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Trombone Repertoire
This page lists classical pieces in the trombone repertoire, including solo works, concertenti and chamber music of which trombone plays a significant part. Solo trombone * Hans Abrahamsen, ''Kharon'' (2009) * Kalevi Aho, ''Solo XIII'' (2017) * Louis Andriessen, ''Toespraak'' for Speaking Trombonist (1979) * Georges Aperghis, ''Ruinen'' (1994) * Malcolm Arnold, ''Fantasy'', Op. 101 (1969) * Richard Barrett, ''basalt'', (1990-91) * Leslie Bassett, ''Suite'' (1957) * Luciano Berio, ''Sequenza V'' (1966) * Leonard Bernstein, ''Elegy for Mippy II'' (1948) * Howard J. Buss, ''A Day in the City'' (1986), ''Camel Music'' (1975), ''On the Stroke of Midnight'' (2021) * John Cage, ''Solo for Sliding Trombone'' (1957-1958) * Elliott Carter, ''Gra'' (1994) * Elliott Carter, ''Retracing V'' (2011) * David Cope, ''Three Pieces'' (1966) * David Cope, ''B.T.R.B.'' for Bass Trombonist (1971) * Peter Maxwell Davies, ''Judas Mercator'' (2004) * David Del Tredici, ''The Felix Variations'' for Bass Tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Abrahamsen
Hans Abrahamsen (born 23 December 1952) is a Danish composer born in Kongens Lyngby near Copenhagen. His '' Let me tell you'' (2013), a song cycle for soprano and orchestra, was ranked by music critics at ''The Guardian'' as the finest work of the 21st-century. His opera ''The Snow Queen'' was commissioned and premiered by the Royal Danish Theatre in 2019. Biography Early life His interest in composition and piano began after hearing his father playing piano. His first attempts at "little melodies" were designed to be played with the only two fingers on his right hand that were capable of playing the instrument. After realizing that he would not be able to progress, he shifted his focus to the French horn. From 1969 to 1971, he studied horn, music theory, and music history at the Royal Danish Academy of Music in Copenhagen. While at the conservatory, his music was inspired by his mentors Per Nørgård and Pelle Gudmundsen-Holmgreen. In the 1980s, he continued his studies atten ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pascal Dusapin
Pascal Georges Dusapin (born 29 May 1955) is a French composer. His music is marked by its microtonality, tension, and energy. A pupil of Iannis Xenakis and Franco Donatoni and an admirer of Varèse, Dusapin studied at the University of Paris I and Paris VIII during the 1970s. His music is full of "romantic constraint". Despite being a pianist, he refused to compose for the piano until 1997. His melodies have a vocal quality, even in purely instrumental works. Dusapin has composed solo, chamber, orchestral, vocal, and choral works, as well as several operas, and has been honored with numerous prizes and awards. Education and influences Dusapin, born in Nancy, studied musicology, plastic arts, and art sciences at the University of Paris I and Paris VIII in the early 1970s. He felt a certain "shock" upon hearing Edgard Varèse’s ''Arcana'' (1927), and a similar shock when he attended Iannis Xenakis’s multimedia performance ''Polytope de Cluny'' in 1972, yet he felt "une ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Wolff (composer)
Christian G. Wolff (born March 8, 1934) is an American composer of experimental classical music and classicist. Biography Wolff was born in Nice, France, to the German literary publishers Helen and Kurt Wolff, who had published works by Franz Kafka, Robert Musil, and Walter Benjamin. After relocating to the U.S. in 1941, they helped to found Pantheon Books with other European intellectuals who had fled Europe during the rise of fascism. The Wolffs published a series of notable English translations of European literature, mostly, as well as an edition of the ''I Ching'' that came to greatly impress John Cage after Wolff had given him a copy. Wolff became an American citizen in 1946. When he was sixteen (in 1950) his piano teacher Grete Sultan sent him for lessons in composition to the new music composer John Cage. Wolff soon became a close associate of Cage and his artistic circle which was part of the New York School and included the fellow composers Earle Brown and Mor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dienstag Aus Licht
