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Una Cosa Rara
' (''A Rare Thing, or Beauty and Honesty'') is an opera by the composer Vicente Martín y Soler. It takes the form of a dramma giocoso in two acts. The libretto, by Lorenzo Da Ponte, is based on the play ' by Luis Vélez de Guevara. The opera was first performed at the Burgtheater, Vienna, on 17 November 1786. It was a huge success and was shown 78 times. Mozart quotes a melody from this opera, "", in the orchestral accompaniment to the trio of the finale of ''Don Giovanni ''Don Giovanni'' (; K. 527; full title: , literally ''The Rake Punished, or Don Giovanni'') is an opera in two acts with music by Wolfgang Amadeus Mozart to an Italian libretto by Lorenzo Da Ponte. Its subject is a centuries-old Spanish legen ...''.For a detailed discussion of this borrowing, see Daniel E. Freeman, ''Mozart in Prague'' (Minneapolis: Calumet Editions, 2021), 285–286. Roles Synopsis The town mayor and the Spanish prince Don Giovanni try to seduce the virtuous Lilla, who is engaged ...
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Vicente Martín Y Soler
Anastasio Martín Ignacio Vicente Tadeo Francisco Pellegrin Martín y Soler (2 May 175430 January or 10 February 1806) was a Spanish composer of opera and ballet. Although relatively obscure now, in his own day he was compared favorably with his contemporary and admirer, Wolfgang Amadeus Mozart, as a composer of opera buffa. In his time he was called "Martini lo spagnuolo" ("Martini the Spaniard"); in modern times, he has been called "the Valencian Mozart". He was known primarily for his melodious Italian comic operas and his work with Lorenzo Da Ponte in the late 18th century, as well as the melody from '' Una cosa rara'' quoted in the dining scene of Mozart's ''Don Giovanni''. Biography Martín y Soler was born in Valencia. His father, Francisco Xavier Martín, was a tenor at the cathedral in town, where Vicente was a chorister there in his youth. Vicente moved to Madrid probably around 1775, and studied music in Bologna under Giovanni Battista Martini. His first opera was ''Il ...
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Vincenzo Calvesi
Vincenzo Calvesi (fl. 1777–1811) was an Italian operatic tenor and impresario. A skillful lyric tenor, he began his career performing in opera houses in Italy during the 1770s. He was active in Dresden in 1782 to 1783 and then spent most of his time performing in Vienna from 1785 to 1794. He is best remembered today for creating the role of Ferrando in the world premiere of Wolfgang Amadeus Mozart's ''Così fan tutte'' in 1790. That same year the Viennese publication ''Grundsätze zur Theaterkritik'' described him as "one of the best tenors from Italy…with a voice naturally sweet, pleasant and sonorous." He was later active in Rome as an impresario up until 1811. Life and career Calvesi was born in Rome, the son of Bernhard Calvesi, a papal chamberlain. His date of birth, his musical education, and the details of his youth are now unknown. The first definite account of the singer was in 1777 for a series of performances in operas in Rome. He actively performed in comic op ...
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Operas
Opera is a form of Western theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western classical music, and Italian tradition in particular. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as ''Singspiel'' and ''Opéra comique''. In traditional number opera, si ...
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Opera World Premieres At The Burgtheater
Opera is a form of History of theatre#European theatre, Western theatre in which music is a fundamental component and dramatic roles are taken by Singing, singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libretto, librettist and incorporates a number of the performing arts, such as acting, Theatrical scenery, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conducting, conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of Western culture#Music, Western classical music, and Italian tradition in particular. Originally understood as an sung-through, entirely sung piece, in contrast to a play with songs, opera has come to include :Opera genres, numerous ...
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1786 Operas
Events January–March * January 3 – The third Treaty of Hopewell is signed between the United States and the Choctaw. * January 6 – The outward bound East Indiaman '' Halsewell'' is wrecked on the south coast of England in a storm, with only 74 of more than 240 on board surviving. * February 2 – In a speech before The Asiatic Society in Calcutta, Sir William Jones notes the formal resemblances between Latin, Greek, and Sanskrit, laying the foundation for comparative linguistics and Indo-European studies. * March 1 – The Ohio Company of Associates is organized by five businessmen at a meeting at the Bunch-of-Grapes Tavern in Boston to purchase land from the United States government to form settlements in the modern-day U.S. state of Ohio. * March 13 – Construction begins in Dublin on the Four Courts Building, with the first stone laid down by the United Kingdom's Viceroy for Ireland, the Duke of Rutland. April–June * April 2 &nd ...
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Italian-language Operas
Italian (, , or , ) is a Romance language of the Indo-European language family. It evolved from the colloquial Latin of the Roman Empire. Italian is the least divergent language from Latin, together with Sardinian. It is spoken by about 68 million people, including 64 million native speakers as of 2024. Italian is an official language in Italy, San Marino, Switzerland ( Ticino and the Grisons), and Vatican City; it has official minority status in Croatia, Slovene Istria, Romania, Bosnia and Herzegovina, and the municipalities of Santa Tereza, Encantado, and Venda Nova do Imigrante in Brazil. Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia. Some speakers of Italian are native bilinguals of both Italian (either in its standard form or regional varieties) and a local language of Italy, most frequently the language spoken at home in their place of origin. Italian is a major language in Europe, being one of the offici ...
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Stefano Mandini
Stefano Mandini (1750–ca. 1810) was an outstanding Italian operatic baritone of the second half of the 18th century. He appeared in the premieres of many well-known operas of his day, of which the most famous at the present time is Mozart's ''The Marriage of Figaro'', for which Mandini created the role of Count Almaviva. Career His career began in Italy with performances in Ferrara in 1774 and Parma in 1776. A key event occurred when Emperor Joseph II of Austria chose to found a top-rank Italian opera company at his capital in Vienna, and sent his representatives seeking the best available talent. Mandini was recruited during this search, and first sang in the Emperor's company on 5 May 1783 as Milord Arespingh in ''L'italiana in Londra'' by Domenico Cimarosa. He sang in a number of operas with the company, including the following: *1783 **Mingone in Giuseppe Sarti's ''Fra i due litiganti il terzo gode'' **Don Fabio in Cimarosa's ''Il falegname'' **Count Almaviva in Giovanni Pai ...
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Baritone
A baritone is a type of classical music, classical male singing human voice, voice whose vocal range lies between the bass (voice type), bass and the tenor voice type, voice-types. It is the most common male voice. The term originates from the Greek language, Greek (), meaning "low sounding". Composers typically write music for this voice in the range from the second F below C (musical note), middle C to the F above middle C (i.e. Scientific pitch notation, F2–F4) in choral music, and from the second G below middle C to the G above middle C (G2 to G4) in operatic music, but the range can extend at either end. Subtypes of baritone include the baryton-Martin baritone (light baritone), lyric baritone, ''Kavalierbariton'', Verdi baritone, dramatic baritone, ''baryton-noble'' baritone, and the bass-baritone. History The first use of the term "baritone" emerged as ''baritonans'', late in the 15th century, usually in French Religious music, sacred Polyphony, polyphonic music. At t ...
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Francesco Benucci
Francesco Benucci (c. 1745 – 5 April 1824) was an Italian bass singer of the 18th century. He sang a number of important roles in the operas of Wolfgang Amadeus Mozart, Antonio Salieri and other composers. Life Historical background and early career He was born c. 1745 in Livorno and began his early career there around 1768.Link (2004, vii) The start of Benucci's career took place in an already flourishing world of opera buffa, which provided an existing role type, the comic bass singer or ''buffo'', at which Benucci came to excel. The historical background is described by Rice: :In one of his earliest appearances (Livorno 1768) Benucci sang Tritemio in ''Il filosofo di campagna''. That he began his career in an opera by Galuppi and Goldoni and in a role created by Carattoli is emblematic of his place in the history of opera buffa. He took up the tradition ... to which Goldoni, in collaboration with composers as Galuppi and such singers as Carattoli, had contributed so muc ...
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Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to '' The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4). Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' (comical bass), or the dramatic ''basso profondo'' (deep bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German '' Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classifications tend to describe roles rather than singers: it is rare for ...
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Nancy Storace
Anna (or Ann) Selina Storace (; 27 October 176524 August 1817), known professionally as Nancy Storace, was an English operatic soprano. The role of Susanna in Wolfgang Amadeus Mozart, Mozart's ''The Marriage of Figaro, Le nozze di Figaro'' was written for and first performed by her. Born in London, she began her singing career as a child prodigy in England by the age of 12. This led to further study in Italy and to a successful singing career there during the late 1770s. While in Monza (or shortly before in Milan) in 1782,Pesqué 2017, p. 56-57 quotes a letter dated November 1785 from Poet Giovanni Battista Casti who informs his correspondent that Storace and Benucci have been already recruited for Vienna. she was recruited to form part of Emperor Joseph II, Holy Roman Emperor, Joseph II's new Italian opera company in Vienna, where the assembled singers who joined her "created in the two years leading up to the premiere of ''The Marriage of Figaro'', were welded into the finest ...
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