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Werewolf Films
Werewolf fiction denotes the portrayal of werewolves and other shapeshifting therianthropes, in the media of literature, drama, film, games and music. Werewolf literature includes folklore, legend, saga, fairy tales, Gothic and horror fiction, fantasy fiction and poetry. Such stories may be supernatural, symbolic or allegorical. A classic cinematic example of the theme is '' The Wolf Man'' (1941) which in later films joins with the Frankenstein Monster and Count Dracula as one of the three famous icons of modern day horror. However, werewolf fiction is an exceptionally diverse genre, with ancient folkloric roots and manifold modern re-interpretations. Literary origins In Greek mythology, there is a story of an Arcadian King called Lycaon who tested Zeus by serving him a dish of his slaughtered and dismembered son to see if Zeus was really all-knowing. As punishment for his trickery, Zeus transformed Lycaon into a wolf and killed his 50 sons by lightning bolts, but supposedly r ...
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Metamorphoses
The ''Metamorphoses'' (, , ) is a Latin Narrative poetry, narrative poem from 8 Common Era, CE by the Ancient Rome, Roman poet Ovid. It is considered his ''Masterpiece, magnum opus''. The poem chronicles the history of the world from its Creation myth, creation to the deification of Julius Caesar in a mythico-historical framework comprising over 250 myths, 15 books, and 11,995 lines. Although it meets some of the criteria for an epic poem, epic, the poem defies simple genre classification because of its varying themes and tones. Ovid took inspiration from the genre of metamorphosis poetry. Although some of the ''Metamorphoses'' derives from earlier treatment of the same myths, Ovid diverged significantly from all of his models. The ''Metamorphoses'' is one of the most influential works in Western culture. It has inspired such authors as Dante Alighieri, Giovanni Boccaccio, Geoffrey Chaucer, and William Shakespeare. Numerous episodes from the poem have been depicted in works ...
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Werewolf Of London
''Werewolf of London'' is a 1935 horror film directed by Stuart Walker (director), Stuart Walker and starring Henry Hull as the titular werewolf. The supporting cast includes Warner Oland, Valerie Hobson, Lester Matthews, and Spring Byington. Jack Pierce (makeup artist), Jack Pierce, who is best known for creating the iconic makeup worn by Boris Karloff in the 1931 film ''Frankenstein (1931 film), Frankenstein'', created the film's werewolf makeup. Produced by Universal Pictures, ''Werewolf of London'' was the first feature-length werewolf film. Plot Wilfred Glendon, a wealthy and world-renowned English botanist, journeys to Tibet in search of the extremely rare plant ''Mariphasa lumina lupina'', which is rumored to be nourished by the moon. While there, he is attacked and bitten by a feral humanoid creature, but he succeeds in acquiring a specimen of ''Mariphasa''. He constructs a lamp that simulates moonlight in his London laboratory and waits for the plant to bloom. At a pa ...
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Femme Fatale
A ( , ; ), sometimes called a maneater, Mata Hari, or vamp, is a stock character of a mysterious, beautiful, and Seduction, seductive woman whose charms ensnare her lovers, often leading them into compromising, deadly traps. She is an archetype of literature and art. Her ability to enchant, entice and hypnotize her victim with a spell was in the earliest stories seen as verging on supernatural; hence, the ''femme fatale'' today is still often described as having a power akin to an enchantress, seductress, witch, having power over men. Femmes fatales are typically villainous, or at least morally ambiguous, and always associated with a sense of wiktionary:mystification, mystification, and unease.Mary Ann Doane, ''Femme Fatales'' (1991) pp. 1–2 The term originates from the French phrase '':fr:Femme fatale, femme fatale'', which means 'deadly woman' or 'lethal woman'. A ''femme fatale'' tries to achieve her hidden purpose by using feminine wiles such as beauty, charm, or sexual al ...
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Marryat
Marryat or Marryatt is a surname. It may refer to: Marryat * Augusta Marryat (c. 1828–1899), British children's writer and illustrator * Charles Marryat (1827–1906), Dean of Adelaide from 1887 to 1906 * Emilia Marryat (1835–1875), English author of children's books * Frank Marryat (1826–1855), sailor, artist, and author *Frederick Marryat (1792–1848), English Royal Navy officer, a novelist, and an acquaintance of Charles Dickens *Florence Marryat Florence Marryat (9 July 1833 – 27 October 1899) was an English author and actress. The daughter of author Capt. Frederick Marryat, she was particularly known for her sensational novels and her involvement with several celebrated spiritual m ... (1833–1899), British author and actress * George Selwyn Marryat (1840–1896), British country gentleman and angler * Horace Marryat (1818–1887), English traveler and author * Joseph Marryat (1757–1824), English businessman and British member of Parliament for Horsham * Thomas ...
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The Phantom Ship
''The Phantom Ship'' (1839) is a Gothic novel by Frederick Marryat which explores the legend of the ''Flying Dutchman''. Plot introduction The plot concerns the quest of Philip Vanderdecken of Terneuzen in the Netherlands to save his father – who has been doomed to sail for eternity as the Captain of the Bewitched Phantom Ship, after he made a rash oath to heaven and slew one of the crew whilst attempting to sail round the Cape of Good Hope. Vanderdecken learns upon his mother's death that there exists a way by which his father's disturbed spirit may be laid to rest, and vows to live at sea until he has spoken with his father face to face and accomplished this purpose. Vanderdecken sails around the world in a number of ships, in the employ of the Dutch East India Company, so that he can redeem his father by presenting him with the relic of the Holy Cross he wears round his neck. His quest, however, brings him into conflict with earthly and unearthly powers as the sight of th ...
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Satanism
Satanism refers to a group of religious, ideological, or philosophical beliefs based on Satan—particularly his worship or veneration. Because of the ties to the historical Abrahamic religious figure, Satanism—as well as other religious, ideological, or philosophical beliefs that align with Satanism—is considered a countercultural Abrahamic religion. Satan is associated with the Devil in Christianity, a fallen angel regarded as chief of the demons who tempt humans into sin. Satan is also associated with the Devil in Islam, a jinn who has rebelled against God, the leader of the devils (''shayāṭīn''), made of fire who was cast out of Heaven because he refused to bow before the newly created Adam and incites humans to sin. The phenomenon of Satanism shares "historical connections and family resemblances" with the Left Hand Path milieu of other occult figures such as Asmodeus, Beelzebub, Mephistopheles, Samael, Lilith, Lucifer, Hecate, and Set. Self-identifi ...
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Theology
Theology is the study of religious belief from a Religion, religious perspective, with a focus on the nature of divinity. It is taught as an Discipline (academia), academic discipline, typically in universities and seminaries. It occupies itself with the unique content of analyzing the supernatural, but also deals with religious epistemology, asks and seeks to answer the question of revelation. Revelation pertains to the acceptance of God, gods, or deity, deities, as not only transcendent or above the natural world, but also willing and able to interact with the natural world and to reveal themselves to humankind. Theologians use various forms of analysis and argument (Spirituality, experiential, philosophy, philosophical, ethnography, ethnographic, history, historical, and others) to help understanding, understand, explanation, explain, test, critique, defend or promote any myriad of List of religious topics, religious topics. As in philosophy of ethics and case law, arguments ...
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Middle Ages
In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and transitioned into the Renaissance and the Age of Discovery. The Middle Ages is the middle period of the three traditional divisions of Western history: classical antiquity, the medieval period, and the modern period. The medieval period is itself subdivided into the Early, High, and Late Middle Ages. Population decline, counterurbanisation, the collapse of centralised authority, invasions, and mass migrations of tribes, which had begun in late antiquity, continued into the Early Middle Ages. The large-scale movements of the Migration Period, including various Germanic peoples, formed new kingdoms in what remained of the Western Roman Empire. In the 7th century, North Africa and the Middle East—once part of the Byzantine Empire� ...
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Knight Errant
A knight-errant (or knight errant) is a figure of medieval Chivalric romance, chivalric romance literature. The adjective '':wikt:errant, errant'' (meaning "wandering, roving") indicates how the knight-errant would wander the land in search of adventures to prove his chivalry, chivalric virtues, either in knightly duels (''pas d'armes'') or in some other pursuit of courtly love. Description The knight-errant is a character who has broken away from the world of his origin, in order to go off on his own to right wrongs or to test and assert his own chivalric ideals. In medieval Europe, knight-errantry existed in literature, though fictional works from this time often were presented as non-fiction. The template of the knight-errant were the heroes of the Round Table of the Arthurian cycle such as Gawain, Lancelot, and Percival. The quest wikt:par excellence, ''par excellence'' in pursuit of which these knights wandered the lands is that of the Holy Grail, such as in ''Perceval, the S ...
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Guillaume De Palerme
''Guillaume de Palerne'' or in modern spelling '' Palerme'' ("William of Palerne" or "Palermo") is a French romance poem, later translated into Middle English where it is also known as ''William and the Werewolf''. The French verse romance is thought to have been composed anywhere from the late 12th to late 13th century (cf. ). The verse version in French survives in a single 13th century manuscript (l'Arsenal 6565 olim 178Bibliothèque de l'Arsenal "" '' Archives et manuscrits'' BnF. @ Gallica). The prose version of the French romance (created <1535) went through early printed editions. The edition from of Paris passed through several post- editions (c. 1550–1590?), into the 17th century. The English poem in



Bisclavret
"Bisclavret" ("The Werewolf") is one of the twelve Lais of Marie de France written in the 12th century. Originally written in French, it tells the story of a Lord who is trapped in lupine form by the treachery of his wife. The tale shares a common ancestry with the comparable '' Lay of Melion'', and is probably referenced in Sir Thomas Malory's ''Le Morte d'Arthur'' with the tale of Sir Marrok, who has a similar story. Background Marie de France claimed that she translated this lay, as well as the other eleven she wrote, from the Breton language, in which she claimed to have heard them performed. There have been many translations of her work into the English language, the translation noted below was done by Eugene Mason. Synopsis Bisclavret, a baron in Brittany who is well loved by the king, vanishes every week for three full days. No one in his household, not even his wife, knows where he goes. His wife finally begs him to tell her his secret and he explains that he is a werewo ...
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