the accompaniment is so sparse; in contrast, when recitative is accompanied by orchestra, the singer m ...
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Die Walküre
(; ''The Valkyrie''), Wagner-Werk-Verzeichnis, WWV 86B, is the second of the four epic poetry, epic music dramas that constitute Richard Wagner's Literary cycle, cycle ''Der Ring des Nibelungen'' (English: ''The Ring of the Nibelung''). It was performed, as a single opera, at the National Theatre Munich on 26 June 1870, and received its first performance as part of the ''Ring'' cycle at the Bayreuth Festspielhaus on 14 August 1876. As the ''Ring'' cycle was conceived by Wagner in reverse order of performance, ''Die Walküre'' was the third of the four texts to be written, although Wagner composed the music in performance sequence. The text was completed by July 1852, and the music by March 1856. Wagner largely followed the principles related to the form of musical drama, which he had set out in his 1851 essay ''Opera and Drama'' under which the music would interpret the text emotionally, reflecting the feelings and moods behind the work, using a system of recurring leitmotifs ...
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Tannhäuser (opera)
''Tannhäuser'' (; full title , "Tannhäuser and the Minnesängers' Contest at Wartburg") is an 1845 opera in three acts, with music and text by Richard Wagner ( WWV 70 in the catalogue of the composer's works). It is based on two German legends: Tannhäuser, the mythologized medieval German Minnesänger and poet, and the tale of the Wartburg Song Contest. The story centres on the struggle between sacred and profane love, as well as redemption through love, a theme running through most of Wagner's work. The opera remains a staple of major opera house repertoire in the 21st century. Composition history Sources The libretto of ''Tannhäuser'' combines mythological elements characteristic of German ''Romantische Oper'' (Romantic opera) and the medieval setting typical of many French Grand Operas. Wagner brings these two together by constructing a plot involving the 14th-century '' Minnesänger'' and the myth of Venus and her subterranean realm of Venusberg. Both the histori ...
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The Flying Dutchman (opera)
The ''Flying Dutchman'' () is a legendary ghost ship, allegedly never able to make port, but doomed to sail the sea forever. The myths and ghost story, ghost stories are likely to have originated from the Dutch Golden Age, 17th-century Golden Age of the Dutch East India Company (VOC) and of Dutch Empire, Dutch maritime power. The oldest known extant version of the legend dates from the late 18th century. According to the legend, if hailed by another ship, the crew of the ''Flying Dutchman'' might try to send messages to land, or to people long dead. Reported sightings in the 19th and 20th centuries claimed that the ship glowed with a ghostly light. In ocean lore, the sight of this phantom ship functions as a Portent (divination), portent of doom. It was commonly believed that the ''Flying Dutchman'' was a 17th-century cargo vessel known as a ''fluyt''. Origins The first known print reference to the ship appears in ''Travels in various part of Europe, Asia and Africa during a ...
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