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Weimar Concerto Transcriptions (Bach)
The concerto transcriptions of Johann Sebastian Bach date from his second period at the court in Weimar (1708–1717). Bach transcribed for organ and harpsichord a number of Italian and Italianate concertos, mainly by Antonio Vivaldi, but with others by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and the musically talented Prince Johann Ernst of Saxe-Weimar. It is thought that most of the transcriptions were probably made in 1713–1714. Their publication by C.F. Peters in the 1850s and by Breitkopf & Härtel in the 1890s played a decisive role in the Vivaldi revival of the twentieth century. Johann Sebastian Bach was a court musician in Weimar from 1708 to 1717. He wrote most, if not all, of his concerto transcriptions for pipe organ, organ (#Transcriptions for organ, BWV 592–596, BWV 592–596) and for harpsichord (#Transcriptions for harpsichord, BWV 592a and 972–987, BWV 592a and 972–987) from July 1713 to July 1714. Most of these transcription ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Sebastian Bach
Johann Sebastian Bach (German: Help:IPA/Standard German, [ˈjoːhan zeˈbasti̯an baχ]) ( – 28 July 1750) was a German composer and musician of the late Baroque music, Baroque period. He is known for his prolific output across a variety of instruments and forms, including the orchestral ''Brandenburg Concertos''; solo instrumental works such as the Cello Suites (Bach), cello suites and Sonatas and Partitas for Solo Violin (Bach), sonatas and partitas for solo violin; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the ' and the Toccata and Fugue in D minor, BWV 565, Toccata and Fugue in D minor; and choral works such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Reception of Johann Sebastian Bach's music, Bach Revival, he has been widely regarded as one of the greatest composers in the history of Western music. The Bach family had already produced several composers when Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Philipp Emanuel Bach
Carl Philipp Emanuel Bach (8 March 1714 – 14 December 1788), also formerly spelled Karl Philipp Emmanuel Bach, and commonly abbreviated C. P. E. Bach, was a German composer and musician of the Baroque and Classical period. He was the fifth child and second surviving son of Johann Sebastian Bach and Maria Barbara Bach. Bach was an influential composer working at a time of transition between his father's Baroque style and the Classical style that followed it. He was the principal representative of the ' or 'sensitive style'. The qualities of his keyboard music are forerunners of the expressiveness of Romantic music, in deliberate contrast to the statuesque forms of Baroque music. His organ sonatas mainly come from the galant style. To distinguish him from his brother Johann Christian, the "London Bach", who at this time was music master to Queen Charlotte of Great Britain,Hubeart Jr., T. L. (14 July 2006"A Tribute to Carl Philipp Emanuel Bach" Bach was known as the "Berlin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arcangelo Corelli
Arcangelo Corelli (, also , ; ; 17 February 1653 – 8 January 1713) was an List of Italian composers, Italian composer and violinist of the middle Baroque music, Baroque era. His music was key in the development of the modern genres of Sonata and Concerto, in establishing the preeminence of the violin, and as the first coalescing of modern tonality and function (music), functional harmony.Taruskin, Richard. ''Oxford History of Western Music'', vol. 2, chapter 5 Oxford: Oxford University Press, 2009. He was trained in Bologna and Rome and spent most of his career there with the protection of wealthy patrons.Buscaroli, Piero ''Arcangelo Corelli'', ''Dizionario biografico degli italiani'', Volume 29. Treccani, 1983 Though his entire production is limited to just six published collections – five of which are trio sonatas or Sonata, solo and one of concerto grosso, concerti grossi — he achieved great fame and success throughout Europe, in the process crystallizing widely influent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dieterich Buxtehude
Dieterich Buxtehude (; born Diderich Hansen Buxtehude, ; – 9 May 1707) was a Danish composer and organist of the Baroque music, Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal and instrumental idioms, Buxtehude's style greatly influenced other composers, such as Johann Sebastian Bach and George Frideric Handel. Buxtehude is considered one of the most important composers of the 17th century. Life Early years in Denmark He is thought to have been born with the name Diderich Buxtehude.Snyder, Kerala J. Dieterich Buxtehude: Organist in Lübeck. New York: Schirmer Books, 1987. His parents were Johannes (Hans Jensen) Buxtehude and Helle Jespersdatter. His father originated from Bad Oldesloe, Oldesloe in the Duchy of Holstein, which at that time was a part of the Danish realms in Northern Germany. Scholars dispute both the year and country of Dieterich's birth, although most now accept that he was born in 1637 in He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Böhm
Georg Böhm (2 September 1661 – 18 May 1733) was a German Baroque organist and composer. He is notable for his development of the chorale partita and for his influence on the young J. S. Bach. Life Böhm was born in 1661 in Hohenkirchen. He received his first music lessons from his father, a schoolmaster and organist who died in 1675. He may also have received lessons from Johann Heinrich Hildebrand, Kantor at Ohrdruf, who was a pupil of Heinrich Bach and Johann Christian Bach. After his father's death, Böhm studied at the Lateinschule at Goldbach, and later at the Gymnasium at Gotha, graduating in 1684. Both cities had Kantors taught by the same members of the Bach family who may have influenced Böhm. On 28 August 1684 Böhm entered the University of Jena. Little is known about Böhm's university years or his life after graduation. He resurfaces again only in 1693, in Hamburg. We know nothing of how Böhm lived there, but presumably he was influenced by the musical lif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Kuhnau
Johann Kuhnau (; 6 April 16605 June 1722) was a German polymath, known primarily as a composer today. He was also active as a novelist, translator, lawyer, and music theorist, and was able to combine these activities with his duties in his official post as Thomaskantor in Leipzig, which he occupied for 21 years. Much of his music, including operas, masses, and other large-scale vocal works, is lost. His reputation today rests on his ''Biblical Sonatas'', a set of programmatic keyboard sonatas published in 1700, in which each sonata depicted in detail a particular story from the Bible. After his death, Kuhnau was succeeded as Thomaskantor by Johann Sebastian Bach. Biography Much of the biographical information on Kuhnau is known from an autobiography published by Johann Mattheson in 1740 in his ''Grundlage einer Ehrenpforte''. Kuhnau's Protestant family were originally from Bohemia, and their name was Kuhn. Kuhnau was born in Geising, present-day Saxony. His musical talents wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Toccata
Toccata (from Italian ''toccare'', literally, "to touch", with "toccata" being the action of touching) is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments (the opening of Claudio Monteverdi's opera ''L'Orfeo'' being a notable example). History Renaissance Little is known about the origination of the toccata other than that it was likely adapted from music for festive functions that was written for trumpet and timpani and latter transcribed for the organ or other keyboard instruments. The form first appeared in the late Renaissance period. It originated in northern Italy. Several publications of the 1590s include toccatas, by composers such as Claudio Merulo, Andrea and Giovanni Gab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata
In music a sonata (; pl. ''sonate'') literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas maintain the overarching structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is often used for a short or technically easy sonata. Instrumentation In the Baroque period, a sonata was for one or more inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Gottfried Walther
Johann Gottfried Walther (18 September 1684 – 23 March 1748) was a German music theorist, organist, composer, and lexicographer of the Baroque era. Life and work Walther was born at Erfurt. Not only was his life almost exactly contemporaneous to that of Johann Sebastian Bach, he was the famous composer's cousin. Walther was most well known as the compiler of the ''Musicalisches Lexicon'' (Leipzig, 1732), an enormous dictionary of music and musicians. Not only was it the first dictionary of musical terms written in the German language, it was the first to contain both terms and biographical information about composers and performers up to the early 18th century. In all, the ''Musicalisches Lexicon'' defines more than 3,000 musical terms; Walther evidently drew on more than 250 separate sources in compiling it, including theoretical treatises of the early Baroque and Renaissance. The single most important source for the work was the writings of Johann Mattheson, who is re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst August I, Duke Of Saxe-Weimar
Ernst August I, Duke of Saxe-Weimar (German language, German: ''Ernst August I''; 19 April 1688 – 19 January 1748), was a duke of Saxe-Weimar and, from 1741, of Saxe-Weimar-Eisenach. Biography He was the second but eldest surviving son of Johann Ernst III, Duke of Saxe-Weimar and his first wife Princess Sophie Auguste of Anhalt-Zerbst, Sophie Auguste of Anhalt-Zerbst. When his father died in 1707, Ernst August became co-ruler (''Mitherr'') of Saxe-Weimar, along with his uncle William Ernest, Duke of Saxe-Weimar, Wilhelm Ernst, but his title was only nominal, since Wilhelm Ernst was the actual ruler of the duchy. Only when Wilhelm Ernst died in 1728 did Ernst August begin to exercise true authority over Saxe-Weimar. Excesses Ernst August was a splendor-loving ruler, and his extravagances contributed to the eventual financial ruin of his duchy. Desperately in need of funds, he resorted to the practice of arresting wealthy subjects without cause, and setting them free only a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilhelm Ernst, Duke Of Saxe-Weimar
William Ernest, Duke of Saxe-Weimar (19 October 1662 – 26 August 1728) was a duke of Saxe-Weimar. Life He was born in Weimar, the eldest son of Johann Ernst II, Duke of Saxe-Weimar and Princess Christine Elisabeth of Schleswig-Holstein-Sonderburg. When his father died in 1683, he succeeded him as duke; however, he was compelled to rule jointly with his younger brother Johann Ernst III. Because John Ernest III was an alcoholic, William Ernest took full control of the government of the duchy and permitted John Ernest the nominal title of co-duke (''Mitherr'') until his death in 1707. After the death of his brother he made John Ernest's son, Ernest August I, co-duke, but with no real power. Six months after the death of his father (2 November 1683), William Ernest married in Eisenach with Charlotte Marie, his cousin and eldest surviving daughter of his uncle Bernhard II, Duke of Saxe-Jena, in order to secure the family lands. At that time, the guardian of Charlotte and his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Ernst III, Duke Of Saxe-Weimar
Johann Ernst III (22 June 1664 in Weimar – 10 May 1707 in Weimar), was a duke of Saxe-Weimar. Life He was the second son of Johann Ernst II, Duke of Saxe-Weimar, and Christine Elisabeth of Schleswig-Holstein-Sonderburg. After the death of his father in 1683, he inherited the duchy of Saxe-Weimar with his older brother Wilhelm Ernst as co-ruler (''Mitherr''). Johann Ernst was an alcoholic; this, and his non-interest in the government, was taken advantage of by his brother, who became the sole autocratic ruler of the duchy. Johann Ernst served until his death as co-duke, without any significant influence on the government. Johann Sebastian Bach and Weimar In the first half of 1703, Johann Sebastian Bach served as a court musician at Weimar. He was still in his teens and developing a reputation as an organist. Little is known of his precise role (he may have been taken on as a violinist rather than a keyboardist), but as a mere musician, he most likely was considered a serva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
