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Villa Medici Di Castello
Villa di Castello, near the hills bordering Florence, Tuscany, central Italy, was the country residence of Cosimo I de' Medici, Grand Duke of Tuscany (1519-1574). The gardens, filled with fountains, statuary, and a grotto, became famous throughout Europe. The villa also housed some of the great art treasures of Florence, including Sandro Botticelli's Renaissance masterpieces '' ''The Birth of Venus'''' and '' ''Primavera''''. The gardens of the Villa had a profound influence upon the design of the Italian Renaissance garden and the later French formal garden.Isabella Ballerini, ''The Medici Villas'', p. 32 History Villa Castello is located at the foot of the hills northwest of Florence, near the town of Sesto Fiorentino. The villa was located near a Roman aqueduct, and took its name from the water cisterns (''castella'') near the site. A fortified building had been standing on the site since at least 1427, and was purchased in 1477 by Lorenzo and his brother Giovanni di Pier ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Castello Utens
Castello may refer to: Places *Municipalities of San Marino, known as Castello in Italian *Castello, Venice, the largest of the six ''sestieri'' of Venice *''Castello'', the old town center of Giudicato of Cagliari in Sardinia *''Castello'', a neighbourhood in Florence *Castello, Hong Kong, a private housing estate in Hong Kong *A locality in the town of Monteggio in Switzerland *Cittadella (Gozo), a citadel in Gozo, Malta *Short name of Castellón de la Plana, a city in the Valencian Community, Spain *Città di Castello, a town in Umbria, Italy Other *Roman Catholic Diocese of Castello, a former diocese based in Venice *Castello (surname) *Castello cheeses See also *Castell (other) *Castella (other) *Castelli (other) * Castellón (other) *Castells (other) Castells () is a Catalan name, the plural form of Castell (castle). It may refer to: * Castells (surname) * The Castells, American early 1960s pop band * '' Castells'', the Cat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alessandro De' Medici
Alessandro de' Medici (22 July 1510 – 6 January 1537), nicknamed "il Moro" due to his dark complexion, Duke of Penne and the first Duke of the Florentine Republic (from 1532), was ruler of Florence from 1530 to his death in 1537. The first Medici to rule Florence as a hereditary monarch, Alessandro was also the last Medici from the senior line of the family to lead the city. His assassination at the hands of distant cousin Lorenzaccio caused the title of Duke to pass to Cosimo I de Medici, from the family's junior branch. Life Born in Florence, Alessandro was recognized by a plurality of his contemporaries as the only son of Lorenzo II de' Medici, Duke of Urbino, grandson of Lorenzo de' Medici "the Magnificent". Others believed him to be the illegitimate son of Giulio de' Medici (later Pope Clement VII), but at the time and today that was a minority view.Catherine Fletcher, ''The Black Prince of Florence: The Spectacular Life and Treacherous World of Alessandro de' Medici'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Francesco I De' Medici, Grand Duke Of Tuscany
Francesco I (25 March 1541 – 19 October 1587) was the second Grand Duke of Tuscany, ruling from 1574 until his death in 1587. He was a member of the House of Medici. Biography Born in Florence, Francesco was the son of Cosimo I de' Medici, Grand Duke of Tuscany, and Eleanor of Toledo. He served as regent for his father Cosimo after he retired from his governing duties in 1564. Marriage to Joanna of Austria On 18 December 1565, Francesco married Archduchess Joanna of Austria, youngest daughter of Ferdinand I, Holy Roman Emperor and his wife Anne of Bohemia and Hungary. By all reports, it was not a happy marriage. Joanna was homesick for her native Austria, and Francesco was neither charming nor faithful. In 1578, Joanna died at the age of thirty-one, after falling down a flight of stairs while pregnant with their eighth child. Bianca Cappello Soon after Grand Duchess Joanna had died, Francesco went on to marry his Venetian mistress, Bianca Cappello, after aptly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michelangelo
Michelangelo di Lodovico Buonarroti Simoni (6March 147518February 1564), known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era. Michelangelo achieved fame early. Two of his best-known works, the ''Pietà (Michelangelo), Pietà'' and ''David (Michelangelo), David'', were sculpted before the age of 30. Although he did not consider himself a painter, Michelangelo created ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pitti Palace
The Palazzo Pitti (), in English sometimes called the Pitti Palace, is a vast, mainly Renaissance, palace in Florence, Italy. It is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. The core of the present palazzo dates from 1458 and was originally the town residence of Luca Pitti, an ambitious Florentine banker. The palace was bought by the Medici family in 1549 and became the chief residence of the ruling family of the Grand Duchy of Tuscany. It grew as a great treasure house, for generations amassing paintings, plates, jewelry and luxurious possessions. The Medici also added the extensive Boboli Gardens to the palace estate. In the late 18th century, the palazzo was used as a power base by Napoleon during his conquests of Europe. For a brief period, it later served as the principal royal palace of the newly united Italy under the House of Savoy. The palace and its contents were donated to the Italian people by King Victor Emmanuel III ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Botticelli
Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), better known as Sandro Botticelli ( ; ) or simply known as Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period. In addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the ''Madonna and Child'', many in the round tondo shape) and also some portraits. His best-known works are '' The Birth of Venus'' and '' Primavera'', both in the Uffizi in Florence, which holds many of Botticelli's works.. Botticelli lived all his life in the same ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hesperides
In Greek mythology, the Hesperides (; , ) are the nymphs of evening and golden light of sunsets, who were the "Daughters of the Evening" or "Nymphs of the West". They were also called the Atlantides () from their reputed father, Atlas (mythology), Atlas.Diodorus Siculus. ''Library4.27.2' Etymology The name means ''originating from Hesperos'' (evening). ''Hesperos'', or ''Vesper'' in Latin, is the origin of the name Hesperus, the evening star (i.e. the planet Venus) as well as having a shared root with the English word "west". Mythology The nymphs of the evening Ordinarily, the Hesperides number three, like the other Greek triads (the Charites, Three Graces and the Moirai, Three Fates). "Since the Hesperides themselves are mere symbols of the gifts the apples embody, they cannot be actors in a human drama. Their abstract, interchangeable names are a symptom of their impersonality", classicist Evelyn Byrd Harrison has observed. They are sometimes portrayed as the evening d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolomeo Ammannati
Bartolomeo Ammannati (18 June 1511 – 13 April 1592) was an Italian architect and sculptor, born at Settignano, near Florence, Italy. He studied under Baccio Bandinelli and Jacopo Sansovino (assisting on the design of the Library of St. Mark's, the Biblioteca Marciana, Venice) and closely imitated the style of Michelangelo. He was more distinguished in architecture than in sculpture. He worked in Rome in collaboration with Vignola and Vasari), including designs for the Villa Giulia, but also for works at Lucca. He labored during 1558–1570, in the refurbishment and enlargement of Pitti Palace, creating the courtyard consisting of three wings with rusticated facades, and one lower portico leading to the amphitheatre in the Boboli Gardens. His design mirrored the appearance of the main external façade of Pitti. He was also named ''Consul'' of Accademia delle Arti del Disegno of Florence, which had been founded by the Duke Cosimo I in 1563. In 1569, Ammannati was commission ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Labyrinth
In Greek mythology, the Labyrinth () is an elaborate, confusing structure designed and built by the legendary artificer Daedalus for King Minos of Crete at Knossos. Its function was to hold the Minotaur, the monster eventually killed by the hero Theseus. Daedalus had so cunningly made the Labyrinth that he could barely escape it after he built it. Although early Cretan coins occasionally exhibit branching (multicursal) patterns, the single-path (unicursal) seven-course "Classical" design without branching or dead ends became associated with the Labyrinth on coins as early as 430 BC, and similar non-branching patterns became widely used as visual representations of the Labyrinth – even though both logic and literary descriptions make it clear that the Minotaur was trapped in a complex branching maze. Even as the designs became more elaborate, visual depictions of the mythological Labyrinth from the Roman era until the Renaissance are almost invariably unicursal. Branching maz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monte Morello
Monte Morello is the highest mountain (934 m.) in the Florentine valley, Italy. It is located to the north-west of Florence and it spreads across the borders of the municipalities of Florence, Vaglia, Sesto Fiorentino and Calenzano. Morello Monte Morello {{Florence-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Niccolò Tribolo
Niccolò di Raffaello di Niccolò dei Pericoli, called "Il Tribolo" (1500 – 7 September 1550) was an Italian Mannerism, Mannerist artist in the service of Cosimo I de' Medici in his natal city of Florence. Life Niccolò di Raffaello began as an apprentice to a woodcarver but, while still in his teens, was taken up as an assistant by Andrea Sansovino. Giorgio Vasari, in his ''Vite'', mentioned numerous early figures and fountains by Tribolo that can no longer be traced. A court artist like his successor Bernardo Buontalenti, he was expected to function well as a member of a team; like Buontalenti's, his name has been overshadowed by greater personalities. For example, in the 17th and 18th centuries, connoisseurs attributed to Michelangelo some of Tribolo's drawings for sculptural Niche (architecture), niches and wall fountains, a tribute to Tribolo's bravura as a draughtsman and a sign of Michelangelo's influence on his style. From 1517 he had returned from Venice to Florence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Vasari
Giorgio Vasari (30 July 1511 – 27 June 1574) was an Italian Renaissance painter, architect, art historian, and biographer who is best known for his work ''Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of Western art history, art-historical writing, and still much cited in modern biographies of the many Italian Renaissance artists he covers, including Leonardo da Vinci and Michelangelo, although he is now regarded as including many factual errors, especially when covering artists from before he was born. Vasari was a Mannerist painter who was highly regarded both as a painter and architect in his day but rather less so in later centuries. He was effectively what would now be called the minister of culture to the Medici court in Florence, and the ''Lives'' promoted, with enduring success, the idea of Florentine superiority in the visual arts. Vasari designed the ''Tomb of Michelangelo'', his hero, in the Santa Croce, Fl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
