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Tomb Of The Roman Soldier
The Tomb of the Soldier, also called the Tomb of the Roman Soldier, is one of the best-preserved tombs in the ancient city of Petra. Although its façade is its most recognizable feature—with three carved figures inset between columns—the tomb complex consists of several different architectural elements with varying degrees of preservation. In addition to the tomb façade, there is an associated courtyard, the remains of several two-story buildings, rock-cut rooms, a triclinium (or formal dining room), and several large cisterns. The main building phase of the tomb complex took place during the third quarter of the 1st century AD. Location The Tomb of the Soldier is located on the southeastern outskirts of the city center of Petra in the Wadi Farasa. Its geographic location—between the Wadi Farasa East and the path up to a major High Place of sacrifice—leads archaeologists to speculate that it may have acted as a territorial marker or gateway between the two spaces. D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roman Soldier Tomb Facade Petra Jordan1410
Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of ancient Rome *''Epistle to the Romans'', shortened to ''Romans'', a letter in the New Testament of the Christian Bible Roman or Romans may also refer to: Arts and entertainment Music *Romans (band), a Japanese pop group * ''Roman'' (album), by Sound Horizon, 2006 * ''Roman'' (EP), by Teen Top, 2011 *"Roman (My Dear Boy)", a 2004 single by Morning Musume Film and television *Film Roman, an American animation studio * ''Roman'' (film), a 2006 American suspense-horror film * ''Romans'' (2013 film), an Indian Malayalam comedy film * ''Romans'' (2017 film), a British drama film * ''The Romans'' (''Doctor Who''), a serial in British TV series People *Roman (given name), a given name, including a list of people and fictional characters *Roman (surname), including a list of people named Roman or Romans *Ῥωμαῖ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pediment
Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque. Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°). History The pediment is found in classical Greek templ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Contrapposto
''Contrapposto'' () is an Italian term that means "counterpoise". It is used in the visual arts to describe a human figure standing with most of its weight on one foot, so that its shoulders and arms twist off-axis from the hips and legs in the axial plane. First appearing in Ancient Greece in the early 5th century BCE, contrapposto is considered a crucial development in the history of Ancient Greek art (and, by extension, Western art), as it marks the first time in Western art that the human body is used to express a psychological disposition. The style was further developed and popularized by sculptors in the Hellenistic and Imperial Roman periods, fell out of use in the Middle Ages, and was later revived during the Renaissance. Michelangelo's statue of ''David'', one of the most iconic sculptures in the world, is a famous example of contrapposto. Definition Contrapposto was historically an important sculptural development, for its appearance marks the first time in Western ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triclinium Roman Soldier Tomb Complex Petra Jordan1412
A ''triclinium'' (plural: ''triclinia'') is a formal dining room in a Roman building. The word is adopted from the Greek ()—from (), "three", and (), a sort of couch or rather chaise longue. Each couch was sized to accommodate a diner who reclined on their left side on cushions while some household slaves served multiple courses brought from the ''culina'', or kitchen, and others entertained guests with music, song, or dance. The ''triclinium'' was characterized by three '' lecti'' (singular ''lectus'': bed or couch), called ''triclinares'' ("of the ''triclinium''"), on three sides of a low square table, whose surfaces sloped away from the table at about 10 degrees. Diners would recline on these surfaces in a semi-recumbent position. The fourth side of the table was left free, presumably to allow service to the table. Usually the open side faced the entrance of the room. In Roman-era dwellings, particularly wealthy ones, ''triclinia'' were common and the hosts and guest w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metope
In classical architecture, a metope (μετόπη) is a rectangular architectural element that fills the space between two triglyphs in a Doric frieze, which is a decorative band of alternating triglyphs and metopes above the architrave of a building of the Doric order. Metopes often had painted or sculptural decoration; the most famous example are the 92 metopes of the Parthenon marbles some of which depict the battle between the Centaurs and the Lapiths. The painting on most metopes has been lost, but sufficient traces remain to allow a close idea of their original appearance. In terms of structure, metopes may be carved from a single block with a triglyph (or triglyphs), or they may be cut separately and slide into slots in the triglyph blocks as at the Temple of Aphaea. Sometimes the metopes and friezes were cut from different stone, so as to provide color contrast. Although they tend to be close to square in shape, some metopes are noticeably larger in height or in w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Triglyph
Triglyph is an architectural term for the vertically channeled tablets of the Doric frieze in classical architecture, so called because of the angular channels in them. The rectangular recessed spaces between the triglyphs on a Doric frieze are called metopes. The raised spaces between the channels themselves (within a triglyph) are called ''femur'' in Latin or ''meros'' in Greek. In the strict tradition of classical architecture, a set of guttae, the six triangular "pegs" below, always go with a triglyph above (and vice versa), and the pair of features are only found in entablatures of buildings using the Doric order. The absence of the pair effectively converts a building from being in the Doric order to being in the Tuscan order. The triglyph is largely thought to be a tectonic and skeuomorphic representation in stone of the wooden beam ends of the typical primitive hut, as described by Vitruvius and Renaissance writers. The wooden beams were notched in three separate pla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Entablature
An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification. Overview The structure of an entablature varies with the orders of architecture. In each order, the proportions of the subdivisions (architrave, frieze, cornice) are defined by the proportions of the column. In Roman and Renaissance interpretations, it is usually approximately a quarter of the height of the column. V ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doric Order
The Doric order was one of the three orders of ancient Greek and later Roman architecture; the other two canonical orders were the Ionic and the Corinthian. The Doric is most easily recognized by the simple circular capitals at the top of columns. Originating in the western Doric region of Greece, it is the earliest and, in its essence, the simplest of the orders, though still with complex details in the entablature above. The Greek Doric column was fluted or smooth-surfaced, and had no base, dropping straight into the stylobate or platform on which the temple or other building stood. The capital was a simple circular form, with some mouldings, under a square cushion that is very wide in early versions, but later more restrained. Above a plain architrave, the complexity comes in the frieze, where the two features originally unique to the Doric, the triglyph and gutta, are skeuomorphic memories of the beams and retaining pegs of the wooden constructions that preceded sto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuirass
A cuirass (; french: cuirasse, la, coriaceus) is a piece of armour that covers the torso, formed of one or more pieces of metal or other rigid material. The word probably originates from the original material, leather, from the French '' cuirace'' and Latin word '' coriacea''. The use of the term "cuirass" generally refers to both the chest plate (or breastplate) and the back piece together; whereas a breastplate only protects the front, a cuirass protects both the front and the back. Description In Hellenistic and Roman times, the musculature of the male torso was idealized in the form of the muscle cuirass or "heroic cuirass" (in French the ''cuirasse esthétique'') sometimes further embellished with symbolic representation in relief, familiar in the Augustus of Prima Porta and other heroic representations in official Roman sculpture. As parts of the actual military equipment of classical antiquity, cuirasses and corsets of bronze, iron, or some other rigid substance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frieze
In architecture, the frieze is the wide central section part of an entablature and may be plain in the Ionic or Doric order, or decorated with bas-reliefs. Paterae are also usually used to decorate friezes. Even when neither columns nor pilasters are expressed, on an astylar wall it lies upon the architrave ("main beam") and is capped by the moldings of the cornice. A frieze can be found on many Greek and Roman buildings, the Parthenon Frieze being the most famous, and perhaps the most elaborate. This style is typical for the Persians. In interiors, the frieze of a room is the section of wall above the picture rail and under the crown moldings or cornice. By extension, a frieze is a long stretch of painted, sculpted or even calligraphic decoration in such a position, normally above eye-level. Frieze decorations may depict scenes in a sequence of discrete panels. The material of which the frieze is made of may be plasterwork, carved wood or other decorative me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Petra
Petra ( ar, ٱلْبَتْرَاء, Al-Batrāʾ; grc, Πέτρα, "Rock", Nabataean: ), originally known to its inhabitants as Raqmu or Raqēmō, is an historic and archaeological city in southern Jordan. It is adjacent to the mountain of Jabal Al-Madbah, in a basin surrounded by mountains forming the eastern flank of the Arabah valley running from the Dead Sea to the Gulf of Aqaba. The area around Petra has been inhabited from as early as 7000 BC, and the Nabataeans might have settled in what would become the capital city of their kingdom as early as the 4th century BC. Archaeological work has only discovered evidence of Nabataean presence dating back to the second century BC, by which time Petra had become their capital. The Nabataeans were nomadic Arabs who invested in Petra's proximity to the incense trade routes by establishing it as a major regional trading hub. The trading business gained the Nabataeans considerable revenue and Petra became the focus of their ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nabataean
The Nabataeans or Nabateans (; Nabataean Aramaic: , , vocalized as ; Arabic: , , singular , ; compare grc, Ναβαταῖος, translit=Nabataîos; la, Nabataeus) were an ancient Arab people who inhabited northern Arabia and the southern Levant. Their settlements—most prominently the assumed capital city of Raqmu (present-day Petra, Jordan)—gave the name ''Nabatene'' ( grc, Ναβατηνή, translit=Nabatēnḗ) to the Arabian borderland that stretched from the Euphrates to the Red Sea. The Nabateans emerged as a distinct civilization and political entity between the 4th and 2nd centuries BCE,Taylor, Jane (2001). ''Petra and the Lost Kingdom of the Nabataeans''. London: I.B.Tauris. pp. 14, 17, 30, 31. . Retrieved 8 July 2016. with their kingdom centered around a loosely controlled trading network that brought considerable wealth and influence across the ancient world. Described as fiercely independent by contemporary Greco-Roman accounts, the Nabataeans were annexed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
