|
Vingt-quatre Pièces En Style Libre
' (24 pieces in free style), Op. 31, by Louis Vierne for organ or harmonium were written in two volumes during the years 1913 and 1914. Presentation It is a collection of pieces for organ or harmonium, of medium level (intermediate), with an indication by the author of registrations and nuances. Vierne wrote in the Durand edition: The parts of this collection are calculated in such a way that they can be executed during the normal duration of an Offertory. They are registered for a harmonium of 4.5 stops and for an organ with two keyboards and 18 to 20 stops pedal. It goes without saying that registration is, here, a general indication of colour and that this registration can be modified according to the instruments available to artists. Two immediately adjacent initials (G. R.) indicate that the grand organ is coupled to the récit, or swell; the initial G. indicates that this keyboard is separated from the swell. Same observation for the initials placed next to the name Pe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pipe Organ
The pipe organ is a musical instrument that produces sound by driving pressurized air (called ''wind'') through the organ pipes selected from a keyboard. Because each pipe produces a single pitch, the pipes are provided in sets called ''ranks'', each of which has a common timbre and volume throughout the keyboard compass. Most organs have many ranks of pipes of differing timbre, pitch, and volume that the player can employ singly or in combination through the use of controls called stops. A pipe organ has one or more keyboards (called '' manuals'') played by the hands, and a pedal clavier played by the feet; each keyboard controls its own division, or group of stops. The keyboard(s), pedalboard, and stops are housed in the organ's ''console''. The organ's continuous supply of wind allows it to sustain notes for as long as the corresponding keys are pressed, unlike the piano and harpsichord whose sound begins to dissipate immediately after a key is depressed. The smallest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
E Major
E major (or the key of E) is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has eight flats, including the double-flat B, which makes it impractical to use. The E major scale is: Music in E major Antonio Vivaldi used this key for the "Spring" concerto from ''The Four Seasons''. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita for solo violin; the key is especially appropriate for the latter piece because its tonic (E) and subdominant (A) correspond to open strings on the violin, enhancing the tone colour (and ease of playing) of the bariolage in the first movement. Only two of Joseph Haydn's 106 symphonies are in E major: No. 12 and No. 29. Ludwig van Beethoven used E major for two of his piano sonatas, Op. 14/1 and Op. 109. Start ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G-sharp Minor
G-sharp minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has five sharps. Its relative major is B major. Its parallel major, G-sharp major, is usually replaced by its enharmonic equivalent of A-flat major, since G-sharp major has an F in its key signature, making it impractical to use. A-flat minor, its enharmonic, with seven flats, has a similar problem, thus G-sharp minor is optionally used as the parallel minor for A-flat major. (The same enharmonic situation occurs with the keys of D-flat major and C-sharp minor). The G-sharp natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G-sharp harmonic minor and melodic minor scales are: : : Music in G-sharp minor Despite the key rarely being used in orchestral music other than to modulate, it is not entirely uncommon in keyboard music, as in Piano Sonata No. 2 by A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Fauchet
Paul Robert Marcel Fauchet (27 June 1881 – 12 November 1937) was a French composer and organist. Life Born in Paris, the son of the organist of the same name, he studied at the Conservatoire de Paris with Alexandre Guilmant and Paul Vidal and won first prizes in counterpoint and fugue, piano accompaniment and harmony. He worked as a coach in the class of Louis Vierne, who dedicated the song from the ''Vingt-quatre pièces en style libre'' to him and was organist at the Église Saint-Pierre-de-Chaillot. From 1927, he taught harmony at the Conservatoire. Among his students were Jacques de La Presle, Georges Taconet and Lucien Caillet Fauchet composed a symphonic piece for organ and orchestra, a solennelle mass for four-part choir and orchestra, a mass for three-part choir and string quartet, ''Ecce sacerdos magnus'' for soloists, choir and orchestra, motets and other choral works as well as songs. His symphony for Concert band is still in the repertoire of wind orchestras toda ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joseph Boulnois
Joseph Boulnois (28 January 1884 – 20 October 1918) was a French organist and composer. Biography Boulnois attended the Conservatoire de Paris, where he studied counterpoint with Georges Caussade and organ with Louis Vierne. In 1906, he married the pianist Jane Chevalier, and they had a son the following year, Michel Boulnois, who also became a composer and organist. In 1908, he was appointed to the organ of the , in the 3rd arrondissement of Paris. He stayed there a short time and was appointed to the organ of the in the 9th arrondissement. In 1909, he was singing conductor at the Opéra-Comique. He remained very active as a soloist, notably as co-founder with Marc de Ranse, of the Concerts spirituels de Saint-Louis d'Antin. He also played in the Opéra-Comique and performed in the church in the 14th arrondissement. After the beginning of the First World War, Boulnois was mobilised at the Février Hospital of Châlons-sur-Marne, where he was a nurse from 1 January 1915. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Minor
G minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major. According to Paolo Pietropaolo, it is the contrarian of musical keys. It is smart, argumentative, and stubborn. The G natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The G harmonic minor and melodic minor scales are: : : Mozart's use of G minor G minor has been considered the key through which Wolfgang Amadeus Mozart best expressed sadness and tragedy, and many of his minor key works are in G minor, such as Piano Quartet No. 1 and String Quintet No. 4. Though Mozart touched on various minor keys in his symphonies, G minor is the only minor key he used as a main key for his numbered symphonies ( No. 25, and the famous No. 40). In the Classical period, symphonies in G minor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile Bourdon
