Variations On A Theme By Tchaikovsky (Arensky)
''Variations on a Theme by Tchaikovsky'', Op. 35a, a piece for string orchestra by Anton Arensky, started out as the slow movement of his String Quartet No. 2 in A minor, Op. 35, for the unusual scoring of violin, viola, and 2 cellos. It was written in 1894, the year after the death of Pyotr Ilyich Tchaikovsky, in a tribute to that composer. It is based on the theme from the song "''Legend''", the fifth of Tchaikovsky's ''Sixteen Children's Songs'', Op. 54. Tchaikovsky's song was originally set to a Russian translation by Aleksey Pleshcheyev of a poem in English called "Roses and Thorns" by the American poet Richard Henry Stoddard. At the first performance of the quartet, the slow movement was so well received that Arensky soon arranged it as a separate piece for string orchestra, Op. 35a, in which form it has remained among the most popular of all Arensky's works. Structure After Tchaikovsky's theme is heard, the piece has seven Variations followed by a Coda, set out as foll ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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String Orchestra
A string orchestra is an orchestra consisting solely of a string section made up of the bowed strings used in Western Classical music. The instruments of such an orchestra are most often the following: the violin, which is divided into first and second violin players (each usually playing different parts), the viola, the cello, and usually, but not always, the double bass. String orchestras can be of chamber orchestra size ranging from between 12 (4 first violins, 3 second violins, 2 violas, 2 cellos and 1 bass = 12) and 21 musicians (6 first violins, 5 second violins, 4 violas, 4 cellos and 2 double basses= 21) sometimes performing without a conductor. It could also consist of the entire string section of a large symphony orchestra which could have 60 musicians (16 first violins, 14 second violins, 12 violas, 10 cellos and 8 double basses = 60; ''Gurre-Lieder'' calls for 84: 20.20.16.16.12). Repertoire The repertoire includes several works by Mozart (including '' Eine klein ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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First Violin
The concertmaster (from the German ''Konzertmeister''), first chair (U.S.) or leader (UK) is the principal first violin player in an orchestra (clarinet or oboe in a concert band). After the conductor, the concertmaster is the most significant leader in an orchestra, symphonic band or other musical ensemble. Orchestra In an orchestra, the concertmaster is customarily the leader of the first violin section. There is another violin section, the second violins, led by the principal second violin. Any violin solo in an orchestral work is played by the concertmaster (except in the case of a violin concerto, in which case a guest soloist usually plays). It is usually required that the concertmaster be the most skilled musician in the section, experienced at learning music quickly, counting rests accurately and leading the rest of the string section by their playing and bow gestures. The concertmaster sits to the conductor's left, closest to the audience, in what is called the "f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Variations
Variation or Variations may refer to: Science and mathematics * Variation (astronomy), any perturbation of the mean motion or orbit of a planet or satellite, particularly of the moon * Genetic variation, the difference in DNA among individuals or the differences between populations ** Human genetic variation, genetic differences in and among populations of humans * Magnetic variation, difference between magnetic north and true north, measured as an angle * ''p''-variation in mathematical analysis, a family of seminorms of functions * Coefficient of variation in probability theory and statistics, a standardized measure of dispersion of a probability distribution or frequency distribution * Total variation in mathematical analysis, a way of quantifying the change in a function over a subset of \mathbb^n or a measure space * Calculus of variations in mathematical analysis, a method of finding maxima and minima of functionals Arts * Variation (ballet) or pas seul, solo danc ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Composer Tributes (classical Music)
A composer is a person who writes music. The term is especially used to indicate composers of Western classical music, or those who are composers by occupation. Many composers are, or were, also skilled performers of music. Etymology and definition The term is descended from Latin, ''compōnō''; literally "one who puts together". The earliest use of the term in a musical context given by the ''Oxford English Dictionary'' is from Thomas Morley's 1597 ''A Plain and Easy Introduction to Practical Music'', where he says "Some wil be good descanters ..and yet wil be but bad composers". "Composer" is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who work in the tradition of Western classical music. Writers of exclusively or primarily songs may be called composers, but since the 20th century the terms 'songwriter' or ' singer-songwriter' are more often used, part ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Compositions For String Orchestra
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography * Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a still image or video *Musical composition, an original piece of music, or the process of creating a new piece Computer science *Compose key, a key on a computer keyboard *Compositing window manager a component of a computer's graphical user interface that draws windows and/or their borders *Function composition (computer science), an act or mechanism to combine simple funct ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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1894 Compositions
