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Way Upstate And The Crippled Summer, Pt. 1
''Way Upstate and the Crippled Summer, pt. 1'' is an EP by Frontier Ruckus, released in 2009 between the releases of '' The Orion Songbook'' and '' Deadmalls & Nightfalls''. It is only available on the double-vinyl edition of the former. Track listing All songs written by Matthew Milia #"One-Story-Carport-Houses" #"The Great Laketown" #"Ann Arbortown" #"Mohawk, New York" #"Driving Home, Christmas Eve" #"Abigail" Personnel ;Frontier Ruckus *Matthew Milia – lead vocals, guitar, pedal steel guitar *David Winston Jones – banjo, dobro, voice *Ryan "Smalls" Etzcorn – drum kit, all percussion, background vocals *Zachary Nichols – trumpet, singing-saw, melodica The melodica is a handheld free-reed instrument similar to a pump organ or harmonica. It features a musical keyboard on top, and is played by blowing air through a mouthpiece that fits into a hole in the side of the instrument. The keyboard usu ... *Anna Burch – voice ;Guest Musicians *Ryan Hay – piano on tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frontier Ruckus
Frontier Ruckus is an American band from Michigan. The project is centered on the lyrically intensive songs of Matthew Milia, and was formed by Milia and banjo player David Winston Jones while growing up in Metro Detroit. In 2008, the band released its debut full-length record, '' The Orion Songbook''. Though formed in a folk tradition, Frontier Ruckus has shown an eclecticism across their catalog, incorporating aspects of baroque and jangle pop, alt-country, bluegrass, and lo-fi. Biography Milia and Jones formed the band while both attending Brother Rice High School in Metro Detroit. They began by playing a mixture of Milia's early compositions and traditional bluegrass songs that Jones had collected. Around this time they also recruited Eli Eisman as a bassist. While Milia attended Michigan State University—where he studied poetry under Diane Wakoski—and Jones attended the University of Michigan, Frontier Ruckus expanded into a six-piece. The new formation included ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Rock
Folk rock is a hybrid music genre that combines the elements of folk music, folk and rock music, rock music, which arose in the United States, Canada, and the United Kingdom in the mid-1960s. In the U.S., folk rock emerged from the American folk music revival, folk music revival. Performers such as Bob Dylan and the Byrds—several of whose members had earlier played in folk ensembles—attempted to blend the sounds of rock with their pre-existing folk repertoire, adopting the use of electric instrumentation and drums in a way previously discouraged in the U.S. folk community. The term "folk rock" was initially used in the U.S. Music journalism, music press in June 1965 to describe the Byrds' music. The commercial success of the Byrds' cover version of Dylan's "Mr. Tambourine Man" and their debut album Mr. Tambourine Man (album), of the same name, along with Dylan's own recordings with rock instrumentation—on the albums ''Bringing It All Back Home'' (1965), ''Highway 61 Revis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Orion Songbook
''The Orion Songbook'' is the debut album by Frontier Ruckus, released on November 6, 2008. Reception The album received positive reviews, with Allmusic stating that it is "about as good a debut as a band can hope for." Crawdaddy! praised the album's musical and lyrical landscapes, marked by the "desolate beauty of Matthew Milia's poetry and the quiet intensity the band brings to every note it plays." The album received similar applause from '' Under the Radar'' regarding the interplay of musicality and language, described as "white-hot folk music" paired with "dank and smart turns of phrase." Hear/Say called ''The Orion Songbook'' "the year's best alt-country album," establishing the band as a "formidable outfit with a sound to reckon with and an easy confidence to match." Likewise, Metro Times stated that the album "establishes the group as already one of the very best sounds to come out of Michigan this entire decade." Inland Empire Weekly commended the record for its consider ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deadmalls And Nightfalls
''Deadmalls and Nightfalls'' is the second full-length studio album by Frontier Ruckus, released on July 20, 2010 by Ramseur Records. Reception The album received positive reviews. PopMatters stated that the record "not only outdoes its predecessor, it reaches a level of top-notch songwriting most groups never attain on a greatest hits compilation"—calling it "a musical map to the psyches of its performers." Under the Radar (magazine), Under the Radar wrote that ''Deadmalls and Nightfalls'' paints pictures, in vivid imagery of American scenery, life, and love, with not a single word misplaced in its poetic grace...an album meant to be combed through and listed to time and again, an album to bask in." The album can be seen as the second installment in a trilogy of Matthew Milia's personal mythology set in Metro Detroit—bridging ''The Orion Songbook'' and ''Eternity of Dimming''. Songs such as "Pontiac, the Nighbrink"—an intensely detailed depiction of Pontiac, Michigan—f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Extended Play
An extended play record, usually referred to as an EP, is a musical recording that contains more tracks than a single but fewer than an album or LP record.Official Charts Company , access-date=March 21, 2017 Contemporary EPs generally contain four or five tracks, and are considered "less expensive and time-consuming" for an artist to produce than an album. An EP originally referred to specific types of records other than 78 [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deadmalls And Nightfalls
