Visions Of Modern Life
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Visions Of Modern Life
''Visions of Modern Life'' is the fourth full-length album by Interface (band), Interface. It was released by Nilaihah Records February 24, 2009 on CD, with digital downloads available March 10, 2009. The CD was released as an "enhanced" disc, in that when placed in a CD-ROM drive, the disc reveals the entire album plus two additional bonus tracks in MP3 format and a photo gallery. Guest musicians on the album include Dawn Mitchell on "Voices (Echo)" performing lead vocals. The album's artwork centers around a sculpture by renowned New York-based artist. The label also packaged the first 200 copies it with special versions of the ''Transit EP'', in the form of a download card that allowed buyers to download the normally electronic EP for free. In February 2010 the album spun off another EP, this time for "Body Flow". Track listing # "Entry" - 0:54 # "Voices (Mono)" - 4:55 # "Destination" - 5:08 # "Modern Life" - 4:52 # "Transit" - 4:12 # "City Limits" - 4:43 # "Antarctica" - 1:32 ...
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Interface (band)
Interface is an electronic music group based on Long Island, New York. It was founded in 1993 by Eric Eldredge (keyboards, sequences, and vocals). Its career has been lined with a steady output of songs and dance remixes for other artists and several lineup shifts. Each of its three albums to date display a blend of various styles of electronic music, most notably trance, synthpop, electro-industrial and aggrotech, with a strong sense of melody and songwriting. Band history The project became a serious entity when Eldredge left another group, Valve, in 1997. The band's inaugural lineup also included Joseph Destry (guitar, vocals) and Mike Cummings a/k/a DJ ANGZTEK (drums). In total Interface released four demo tapes between 1993 and 1998, with little interest from record labels or the music press. DJ ANGZTEK (Mindsett, Absolution) and Destry left Interface in 1998, leaving Eldredge as its sole member. Interface self-released the first LP '' The Artemis Complex'' in January 1999. ...
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Futurepop
Futurepop is an electronic music genre that has been characterized as a blend of synthpop, EBM and dance beats, based on trance and techno.Peter Matzke, Tobias Seeliger: ''Das Gothic- und Dark-Wave-Lexikon.'' Schwarzkopf und Schwarzkopf, Berlin 2003, , p. 230.Axel Schmidt, Klaus Neumann-Braun: ''Die Welt der Gothics. Spielräume düster konnotierter Transzendenz.'' 2004, . p. 273. It developed in Western Europe as an outgrowth of both EBM and electro-industrial music cultures and it began to emerge in the late 1990s with artists like VNV Nation, Covenant, and Apoptygma Berzerk. Other leading genre artists were Assemblage 23, Icon of Coil, Neuroticfish, and Rotersand.Isabella van Elferen: ''Gothic Music: The Sounds of the Uncanny'', University of Wales Press, 2012, , p. 165.'' Futurepop is mostly associated with the cybergoth subculture. It has become popular in alternative dance clubs, particularly in Germany. Music festivals that feature futurepop bands in ...
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picture info

Electro-industrial
Electro-industrial is a music genre that emerged from industrial music in the early 1980s. While EBM (electronic body music) has a minimal structure and clean production, electro-industrial tends to have a grittier, complex and layered sound with a more experimentalExplore MusicPop/Rock » Alternative/Indie Rock » Electro-Industrial@ AllMusic. ''RhythmOne Group''. Retrieved 8 February 2021. approach. The style was pioneered by Skinny Puppy, Front Line Assembly, Numb, and other groups, either from Canada or the Benelux. In the early 1990s, the style spawned the ''dark electro'' genre, and in the mid-/late-1990s, the ''aggrotech'' offshoot.Interview with Axel Machens, Vendetta Music, 23 April 2007Access date: 23 December 2008. The fan base for the style is linked to the rivethead subculture. Characteristics After the EBM movement faded in the early 1990s, electro-industrial increasingly attained popularity in the international club scene. In contrast to the straight EBM sty ...
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Nilaihah Records
Nilaihah Records is an American independent record label based in Columbus, Ohio. It was founded in 1999 by Kristy Venrick of The Azoic, after Oneiroid Psychosis asked her to release their next album. Since then, the label has signed acts spanning a variety of electronic music styles, such as Unheilig, The Azoic, and Frozen Plasma. The label formed a partnership with the German label Infacted, serving as the North American outlet for European bands like Ad Inferna, XP8, NamNamBulu, Conetik, Endanger, and Liquid Divine, signing them to distribution deals. The label had a joint venture with Infacted on ''Muscle and Hate'', a tribute to Nitzer Ebb featuring members of XP8 and Icon of Coil. Meaning Nilaihah (pronounced "nil-EYE-ah") is an old English word meaning "poetics of the fallen", and is named after the opening track of The Azoic's 1998 album ''Where Broken Angels Lie''. Current artists * 00tz 00tz (''Alter Eden'') * Alkemic Generator (''When We Fail/Scream EP'', ' ...
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Eric Eldredge
The given name Eric, Erich, Erikk, Erik, Erick, or Eirik is derived from the Old Norse name ''Eiríkr'' (or ''Eríkr'' in Old East Norse due to monophthongization). The first element, ''ei-'' may be derived from the older Proto-Norse ''* aina(z)'', meaning "one, alone, unique", ''as in the form'' ''Æ∆inrikr'' explicitly, but it could also be from ''* aiwa(z)'' "everlasting, eternity", as in the Gothic form ''Euric''. The second element ''- ríkr'' stems either from Proto-Germanic ''* ríks'' "king, ruler" (cf. Gothic ''reiks'') or the therefrom derived ''* ríkijaz'' "kingly, powerful, rich, prince"; from the common Proto-Indo-European root * h₃rḗǵs. The name is thus usually taken to mean "sole ruler, autocrat" or "eternal ruler, ever powerful". ''Eric'' used in the sense of a proper noun meaning "one ruler" may be the origin of ''Eriksgata'', and if so it would have meant "one ruler's journey". The tour was the medieval Swedish king's journey, when newly elected, to ...
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Beyond Humanity
''Beyond Humanity'' is the third full-length album by Interface. It was released by Nilaihah Records on March 14, 2006. The album was the band's first to be recorded and produced entirely within the environment of the computer, with little hardware instrumentation.1 It was also the band's first album in nearly four years thanks to the demise of the Tinman record label at the end of 2005. By that point the band had already committed to recording a new album, and began to shop it to other labels. Landing on Nilaihah in early 2006, the album saw the light of day March 14 with a series of bonus tracks added on. Some of these were remixes of songs on the album while others were of earlier material from ''Angels In Disguise'' songs, and the last track "Doubts And Fears" was exclusive to a compilation CD. To make room for the latter, the band was forced to drop a track from the original listing named "Darkness Prevails", which did appear when the band held a listening party premiere on th ...
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2009 Albums
The following is a list of albums, EPs, and mixtapes released in 2009. These albums are (1) original, i.e. excluding reissues, remasters, and compilations of previously released recordings, and (2) notable Notability is the property of being worthy of notice, having fame, or being considered to be of a high degree of interest, significance, or distinction. It also refers to the capacity to be such. Persons who are notable due to public responsibi ..., defined as having received significant coverage from reliable sources independent of the subject. For additional information about bands formed, reformed, disbanded, or on hiatus, for deaths of musicians, and for links to musical awards, see 2009 in music. First quarter January February March Second quarter April May June Third quarter July August September Fourth quarter October November December References {{DEFAULTSORT:2009 albums Albums 2009 ...
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