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Voyage To The Outer Planets
''Voyage to the Outer Planets'' was an early multimedia experiment, first presented in 1973, combining Omnimax film, 70 mm film and planetarium special effects. The special effects and stills on standard and zoom equipped slide projectors were provided by the Reuben H. Fleet Space Theater, and their Spitz Space Transit Simulator (STS). The large format footage was provided by Graphic Films. The presentation was mostly multimedia, with short clips of the planets and spacecraft. The production was to portray a crewed mission to the outer planets in the year 2348, a year in which the planets would be in a favorable alignment permitting such a three-year journey of exploration. It transpired that the Space Theater was still under construction, with equipment months from installation, and there was no way of viewing finished or full format test footage before the theater opened. Beyond that, it was infeasible to film in directly the Imax format which would be used for projection Pr ...
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Multimedia
Multimedia is a form of communication that uses a combination of different content forms, such as Text (literary theory), writing, Sound, audio, images, animations, or video, into a single presentation. This is in contrast to traditional mass media, such as printed material or audio recordings, which only feature one form of media content. Popular examples of multimedia include video podcasts, audio slideshows, and animated videos. Creating multimedia content involves the application of the principles of effective interactive communication. The five main building blocks of multimedia are text, image, audio, video, and animation. Multimedia encompasses various types of content, each serving different purposes: * Text - Fundamental to multimedia, providing context and information. * Audio - Includes music, sound effects, and voiceovers that enhance the experience. Recent developments include spatial audio and advanced sound design. * Ima ...
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Audio Mixing (film And Television)
Audio mixing is the process by which multiple sounds are combined into one or more audio channels. In the process, a source's volume level, frequency content, dynamics, and panoramic position are manipulated or enhanced. This practical, aesthetic, or otherwise creative treatment is done in order to produce a finished version that is appealing to listeners. Audio mixing is practiced for music, film, television and live sound. The process is generally carried out by a mixing engineer operating a mixing console or digital audio workstation. Recorded music Before the introduction of multitrack recording, all the sounds and effects that were to be part of a recording were mixed together at one time during a live performance. If the sound blend was not satisfactory, or if one musician made a mistake, the selection had to be performed over until the desired balance and performance was obtained. However, with the introduction of multitrack recording, the production phase of a m ...
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Narration
Narration is the use of a written or spoken commentary to convey a story to an audience. Narration is conveyed by a narrator: a specific person, or unspecified literary voice, developed by the creator of the story to deliver information to the audience, particularly about the plot: the series of events. Narration is a required element of all written stories (novels, short stories, poems, memoirs, etc.), presenting the story in its entirety. It is optional in most other storytelling formats, such as films, plays, television shows and video games, in which the story can be conveyed through other means, like dialogue between characters or visual action. The narrative mode, which is sometimes also used as synonym for narrative technique, encompasses the set of choices through which the creator of the story develops their narrator and narration: * ''Narrative point of view, perspective,'' or ''voice'': the choice of grammatical person used by the narrator to establish whether or ...
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Optical Printer
An optical printer is a device consisting of one or more film projectors mechanically linked to a movie camera. It allows filmmakers to re-photograph one or more strips of film. The optical printer is used for making visual effects for motion pictures, or for copying and restoring film material. Common optical effects include fade outs and fade ins, dissolves, slow motion, fast motion, and matte work. More complicated work can involve dozens of elements, all combined into a single scene. History The first commercially available, although not mass produced, optical printer appeared in 1927 and was called the Depue & Vance Daylight Optical Printer. It was mainly used to reduce standard prints to 16mm and allowed for operation without a darkroom except for loading the positive film magazine. In 1918, the cinematographer Carl Gregory came upon a printer made by G. J. Badgley of New York, designed to produce copies of a standard film using domestic size film stock. Realizing the p ...
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Scale Model
A scale model is a physical model that is geometrically similar to an object (known as the ''prototype''). Scale models are generally smaller than large prototypes such as vehicles, buildings, or people; but may be larger than small prototypes such as anatomical structures or subatomic particles. Models built to the same scale as the prototype are called '' mockups''. Scale models are used as tools in engineering design and testing, promotion and sales, filmmaking special effects, military strategy, and hobbies such as rail transport modeling, wargaming and racing; and as toys. Model building is also pursued as a hobby for the sake of artisanship. Scale models are constructed of plastic, wood, or metal. They are usually painted with enamel, lacquer, or acrylics. Model prototypes include all types of vehicles (railroad trains, cars, trucks, military vehicles, aircraft, and spacecraft), buildings, people, and science fiction themes (spaceships and robots). Methods M ...