''Deadmalls and Nightfalls'' is the second full-length studio album by Frontier Ruckus, released on July 20, 2010 by Ramseur Records. Reception The album received positive reviews. PopMatters stated that the record "not only outdoes its predecessor, it reaches a level of top-notch songwriting most groups never attain on a greatest hits compilation"—calling it "a musical map to the psyches of its performers." Under the Radar (magazine), Under the Radar wrote that ''Deadmalls and Nightfalls'' paints pictures, in vivid imagery of American scenery, life, and love, with not a single word misplaced in its poetic grace...an album meant to be combed through and listed to time and again, an album to bask in." The album can be seen as the second installment in a trilogy of Matthew Milia's personal mythology set in Metro Detroit—bridging ''The Orion Songbook'' and ''Eternity of Dimming''. Songs such as "Pontiac, the Nighbrink"—an intensely detailed depiction of Pontiac, Michigan—f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthew Milia
Matthew Milia (born November 6, 1985) is an American songwriter, musician, poet, and visual artist. He is best known as the leader of the band Frontier Ruckus. Early life Milia was raised in West Bloomfield, Michigan, where he attended Catholic school for 13 years. While in high school at Brother Rice he met David Jones, with whom he formed Frontier Ruckus. He then studied Creative Writing at Michigan State University, where he was mentored by poet Diane Wakoski. At Michigan State, Milia met bandmates Zachary Nichols, Anna Burch, and Ryan Etzcorn. In 2007, he and Burch studied at the Irish Writers Centre in Dublin. Frontier Ruckus As an undergraduate at Michigan State, Milia began writing the songs that would become '' The Orion Songbook'', Frontier Ruckus' 2008 debut. Allmusic hailed the album as being "about as good a debut as a band can hope for" and Milia's lyrics as "hypnotic." In 2009 Milia was contacted by The Avett Brothers' manager Dolphus Ramseur, with whom Frontier Ru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pedal Steel Guitar
The pedal steel guitar is a console-type of steel guitar with pedals and knee levers that change the pitch of certain strings to enable playing more varied and complex music than any previous steel guitar design. Like all steel guitars, it can play unlimited glissandi (sliding notes) and deep vibrati—characteristics it shares with the human voice. Pedal steel is most commonly associated with American country music and Hawaiian music. Pedals were added to a lap steel guitar in 1940, allowing the performer to play a major scale without moving the bar and also to push the pedals while striking a chord, making passing notes slur or bend up into harmony with existing notes. The latter creates a unique sound that has been popular in country and western music— a sound not previously possible on steel guitars before pedals were added. From its first use in Hawaii in the 19th century, the steel guitar sound became popular in the United States in the first half of the 20th centur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dobro
Dobro is an American brand of resonator guitars, currently owned by Gibson and manufactured by its subsidiary Epiphone. The term "dobro" is also used as a generic term for any wood-bodied, single-cone resonator guitar. The Dobro was originally a guitar manufacturing company founded by the Dopyera brothers with the name "Dobro Manufacturing Company". Their guitar design, with a single outward-facing resonator cone, was introduced to compete with the patented inward-facing tricone and biscuit designs produced by the National String Instrument Corporation. The Dobro name appeared on other instruments, notably electric lap steel guitars and solid body electric guitars and on other resonator instruments such as Safari resonator mandolins. History The roots of the Dobro story can be traced to the 1920s when Slovak immigrant and instrument repairman/inventor John Dopyera and musician George Beauchamp were searching for more volume for his guitars. Dopyera built an ampliphonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Percussions
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cymbals ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singing Saw
A musical saw, also called a singing saw, is a hand saw used as a musical instrument. Capable of continuous glissando (portamento), the sound creates an ethereal tone, very similar to the theremin. The musical saw is classified as a plaque friction idiophone with direct friction (132.22) under the Hornbostel-Sachs system of musical instrument classification, and as a metal sheet played by friction (151) under the revision of the Hornbostel-Sachs classification by the MIMO Consortium. Playing The saw is generally played seated with the handle squeezed between the legs, and the far end held with one hand. Some sawists play standing, either with the handle between the knees and the blade sticking out in front of them. The saw is usually played with the serrated edge, or "teeth", facing the body, though some players face them away. Some saw players file down the teeth, which makes no discernable difference to the sound. Manyespecially professionalsaw players use a handle, call ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