(Tuesday from Light) is an opera by Karlheinz Stockhausen in a greeting and two acts, with a farewell, and was the fourth of seven to be completed for the opera cycle '' Licht: Die sieben Tage der Woche'' (Light: The Seven Days of the Week). It was begun in 1977 and completed from 1988 to 1991, to a libretto by the composer. History is an opera for 17 solo performers (three singers, 10 instrumentalists, 4 dancer-mimes), actors, mimes, choir, orchestra, and electronic music. Tuesday is the red day of conflict between Michael and Lucifer. As was the case for most of the operas in the ''Licht'' cycle, component sections of were commissioned and composed separately, and given seriatim premieres. The first component of this opera was in fact the first part of the entire ''Licht'' cycle to be composed: ''Jahreslauf'' (Course of the Years), which became the first act of ''Dienstag'', was originally written in 1977 as an independent piece for gagaku ensemble. Stockhausen finished i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
In Freundschaft
''In Freundschaft'' (In friendship) is a composition by Karlheinz Stockhausen, number 46 in his catalogue of works. It is a serial composition for a solo instrument, first for clarinet, and later arranged by the composer for many other instruments, often in friendship to specific performers. ''In Freundschaft'' was first conceived in 1977 as a birthday present for clarinetist Suzanne Stephens, and was first performed at her birthday party in Aix-en-Provence on 28 July that year in a version for the flute. It was later reprised on other instruments as the composer adapted it to nearly every standard orchestral instrument at the request of performers. The work is an example of formula composition, with a basic motif first being presented and then varied in two contrasting, cyclical layers; interrupted by cadenzas. The work has been recorded multiple times, including under the supervision of its composer. Background The works by the prolific composer Karlheinz Stockhausen have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karlheinz Stockhausen
Karlheinz Stockhausen (; 22 August 1928 – 5 December 2007) was a German composer, widely acknowledged by critics as one of the most important but also controversial composers of the 20th and early 21st centuries. He is known for his groundbreaking work in electronic music, for introducing controlled chance ( aleatory techniques) into serial composition, and for musical spatialization. He was educated at the Hochschule für Musik Köln and the University of Cologne, later studying with Olivier Messiaen in Paris and with Werner Meyer-Eppler at the University of Bonn. One of the leading figures of the Darmstadt School, his compositions and theories were and remain widely influential, not only on composers of art music, but also on jazz and popular music. His works, composed over a period of nearly sixty years, eschew traditional forms. In addition to electronic music—both with and without live performers—they range from miniatures for musical boxes through works for sol ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacinto Scelsi
Giacinto Francesco Maria Scelsi (; 8 January 1905 – 9 August 1988, sometimes cited as 8 August 1988) was an Italian composer who also wrote surrealist poetry in French. He is best known for having composed music based around only one pitch, altered in all manners through microtonal oscillations, harmonic allusions, and changes in timbre and dynamics, as paradigmatically exemplified in his ''Quattro pezzi su una nota sola'' ("Four Pieces on a single note", 1959). This composition remains his most famous work and one of the few performed to significant recognition during his lifetime. His musical output, which encompassed all Western classical genres except scenic music, remained largely undiscovered even within contemporary musical circles during most of his life. Today, some of his music has gained popularity in certain postmodern composition circles, with pieces like his "Anahit" and his String Quartets rising to increased prominence. Scelsi collaborated with American comp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic Rzewski
Frederic Anthony Rzewski ( ; April 13, 1938 – June 26, 2021) was an American composer and pianist, considered to be one of the most important American composer-pianists of his time. His major compositions, which often incorporate social and political themes, include the minimalist ''Coming Together'' and the variation set ''The People United Will Never Be Defeated!'', which has been called "a modern classic". Early life and education Rzewski was born on April 13, 1938, in Westfield, Massachusetts, to parents of Polish and Jewish descent, and raised Catholic. He began playing piano at age 5 and attended Phillips Academy, Harvard, and Princeton, where his teachers included Randall Thompson, Roger Sessions, Walter Piston, and Milton Babbitt. In 1960, he went to Italy on a Fulbright grant, a trip which was formative in his future musical development. In addition to studying with Luigi Dallapiccola in Florence on a Fulbright scholarship he began a career as a performer of n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folke Rabe
Folke Rabe (28 October 1935 – 25 September 2017) was a Swedish composer. He was born in Stockholm and studied at the Royal College of Music, Stockholm, where his teachers included Karl-Birger Blomdahl, Ingvar Lidholm, György Ligeti and others. He died in Stockholm, aged 81. His works include the electronic drone pieces ''What??'' (also translated as "Was??") (1968), ''Basta'' for solo trombone (1982), ''Escalations'' for brass quintet (1988), ''Concerto for trombone: "All the Lonely People"'' (1989) featuring quotes from The Beatles' " [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Persichetti
Vincent Ludwig Persichetti (June 6, 1915 – August 14, 1987) was an American composer, teacher, and pianist. An important musical educator and writer, he was known for his integration of various new ideas in musical composition into his own work and teaching, as well as for training many noted composers in composition at the Juilliard School. His students at Juilliard included Philip Glass, Steve Reich, Bruce Adolphe, Louis Calabro, Moshe Cotel, Michael Jeffrey Shapiro, Laurie Spiegel, Kenneth Fuchs, Richard Danielpour, Lawrence Dillon, Peter Schickele, Lowell Liebermann, Robert Witt, Elena Ruehr, William Schimmel, Leonardo Balada, Gitta Steiner, Hank Beebe, Roland Wiggins, Randell Croley and Leo Brouwer. He also taught composition to Joseph Willcox Jenkins and conductor James DePreist at the Philadelphia Conservatory. Life Persichetti was born in Philadelphia, Pennsylvania, in 1915. Though neither of his parents was a musician, his musical education began early. P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alvin Lucier
Alvin Augustus Lucier Jr. (May 14, 1931 – December 1, 2021) was an American composer of experimental music and sound installations that explore acoustic phenomena and auditory perception. A long-time music professor at Wesleyan University in Middletown, Connecticut, Lucier was a member of the influential Sonic Arts Union, which included Robert Ashley, David Behrman, and Gordon Mumma. Much of his work is influenced by science and explores the physical properties of sound itself: resonance of spaces, phase interference between closely tuned pitches, and the transmission of sound through physical media. Early life Lucier was born in Nashua, New Hampshire, the son of Kathryn E. Lemery, a pianist, and Alvin Augustus Lucier, a lawyer who was Mayor of Nashua. He was educated in Nashua public and parochial schools and the Portsmouth Abbey School, Yale University and Brandeis University. In 1958 and 1959, Lucier studied with Lukas Foss and Aaron Copland at the Tanglewood Center ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Johnson (composer)
Tom Johnson (born November 18, 1939) is an American minimalist composer. Early life and career Tom Johnson was born in Greeley, Colorado, where he received a religious education at a Methodist church, which has influenced his work. He received two degrees from Yale, a B.A. (1961) and the M.Mus. (1967), after which he studied privately with Morton Feldman in New York. From 1971 to 1983 he was a music critic for The Village Voice, writing about new music, and an anthology of these articles was published in 1989 by Het Apollohuis under the title ''The Voice of New Music''. During this period he also composed four of his best known works: '' An Hour for Piano'' (1971), ''The Four-Note Opera'' (1972), ''Failing'' (1975) and ''Nine Bells'' (1979). After 15 years in New York, he moved to Paris where he lives with his wife, the artist Esther Ferrer. Johnson considers himself a minimalist composer, and was the first to apply this term to music in his article "The Slow-Motion Minimal Appr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
