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Tuskegee Experiments (album)
''Tuskegee Experiments'' is an album by the American jazz clarinettist Don Byron, released in 1992. Its title refers to the Tuskegee syphilis experiment — the notorious medical experiment conducted around Tuskegee, Alabama, lasting from 1932 to 1972, in which 400 subjects, mainly poor, black sharecroppers, were used in an investigation of the effects of syphilis without their knowledge or consent. Critical reception '' Rolling Stone'' wrote that "Byron displays all his prowess as both an instrumentalist and a gleeful provocateur ever willing to shake things up." '' The Morning Call'' stated that "Byron and his quartet play with abandon and without any undue reverence to the past." Track listing #"Waltz for Ellen" (Byron) –3:05 #"Tuskegee Strutter's Ball" (Byron) –8:08 #"In Memoriam: Uncle Dan" (Byron) –5:20 #"Next Love" (Byron) –9:50 #"Tears" (Byron) –8:12 #"Main Stem" (Ellington) –7:26 #"Diego Rivera" (Byron) –9:23 #"Tu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Byron
Donald Byron (born November 8, 1958) is an American composer and multi-instrumentalist. He primarily plays clarinet but has also played bass clarinet and saxophone in a variety of genres that includes free jazz and klezmer. Biography His mother was a pianist. His father worked as a mailman and played bass in calypso bands. Byron listened to Dizzy Gillespie and Miles Davis while growing up, but he was exposed to other styles through trips to the ballet and symphony orchestra. When he was a child, he had asthma, and a doctor recommended playing an instrument to improve his breathing. This was why he started playing clarinet. He grew up in the South Bronx among many Jewish neighbors who sparked an interest in klezmer. Other influences include Joe Henderson, Artie Shaw, Jimmy Hamilton, and Tony Scott. In his teens he took clarinet lessons from Joe Allard. George Russell was one of his teachers at the New England Conservatory of Music in Boston. At the school he was a member of Klez ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Violin
The violin, sometimes known as a ''fiddle'', is a wooden chordophone (string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument (soprano) in the family in regular use. The violin typically has four strings (music), strings (some can have five-string violin, five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow (music), bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical music, Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Byron Albums
Don, don or DON and variants may refer to: Places *County Donegal, Ireland, Chapman code DON *Don (river), a river in European Russia *Don River (other), several other rivers with the name *Don, Benin, a town in Benin *Don, Dang, a village and hill station in Dang district, Gujarat, India *Don, Nord, a ''commune'' of the Nord ''département'' in northern France *Don, Tasmania, a small village on the Don River, located just outside Devonport, Tasmania *Don, Trentino, a commune in Trentino, Italy *Don, West Virginia, a community in the United States *Don Republic, a temporary state in 1918–1920 *Don Jail, a jail in Toronto, Canada People Role or title *Don (honorific), a Spanish, Portuguese, and Italian title, given as a mark of respect *Don, a crime boss, especially in the Mafia , ''Don Konisshi'' (コニッシー) *Don, a resident assistant at universities in Canada and the U.S. *University don, in British and Irish universities, especially at Oxford, Cambridge, St And ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ralph Peterson, Jr
Ralph Peterson Jr. (May 20, 1962 – March 1, 2021) was an American jazz drummer and bandleader. Early life Four of Peterson's uncles and his grandfather were drummers. Peterson himself began on percussion at age three. He was raised in Pleasantville, where he played trumpet at Pleasantville High School and worked locally in funk groups. He applied to Livingston College and Rutgers to study drums, but he failed the percussion entrance exam and enrolled as a trumpeter instead, graduating in 1984. Later life and career In 1983, he joined Art Blakey's Jazz Messengers as the group's second drummer for several years. He worked with Terence Blanchard and Donald Harrison in 1984, and with Walter Davis (1985, 1989), Tom Harrell (1985), Out of the Blue (1985–1988), Branford Marsalis (1986), David Murray, Craig Harris (1987), James Spaulding (1988), Roy Hargrove (1989), Jon Faddis (1989), Dewey Redman, Mark Helias (1989), and Wynton Marsalis (with the Count Basie ghost band). Durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral mu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pheeroan AkLaff
Pheeroan akLaff (born Paul Maddox January 27, 1955) is an American jazz drummer and percussionist. He began playing in his hometown of Detroit, Michigan and Ann Arbor, with R & B keyboardist Travis Biggs, funk keyboardist Nimrod “The Grinder” Lumpkin, The Ebony Set and The Last Days. He moved to New Haven, Connecticut, and formed a group with saxophonist/flautist/percussionist Dwight Andrews. He debuted with saxophonist Bill Barron in 1975, followed by a tenure in Leo Smith's ‘New Dalta Ahkri’ (1977-1979). akLaff developed a longstanding association with saxophonist and poet Oliver Lake starting in 1975, which included writing for their fusion ensemble, ‘Jump Up’. He recorded with Lake on and off from 1980-1992. His extensive work as a session musician includes collaborations with prominent jazz musicians Geri Allen, Andrew Hill, Cecil Taylor, Anthony Braxton, Don Byron, Julius Hemphill, Henry Threadgill, Mal Waldron, Sonny Sharrock, Anthony Davis and Reggie Workm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggie Workman
Reginald "Reggie" Workman (born June 26, 1937 in Philadelphia, Pennsylvania) is an American avant-garde jazz and hard bop double bassist, recognized for his work with both John Coltrane and Art Blakey. Career Early in his career, Workman worked in jazz groups led by Gigi Gryce, Donald Byrd, Duke Jordan and Booker Little. In 1961, Workman joined the John Coltrane Quartet, replacing Steve Davis. He was present for the saxophonist's ''Live at the Village Vanguard'' sessions, and also recorded with a second bassist (Art Davis) on the 1961 album, '' Olé Coltrane''. Workman left Coltrane's group at the end of the year, following a European tour. In 1962, Workman joined Art Blakey's Jazz Messengers (replacing long-time Blakey bassist Jymie Merritt), and worked alongside Freddie Hubbard, Wayne Shorter, and Cedar Walton for most of his time in the Jazz Messengers. Workman left Blakey's group in 1964. Workman also played with James Moody, Yusef Lateef, Pharoah Sanders, Herbie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lonnie Plaxico
Lonnie Plaxico (born September 4, 1960) is an American jazz double bassist. Biography Plaxico was born in Chicago, Illinois, into a musical family, and started playing the bass at the age of twelve, turning professional at fourteen (playing both double bass and bass guitar). His first recording was with his family's band, and by the time he was twenty he had moved to New York City, where he had stints playing with Chet Baker, Dexter Gordon, Sonny Stitt, Junior Cook, and Hank Jones. He won the Louis Armstrong Jazz Award in 1978. Plaxico first came to public attention through his work with the Wynton Marsalis group in 1982, though his first regular attachment was with Art Blakey's Jazz Messengers (1983–86), with whom he recorded twelve albums. In the mid-1980s Plaxico joined the M-Base collective and played on the debut-releases of Steve Coleman (''Motherland Pulse'', 1985), Cassandra Wilson ('' Point of View'', 1986) and Greg Osby (''Sound Theatre'', 1987). On Wilson's rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bass ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marimba
The marimba () is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the timbre of the marimba is warmer, deeper, more resonant, and more pure. It also tends to have a lower range than that of a xylophone. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass and concert bands, and other traditional ensembles. Etymology and terminology The term ''marimba'' refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. The term is of Bantu origin, deriving from the prefix meaning 'many' an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a musical keyboard, keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