Joseph Antoine Émile Bourdon (; 14 February 1884 – 11 July 1974) was a 20th-century French organist and composer. Biography Bourdon was the son of Magdelaine Louise Villate de Peufeilhoux (of noble descent) and Victor-Louis-Gabriel Bourdon (a financier). Later, he became a pupil of Alexandre Guilmant in the Conservatoire de Paris, Bourdon was a condisciple and friend of Marcel Dupré. He was the organist of the great organ of the Saint Nicholas Cathedral of Monaco from 1922 to 1968, before canon Henri Carol succeeded him. In addition, he was professor of organ at the Académie de Musique Fondation Prince Rainier III until 1968. His wife Jeanne Barbezat passed away on 17 August 1974, and Bourdon himself died on 11 July of that year. Works Bourdon is the author of several pieces for pipe organ including: * ''Dix Pièces'' Op. 7 (Paris, Leduc, 1921) : *# ''Offertoire pour la Fête de l'Assomption'' *# ''Carillons'' (popularised by Marcel Dupré) *# ''Méditation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
G Major
G major (or the key of G) is a major scale based on G, with the pitches G, A, B, C, D, E, and F. Its key signature has one sharp. Its relative minor is E minor and its parallel minor is G minor. The G major scale is: Notable compositions Baroque period In Baroque music, G major was regarded as the "key of benediction". Of Domenico Scarlatti's 555 keyboard sonatas, G major is the home key for 69, or about 12.4%, sonatas. In the music of Johann Sebastian Bach, "G major is often a key of chain rhythms", according to Alfred Einstein, although Bach also used the key for some -based works, including his third and fourth '' Brandenburg Concertos''. Pianist Jeremy Denk observes that the '' Goldberg Variations'' are 80 minutes in G major. Classical era Twelve of Joseph Haydn's 106 symphonies are in G major. Likewise, one of Haydn's most famous piano trios, No. 39 (with the ''Gypsy Rondo''), and one of his last two complete published string quartets (Op. 77, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Eugène Cellier
Alexandre Eugène Cellier (17 June 1883, in Molières-sur-Cèze – 4 March 1968, in Paris) was a French organist and composer. Cellier studied organ with Alexandre Guilmant until 1908. In 1908, he won the first prize for organ at the Conservatoire de Paris. Before that, he also studied with Henri Dallier and Charles-Marie Widor. He was the organist ''Titulaire'' of the Temple de l'Étoile in Paris from 1910 until his death in 1968. The organ he used was a 3-manual Cavaillé-Coll organ with 32 stops, which was extended by Mutin (Cavaillé-Coll) in 1914. In Louis Vierne's biography ''Mes Souvenirs'', he describes Alexandre Cellier as a "cultivated musician" with improvisation skills. He gave concerts abroad. He wrote a book about organ registration and is known as the French translator of the texts of the Bach Chorales. Selected compositions ;Orchestral * ''Paysages cévenols'' (1912) * ''Sur la colline d’Uzès'' (1928) * ''Le chant d’une flûte'' (1930) * ''Chacun son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F-sharp Minor
F-sharp minor is a minor scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has three sharps. Its relative major is A major and its parallel major is F-sharp major (or enharmonically G-flat major). The F-sharp natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The F-sharp harmonic minor and melodic minor scales are: : : Music in F-sharp minor Very few symphonies are written in this key, Haydn's '' Farewell Symphony'' being one famous example. George Frederick Bristow and Dora Pejačević also wrote symphonies in this key. The few concerti written in this key are usually written for the composer himself to play, including Rachmaninoff's Piano Concerto No. 1, Scriabin's Piano Concerto, Wieniawski's Violin Concerto No. 1, Vieuxtemps's Violin Concerto No. 2, and Koussevitzky's Double Bass Concerto. In addition to the ''Farewel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bibliothèque Nationale De France
The Bibliothèque nationale de France (, 'National Library of France'; BnF) is the national library of France, located in Paris on two main sites known respectively as ''Richelieu'' and ''François-Mitterrand''. It is the national repository of all that is published in France. Some of its extensive collections, including books and manuscripts but also precious objects and artworks, are on display at the BnF Museum (formerly known as the ) on the Richelieu site. The National Library of France is a public establishment under the supervision of the Ministry of Culture. Its mission is to constitute collections, especially the copies of works published in France that must, by law, be deposited there, conserve them, and make them available to the public. It produces a reference catalogue, cooperates with other national and international establishments, and participates in research programs. History The National Library of France traces its origin to the royal library founded a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
F-sharp Major
F-sharp major (or the key of F) is a major scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has six sharps. The F-sharp major scale is: : Its relative minor is D-sharp minor (or enharmonically E-flat minor) and its parallel minor is F-sharp minor. Its direct enharmonic, G-flat major, contains the same number of flats in its key signature. Music in F-sharp major F-sharp major is the key of the minuet in Haydn's "Farewell" Symphony, of Beethoven's Piano Sonata No. 24, Op. 78, Verdi's " Va, pensiero" from ''Nabucco'', a part of Franz Liszt's Hungarian Rhapsody No. 2, Mahler's unfinished Tenth Symphony, Korngold's Symphony Op. 40, and Scriabin's Fourth Piano Sonata. The key was the favorite tonality of Olivier Messiaen, who used it repeatedly throughout his work to express his most exciting or transcendent moods, most notably in the '' Turangalîla-Symphonie''. Like G-flat major, F-sharp major is rarely used in orchestral mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