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John Dykstra
John Charles Dykstra, A.S.C. (; born June 3, 1947) is an American special effects artist, pioneer in the development of the use of computers in filmmaking and recipient of three Academy Awards, among many other awards and prizes. He was one of the original employees of Industrial Light & Magic, the special effects and computer graphics division of Lucasfilm. He is well known as the special effects lead on the original ''Star Wars'', helping bring the original visuals for lightsabers, space battles between X-wings and TIE fighters, and Force powers to the screen. He also led special effects on many other movies, including '' Batman Forever'', '' Batman & Robin'', ''Stuart Little'', '' X-Men: First Class'', ''Spider-Man'' and ''Spider-Man 2''. Education and early career Dykstra was born in Long Beach, California. After studying industrial design at California State University, Long Beach (where he was a member of Phi Kappa Tau fraternity), in 1971 he landed a job working with Do ...
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Special Effects
Special effects (often abbreviated as F/X or simply FX) are illusions or visual tricks used in the theatre, film, television, video game, amusement park and simulator industries to simulate the fictional events in a story or virtual world. It is sometimes abbreviated as SFX, but this may also refer to ''sound effects''. Special effects are traditionally divided into the categories of mechanical effects and optical effects. With the emergence of digital filmmaking a distinction between special effects and visual effects has grown, with the latter referring to digital post-production and optical effects, while "special effects" refers to mechanical effects. Mechanical effects (also called practical or physical effects) are usually accomplished during the live-action shooting. This includes the use of mechanised props, scenery, scale models, animatronics, pyrotechnics and atmospheric effects: creating physical wind, rain, fog, snow, clouds, making a car appear to drive by i ...
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Camera Operator
A camera operator, or depending on the context cameraman or camerawoman, is a professional operator of a film camera or video camera as part of a film crew. The term "cameraman" does not necessarily imply that a male is performing the task. Duties and functions In filmmaking, the cinematographer or director of photography (DP or DoP) is responsible for bringing Director's vision to life on screen. The Cinematographer or Director of Photography handles all the technical aspects of visual storytelling and is the head of the camera crew and light crew on the set. The DP may operate the camera themselves, or enlist the aid of a camera operator or second cameraman to operate it or set the controls. The first assistant cameraman (1st AC), also known as a focus puller, is responsible for maintenance of the camera, such as clearing dirt from the film gate and adjusting the follow focus. A second assistant cameraman (2nd AC), also known as a clapper loader, might be employed to load ...
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Colin Cantwell
Colin James Cantwell (April 3, 1932 – May 21, 2022) was an American concept artist and director known for his work on films like '' 2001: A Space Odyssey'' and ''WarGames'', but primarily for doing initial concept designs and models for a number of ''Star Wars'' vehicles, most notably the X-wing fighter, the TIE fighter, and the Death Star, that were then further developed by people like Ralph McQuarrie and Joe Johnston. Career While employed by NASA, Cantwell was in the CBS News studio for the Apollo 11 Moon landing, assisting Walter Cronkite as he narrated the landing. In the early seventies, Cantwell was employed by the Reuben H. Fleet Science Center to produce effects for, and direct, an early multimedia presentation titled ''Voyage to the Outer Planets'' (1973) that would show a spacecraft touring the outer planets of the Solar System. While working on visual effects for '' 2001: A Space Odyssey'' with Douglas Trumbull, Cantwell persuaded Stanley Kubrick "'not to sta ...
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Film Director
A film director or filmmaker is a person who controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfillment of that Goal, vision. The director has a key role in choosing the Casting (performing arts), cast members, production design and all the creative aspects of filmmaking in cooperation with the Film producer, producer. The film director gives direction to the cast and crew and creates an overall vision through which a film eventually becomes realized or noticed. Directors need to be able to mediate differences in creative visions and stay within the budget. There are many pathways to becoming a film director. Some film directors started as screenwriters, cinematographers, Film producer, producers, Film editing, film editors or actors. Other film directors have attended film school. Directors use different approaches. Some Outline (list), outline a general plotline and let the actors impro ...
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Lester Novros
Lester Novros (January 27, 1909 – September 10, 2000) was an American artist, animator, and teacher. Early life Lester Novros was born in Passaic, New Jersey, on January 27, 1909. Novros studied painting at the National Academy of Design in New York City, was an active member of the Art Students League of New York and studied at the Prado Museum in Madrid, Spain.Lenburg, Jeff''Who's who in Animated Cartoons: An International Guide to Film & Television's Award-winning and Legendary Animators'' p. 265. Hal Leonard Corporation, 2006. . Accessed April 28, 2017. "A native of Passaic, New Jersey, Novros grew up wanting to be a painter" Career His curiosity in the study of movement lead to an interest in motion pictures. In 1936, he was recruited by the Walt Disney Company to come to Hollywood to work on feature animation projects. Novros was an " inbetweener" on the 1937 Disney animated film ''Snow White and the Seven Dwarfs'', and received a credit for art direction for the "N ...
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