Events January * January 4 – Franco-Russian Alliance, A military alliance is established between the French Third Republic and the Russian Empire. * January 7 – William Kennedy Dickson receives a patent for motion picture film in the United States. * January 9 – New England Telephone and Telegraph installs the first Battery (electricity), battery-operated telephone switchboard, in Lexington, Massachusetts. February * February 12 – French anarchist Émile Henry (anarchist), Émile Henry sets off a bomb in a Paris café, killing one person and wounding twenty. * February 15 ** In Korea, peasant unrest erupts in the Donghak Peasant Revolution, a massive revolt of followers of the Donghak movement. Both China and Japan send military forces, claiming to come to the ruling Joseon dynasty government's aid. ** French anarchist Martial Bourdin dies of an accidental detonation of his own bomb, next to the Royal Observatory, Greenwich, in London, England. Ma ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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List Of Variations On A Theme By Another Composer
Many classical and later composers have written compositions in the form of variations on a theme by another composer. This is an incomplete list of such works, sorted by the name of the original composer. The list does not include variations written on composers' own or original themes, or on folk, traditional or anonymous melodies. Many of these works are called simply "Variations on a Theme of/by ...". Other works, which often involve substantial development or transformation of the base material, may have more fanciful titles such as ''Caprice'', ''Fantasy'', ''Paraphrase'', ''Reminiscences'', ''Rhapsody'', etc. These other types of treatments are not listed here unless there is evidence that they include variations on a theme. Adam de la Halle * Rolande Falcinelli: Variations sur un rondeau d'Adam de la Halle (from 14 Études insérées dans l' à l'orgue) Adolphe Adam * Henri Herz: Fantaisie et variations sur deux motifs du '' Postillon de Lonjumeau'', Op. 94 (piano) ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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String Harmonic
Playing a string harmonic (a flageolet) is a string instrument technique that uses the nodes of natural harmonics of a musical string to isolate overtones. Playing string harmonics produces high pitched tones, often compared in timbre to a whistle or flute. Palisca, Claude V.; ed. (1996). ''Norton Anthology of Western Music, Volume 1: Ancient to Baroque'', glossary, p.601. Third edition. W. W. Norton. . Overtones can be isolated "by lightly touching the string with the finger instead of pressing it down" against the fingerboard (without stopping). For some instruments this is a fundamental technique, such as the Chinese guqin, where it is known as ''fan yin'' ( 泛音, lit. "floating sound"), and the Vietnamese đàn bầu. Overtones When a string is plucked or bowed normally, the ear hears the fundamental frequency most prominently, but the overall sound is also colored by the presence of various overtones (frequencies greater than the fundamental frequency). The fundamental ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pizzicato
Pizzicato (, ; translated as 'pinched', and sometimes roughly as 'plucked') is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of instrument: * On bowed string instruments it is a method of playing by plucking the strings with the fingers, rather than using the bow. This produces a very different sound from bowing, short and percussive rather than sustained. * On keyboard string instruments, such as the piano, pizzicato may be employed (although rarely seen in traditional repertoire, this technique has been normalized in contemporary music, with ample examples by George Crumb, Tōru Takemitsu, Helmut Lachenmann, and others) as one of the variety of techniques involving direct manipulation of the strings known collectively as " string piano". * On the guitar, it is a muted form of plucking, which bears an audible resemblance to pizzicato on a bowed string instrument with its relatively ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vivace
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture. The others are meter, which is indicated by a time signature, and articulation, which determines how each note ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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E Major
E major is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has six flats and the double-flat B, which makes that key less convenient to use. The E major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E harmonic major and melodic major scales are: Scale degree chords The scale degree chords of E major are: * Tonic – E major * Supertonic – F-sharp minor * Mediant – G-sharp minor * Subdominant – A major * Dominant – B major * Submediant – C-sharp minor * Leading-tone – D-sharp diminished Music in E major Antonio Vivaldi used this key for the "Spring" concerto from ''The Four Seasons''. Johann Sebastian Bach used E major for a violin concerto, as well as for his third partita ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Anton Arensky
Anton Stepanovich Arensky (; – ) was a Russian composer of Romantic classical music, a pianist and a professor of music. Biography Arensky was born into an affluent, music-loving family in Novgorod, Russia. He was musically precocious and had composed a number of songs and piano pieces by the age of nine. With his mother and father, he moved to Saint Petersburg in 1879, where he studied composition privately with Karl Karlovich Zikke (1850-1890) and later at the Saint Petersburg Conservatory with Nikolai Rimsky-Korsakov. After graduating from the Saint Petersburg Conservatory in 1882, Arensky became a professor at the Moscow Conservatory. During his twelve years of a professorship at Moscow, Arensky counted Rachmaninoff, Scriabin, Glière, Grechaninov, Goldenweiser and Medtner, along with the celebrated pianist Igumnov, among his students. In 1895, Arensky returned to Saint Petersburg as the director of the Imperial Choir, a post for which he had been recommended b ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |