Valie Export
Valie Export (often stylized as 'VALIE EXPORT'; born 17 May 1940) is an avant-garde Austrian artist. She is best known for provocative public performances and expanded cinema work. Her artistic work also includes video installations, computer animations, photography, sculpture and publications covering contemporary art. Early life Valie Export was born Waltraud Lehner in Linz, Austria and was raised in Linz by a single mother of three. Export studied painting, drawing, and design at the National School for Textile Industry in Vienna. Career 1960s and 1970s In the late 1960s and early 1970s, Austrian feminism was forced to address the fact that by the 1970s there was still a generation of Austrians whose attitudes towards women were based on Nazi ideology. They also had to confront the guilt of their parents’ (mothers’) complacency within the Nazi regime. In 1967, she changed her name from Waltraud Hollinger to VALIE EXPORT. In conversation with Gary Indiana for '' ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Linz
Linz (Pronunciation: , ; ) is the capital of Upper Austria and List of cities and towns in Austria, third-largest city in Austria. Located on the river Danube, the city is in the far north of Austria, south of the border with the Czech Republic. As of 1 January 2024, the city has a population of 212,538. It is the seventh-largest of all List of cities and towns on the river Danube, cities on the river Danube. History Linz originated as a Roman Empire, Roman fort named ''Lentia'', established in the first century. The name reflects its location at a bend in the Danube (Celtic languages, Celtic root ''lentos'' = "bendable"). This strategic position on the river made it the first Roman fort in the Noricum region, protecting a vital transportation route. The name "Linz" in its present form was first documented in 799. Linz was mentioned as a fortified city in 1236 and was granted city rights in 1324. Johannes Kepler spent several years of his life in the city teaching m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Hermann Nitsch
Hermann Nitsch (29 August 1938 – 18 April 2022) was an Austrian contemporary artist and composer. His art encompassed wide-scale Performance art, performances incorporating theater, multimedia, rituals and acted violence. He was a leading figure of Viennese Actionism. Life Born in Vienna, Nitsch received training in painting when he studied at the Höhere Graphische Bundes-Lehr- und Versuchsanstalt, Wiener Graphische Lehr-und Versuchanstalt, during which time he was drawn to religious art.Hermann Nitsch Discogs.Hermann Nitsch Art Directory. He is associated with the Vienna Actionists—a loosely affiliated group of Austrian artists intere ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bourgeois
The bourgeoisie ( , ) are a class of business owners, merchants and wealthy people, in general, which emerged in the Late Middle Ages, originally as a "middle class" between the peasantry and Aristocracy (class), aristocracy. They are traditionally contrasted with the proletariat by their wealth, political power, and education, as well as their access to and control of Cultural capital, cultural, Social capital, social, and financial capital. The bourgeoisie in its original sense is intimately linked to the political ideology of liberalism and its existence within cities, recognised as such by their urban charters (e.g., municipal charters, town privileges, German town law), so there was no bourgeoisie apart from the Burgher (social class), citizenry of the cities. Rural peasants came under a different legal system. In communist philosophy, the bourgeoisie is the social class that came to own the means of production during modern industrialisation and whose societal concerns ar ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Electronic Arts Intermix
Electronic Arts Intermix (EAI) is a nonprofit organization, nonprofit arts organization that is a resource for video and media art. An advocate of media art and artists since 1971, EAI's core program is the distribution and preservation of a collection of over 3,500 new and historical video works by artists. EAI has supported the creation, exhibition, distribution and preservation of video art, and more recently, digital art projects. EAI supports artists through the distribution, preservation, exhibition and representation of their media artworks, and works closely with educators, curators, programmers and collectors to facilitate exhibitions, acquisitions and educational uses of media artworks. EAI provides access to video art within an educational and cultural framework. History EAI was founded in 1971 as one of the first nonprofit organizations in the United States dedicated to the support of video as an art form. As one of the earliest organizations in the emergent video a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Video Art
Video art is an art form which relies on using video technology as a visual and audio medium. Video art emerged during the late 1960s as new consumer video technology such as video tape recorders became available outside corporate broadcasting. Video art can take many forms: recordings that are broadcast; installation art, installations viewed in galleries or museums; works either streamed online, or distributed as video tapes, or on DVDs; and performances which may incorporate one or more television sets, video monitors, and projections, displaying live or recorded images and sounds. Video art is named for the original analog video tape, which was the most commonly used recording technology in much of the form's history into the 1990s. With the advent of digital recording equipment, many artists began to explore digital technology as a new way of expression. Video art does not necessarily rely on the conventions that define theatrical cinema. It may not use actors, may contain no ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Broadcasting
Broadcasting is the data distribution, distribution of sound, audio audiovisual content to dispersed audiences via a electronic medium (communication), mass communications medium, typically one using the electromagnetic spectrum (radio waves), in a :wikt:one-to-many, one-to-many model. Broadcasting began with AM radio, which came into popular use around 1920 with the spread of vacuum tube radio transmitters and radio receiver, receivers. Before this, most implementations of electronic communication (early radio, telephone, and telegraph) were wikt:one-to-one, one-to-one, with the message intended for a single recipient. The term ''broadcasting'' evolved from its use as the agricultural method of sowing seeds in a field by casting them broadly about. It was later adopted for describing the widespread distribution of information by printed materials or by telegraph. Examples applying it to "one-to-many" radio transmissions of an individual station to multiple listeners appeared as ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Television
Television (TV) is a telecommunication medium for transmitting moving images and sound. Additionally, the term can refer to a physical television set rather than the medium of transmission. Television is a mass medium for advertising, entertainment, news, and sports. The medium is capable of more than "radio broadcasting", which refers to an audio signal sent to radio receivers. Television became available in crude experimental forms in the 1920s, but only after several years of further development was the new technology marketed to consumers. After World War II, an improved form of black-and-white television broadcasting became popular in the United Kingdom and the United States, and television sets became commonplace in homes, businesses, and institutions. During the 1950s, television was the primary medium for influencing public opinion.Diggs-Brown, Barbara (2011''Strategic Public Relations: Audience Focused Practice''p. 48 In the mid-1960s, color broadcasting was ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Invisible Adversaries
''Invisible Adversaries'' () is a 1977 Austrian experimental drama film directed by Valie Export, her debut feature film. Plot Set in contemporary Vienna, the film involves a photographer, Anna, who discovers that extraterrestrial beings are colonizing the minds of her fellow citizens by raising the human aggression quotient. The outer world immediately becomes disjointed, yet the inner world does too, as Anna and her lover, Peter, try to hang onto their deteriorating relationship. Cast *Susanne Widl as Anna * Peter Weibel as Peter *Josef Plavec *Monica Helfer-Friedrich *Dominick Dusek *Herbert Schmid *Edward Neversal *Helke Sander Release The film was released on DVD by Facets Multi-Media in 2011 in a limited edition of 500 copies. Reception Critical opinion regarding the film has been overwhelmingly positive. ''The Village Voice'' critic J. Hoberman, who in 1981 included the film in his list of the ten best films commercially released in the United States during that year, mor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Public Sphere
The public sphere () is an area in social relation, social life where individuals can come together to freely discuss and identify societal problems, and through that discussion, Social influence, influence political action. A "Public" is "of or concerning the people as a whole." Such a discussion is called public debate and is defined as the expression of views on matters that are of concern to the public—often, but not always, with opposing or diverging views being expressed by participants in the discussion. Public debate takes place mostly through the mass media, but also at meetings or through social media, academic publications, and government policy documents. The term was originally coined by German Philosophy, philosopher Jürgen Habermas who defined the public sphere as "made up of private people gathered together as a public and articulating the needs of society with the state". Communication scholar Gerard A. Hauser defines it as "a discursive space in which individua ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Peter Weibel
Peter Weibel (Austrian German: �vaɪbl ; 5 March 1944 – 1 March 2023) was an Austrian post-conceptual artist, curator, and new media theoretician. He started out in 1964 as a visual poet, then later moved from the page to the screen within the sense of post-structuralist methodology. His work includes virtual reality and other digital art forms. From 1999 he was the director of the ZKM Center for Art and Media Karlsruhe. Biography Weibel was born in Odesa, USSR on 5 March 1944. He was raised in Ried, Upper Austria, and studied French and cinematography in Paris. In 1964 he began to study medicine in Vienna, but changed soon to mathematics, with an emphasis on logic. Weibel's work was in conceptual art, performance, experimental film, video art, and computer art. Beginning in 1965 from semiotic and linguistic reflections (Austin, Jakobson, Peirce, Wittgenstein), Weibel developed an artistic language, which led him from experimental literature to performance. In his perfor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Scott MacDonald (media Scholar)
Scott MacDonald (born 1942) is an American media scholar and Professor of Cinema and Media Studies at Hamilton College. He is known for his works on theory of film and cinema. In 2012, MacDonald was named an Academy Scholar by the Academy of Motion Pictures Arts and Sciences The Academy of Motion Picture Arts and Sciences (AMPAS, often pronounced ; also known as simply the Academy or the Motion Picture Academy) is a professional honorary organization in Beverly Hills, California, U.S., with the stated goal of adva .... Books * ''Avant-Doc: Intersections of Documentary and Avant-Garde Cinema''. New York: Oxford University Press, 2015 * ''American Ethnographic Film and Personal Documentary: The Cambridge Turn''. Berkeley: University of California Press, 2013 * ''Adventures of Perception: Cinema as Exploration'' (Interviews/Essays). Berkeley: University of California Press, 2009 * ''Canyon Cinema: The Life and Times of an Independent Film Distributor''. Berkeley: University of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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BOMB Magazine
''Bomb'' (stylized in all caps as ''BOMB'') is an American arts magazine edited by artists and writers, published quarterly in print and daily online. It is composed primarily of interviews between creative people working in a variety of disciplines—visual art, literature, film, music, theater, architecture, and dance. In addition to interviews, ''Bomb'' publishes reviews of literature, film, and music, as well as new poetry and fiction. ''Bomb'' is published by New Art Publications, Inc., a 501(c)(3) non-profit organization. History ''Bomb'' was launched in 1981 by a group of New York City-based artists, including Betsy Sussler, Sarah Charlesworth, Glenn O'Brien, Michael McClard, and Liza Béar, who sought to record and promote public conversations between artists without mediation by critics or journalists.McClister, Nell"Bomb Magazine: Celebrating 25 Years" ''Bomb'', Retrieved October 13, 2014. The name ''Bomb'' is a reference to both Wyndham Lewis' '' Blast'' and the fact ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |