|
Uffizi Gallery
The Uffizi Gallery ( ; , ) is a prominent art museum adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best-known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance. After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous ''Patto di famiglia'' negotiated by Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1769 it was officially opened to the public, formally becoming a museum in 1865. History The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici as a means to consolidate his administrative control of the various committees, agencies, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uffizi Gallery Logo
The Uffizi Gallery ( ; , ) is a prominent art museum adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best-known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance. After the ruling House of Medici died out, their art collections were given to the city of Florence under the famous ''Patto di famiglia'' negotiated by Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1769 it was officially opened to the public, formally becoming a museum in 1865. History The building of the Uffizi complex was begun by Giorgio Vasari in 1560 for Cosimo I de' Medici as a means to consolidate his administrative control of the various committees, agencies, and gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Maria Luisa De' Medici
Anna Maria Luisa de' Medici (11 August 1667 – 18 February 1743) was an Italian noblewoman who was the last lineal descendant of the main branch of the House of Medici. A patron of the arts, she bequeathed the Medicis' large art collection, including the contents of the Uffizi, Palazzo Pitti and the Medici villas, which she inherited upon her brother Gian Gastone's death in 1737, and her Palatine treasures to the Tuscan state, on the condition that no part of it could be removed from "the Capital of the grand ducal State.... nd fromthe succession of His Serene Grand Duke." Anna Maria Luisa was the only daughter of Cosimo III de' Medici, Grand Duke of Tuscany, and Marguerite Louise d'Orléans, a niece of Louis XIII of France. On her marriage to Johann Wilhelm, Elector Palatine, she became Electress of the Palatinate, and, by patronising musicians, she earned for the contemporary Palatine court the reputation of an important music centre. As Johann Wilhelm had syphilis the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Nobile
( Italian for "noble floor" or "noble level", also sometimes referred to by the corresponding French term, ) is the architectural term for the principal floor of a '' palazzo''. This floor contains the main reception and bedrooms of the house. The German term is (meaning "beautiful storey", from the French ). Both date to the 17th century. Characteristics The ''piano nobile'' is usually the first floor (in European terminology; second floor in American terms) or sometimes the second storey and contains major rooms, located above the rusticated ground floor containing the minor rooms and service rooms. The reasons were so that the rooms above the ground floor would have finer views and to avoid the dampness and odours of the street level. That is especially true in Venice, where the ''piano nobile'' of the many '' palazzi'' is especially obvious from the exterior by virtue of its larger windows and balconies and open loggias. Examples are Ca' Foscari, Ca' d'Oro, Ca' Vend ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tribuna Uffizi
Tribuna may refer to: * ''Tribuna'' (Russian newspaper), a Russian weekly newspaper * '' Tribuna Portuguesa'', a bilingual newspaper serving the Portuguese-American community * Tribuna.com, a digital sports publisher * Tribuna Monumental, a monument in Mexico City * , a Brazilian TV station See also * La Tribuna (other) * La Tribune () is a French weekly financial newspaper founded in 1985 by Bruno Bertez. Its main competitor is the French newspaper '' Les Échos'', which is currently owned by LVMH. From 1993 to 2007, was part of LVMH. In 2010, Alain Weill, the chair ... * The Tribune * * :cs:Tribuna {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Statues In Niches Outside The Uffizi Gallery, Florence
A statue is a free-standing sculpture in which the realistic, full-length figures of persons or animals are carved or Casting (metalworking), cast in a durable material such as wood, metal or stone. Typical statues are life-sized or close to life-size. A sculpture that represents persons or animals in full figure, but that is small enough to lift and carry is a ''statuette'' or figurine, whilst those that are more than twice life-size are regarded as '':colossal statues, colossal statues''. Statues have been produced in many cultures from prehistory to the present; the oldest-known statue dating to about 30,000 years ago. Statues represent many different people and animals, real and mythical. Many statues are placed in public places as public art. The world's tallest statue, ''Statue of Unity'', is tall and is located near the Narmada dam in Gujarat, India. Colors Ancient statues often show the bare surface of the material of which they are made. For example, many people as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loggiato Degli Uffizi
The Loggiato is the semi-enclosed courtyard () space between the two long galleries of the Uffizi Gallery located adjacent to the Piazza della Signoria in the historic center of Florence, capital of Tuscany, Italy. Because the facade of the arcaded corridor parallel to the Arno River also continues the sculptural display of the cortile, it can also be included in the description. History and description In addition, to hosting the entrance to the museum housed in the upper galleries, the loggiato is known for its display of statues of ''famous Tuscans'' housed in niches carved from the inner ground floor pilasters. It is stated that Cosimo I de Medici for his original plan for the Uffizi planned to display statues of famous Tuscans in the ground floor. In 1574, just before the death of Cosimo, the sculptor Vincenzo Danti had his statue of the former Duke placed in the ground floor. His son, Francesco, in 1584 substituted this statue with one by Giambologna, standing on a plinth on t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alternation Of Supports
Alternation of supports is a trait of Romanesque architecture (and Early Gothic), where the supports in a colonnade or Arcade (architecture), arcade have different types. For example, periodic change between the strong supports (Pier (architecture), piers) and the weak ones (columns) provides visually obvious alternating supports. More subtle alternation can result, for example, from variations of the column shafts. An early example of technique used for a decorative purpose can be found in Hagios Demetrios, a 5th century Byzantine church in Thessaloniki. The technique became common at the end of the 10th century and appears to be coupled with the use of transverse arches: the arches rested on the tops of the stronger piers. The double-bay system, with its side aisles at a half of the width of the nave, required columns for the aisle vaults placed at half the step for the transverse arches of the nave, the additional columns sometimes carried smaller load and thus can be thinner. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perspective (visual)
Linear or point-projection perspective () is one of two types of graphical projection perspective in the graphic arts; the other is parallel projection. Linear perspective is an approximate representation, generally on a flat surface, of an image as it is seen by the eye. Perspective drawing is useful for representing a three-dimensional scene in a two-dimensional medium, like paper. It is based on the optical fact that for a person an object looks N times (linearly) smaller if it has been moved N times further from the eye than the original distance was. The most characteristic features of linear perspective are that objects appear smaller as their distance from the observer increases, and that they are subject to , meaning that an object's dimensions parallel to the line of sight appear shorter than its dimensions perpendicular to the line of sight. All objects will recede to points in the distance, usually along the horizon line, but also above and below the horizon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sigfried Giedion
Sigfried Giedion (also spelled Siegfried Giedion; 14 April 1888, Prague – 10 April 1968, Zürich) was a Bohemian-born Swiss historian and critic of architecture. His ideas and books, '' Space, Time and Architecture'', and ''Mechanization Takes Command'', had an important conceptual influence on the members of the Independent Group at the Institute of Contemporary Arts in the 1950s. Giedion was a pupil of Heinrich Wölfflin. He was the first secretary-general of the Congrès International d'Architecture Moderne, and taught at the Massachusetts Institute of Technology, Harvard University, and the ETH-Zurich. In ''Space, Time & Architecture'' (1941), Giedion wrote an influential standard history of modern architecture, while ''Mechanization Takes Command'' established a new kind of historiography. Biography Sigfried Giedion was born in Prague to Swiss-Jewish parents. His father was a textile manufacturer from Zugersee. He graduated from the University of Vienna in 1913 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doric Order
The Doric order is one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of the columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded stone Doric tem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bernardo Buontalenti
Bernardo Timante Buonacorsi ( – June 1608), known as Bernardo Buontalenti () and sometimes by the nickname "Bernardo delle Girandole", was an Italian Scenic design, stage designer, architect, theatrical designer, Military engineering, military engineer and artist. Biography Buontalenti was born in Florence . He entered the service of the Medici as a youth and remained with them the rest of his life. He is said to have been instructed in painting by Francesco de' Rossi (Il Salviati), Salviati and Bronzino, in sculpture by Michelangelo, in architecture by Giorgio Vasari, and in miniature painting under Giulio Clovio. He executed a number of miniatures for Francesco I de' Medici, Grand Duke of Tuscany, Francesco, the son of Cosimo I. More than a painter, he was celebrated as an architect; in this role he was much employed in the design of fortifications, villas, and gardens and is considered one of the most important architects of the Mannerist period. He was also a great mechanic, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alfonso Parigi The Elder
Alfonso Parigi (died 1590) was an Italian architect and designer working in Florence for the Grand Duke of Tuscany. His major commission was the completion of Giorgio Vasari's Palazzo degli Uffizi. His main works are all in Florence, and include: *The palazzo of the Archiconfraternità di Misericordia, an ancient charitable foundation devoted to helping the wounded and sick, rebuilt 1575–78, partly remodelled ito designs by Stefano Diletti, 1781. * At Santa Trinita he rebuilt the convent cloister, working to designs of Buontalenti, beginning in 1584. His son Giulio worked also as architect for the House of Medici The House of Medici ( , ; ) was an Italian banking family and political dynasty that first consolidated power in the Republic of Florence under Cosimo de' Medici and his grandson Lorenzo de' Medici, Lorenzo "the Magnificent" during the first h .... References * 1590 deaths Grand Duchy of Tuscany people Architects from Florence 16th-century Italian ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
