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Tomb Of The Dancers
The Tomb of the Dancers or Tomb of the Dancing Women () is a Peucetian tomb in Ruvo di Puglia, Italy. It was discovered in the Corso Cotugno necropolis in November 1833. The date of its construction is uncertain, dates ranging from the end of the fifth century BC to the mid-fourth century BC have been proposed. In any case, the tomb's frescoes are the oldest example of figurative painting in Apulia, together with another tomb in Gravina di Puglia. The Peucetians borrowed the practice of painting tombs from the Etruscans, who had an important influence on their culture. The tomb is named after the dancing women which appear on the frescoes in the tomb. The panels with the frescoes are now exhibited in the Naples National Archaeological Museum, inv. 9353. Description The tomb has a semichamber design. Its six painted panels depict thirty or more dancing women, moving from left to right with arms interlocked as though they were dancing a circle around the interior of the tomb. The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Femmes Peucètes Dansant, Fresque
''Femme'' (; , literally meaning ) is a term traditionally used to describe a lesbian woman who exhibits a feminine identity or gender presentation. While commonly viewed as a lesbian term, alternate meanings of the word also exist with some non-lesbian individuals using the word, notably some gay men and bisexuals. Some non-binary and transgender individuals also identify as lesbians using this term. Heavily associated with lesbian history and culture, ''femme'' has been used among lesbians to distinguish traditionally feminine lesbians from their butch (i.e. masculine) lesbian counterparts and partners. Derived from American lesbian communities following World War II when women joined the workforce, the identity became a characteristic of the working-class lesbian bar culture of the 1940s–1950s. By the 1990s, the term ''femme'' had additionally been adopted by bisexual women. 1940s through 60s culture Scholars Heidi M. Levitt and Sara K. Bridges state that the te ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kantharos
A kantharos (; ) or cantharus () is a type of ancient Greek cup used for drinking. Although almost all surviving examples are in Greek pottery, the shape, like many Greek vessel types, probably originates in metalwork. In its iconic "Type A" form, it is characterized by its deep bowl, tall pedestal foot, and pair of high-swung handles which extend above the lip of the pot. The Greek words ''kotylos'' (κότῦλος, masculine) and ''kotyle'' (κοτύλη, feminine) are other ancient names for this same shape.. The kantharos is a cup used to hold wine, probably both for drinking and for ritual use in libations and offerings. The kantharos seems to be an attribute of Dionysus, the god of wine, who was associated with vegetation and fertility. As well as a banqueting cup, they could be used in pagan rituals as a symbol of rebirth or resurrection, the immortality offered by wine, "removing in moments of ecstasy the burden of self-consciousness and elevating man to the rank of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomb Of The Triclinium
The Tomb of the Triclinium () ). is an Etruscan tomb in the Necropolis of Monterozzi (near Tarquinia, Italy) dated to approximately 470 BC. The tomb is named after the Roman '' triclinium'', a type of formal dining room, which appears in the frescoes of the tomb. It has been described as one of the most famous of all Etruscan tombs. Since its discovery in 1830, the tomb's frescoes have deteriorated and lost some of their color and detail. In 1949 they were moved to the Tarquinia National Museum to conserve them. Thanks to watercolor copies made by Carlo Ruspi shortly after the tomb's discovery, it is still possible to see the frescoes in their former state. The artistic quality of the frescoes has been described as superior to many other Etruscan tombs, and is thought that the artist who decorated the tomb was a Greek metic. Description The tomb consists of a single room. The fresco on the back wall shows a banquet scene, borrowed from depictions of drinking scenes on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomb Of The Leopards
The Tomb of the Leopards (Italian: ''Tomba dei leopardi'') is an Etruscan burial chamber so called for the confronted leopards painted above a banquet scene. The tomb is located within the Necropolis of Monterozzi, near Tarquinia, Lazio, Italy, and dates to around 470–450 BC. The painting is one of the best-preserved murals of Tarquinia,Kleiner, ''A History of Roman Art'', p. xxxv. and is known for "its lively coloring, and its animated depictions rich with gestures," and is influenced by the Greek-Attic art of the first quarter of the fifth century BC. The banqueters are "elegantly dressed" male-female couples attended by two nude boys carrying serving implements. The women are depicted as fair-skinned and the men as dark, in keeping with the gender conventions established in Archaic Greece, Ancient Near East and Ancient Egypt. The arrangement of the three couples prefigures the triclinium of Roman dining. Musicians are pictured on the walls to the left and right of the ban ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomb Of The Diver
The Tomb of the Diver (), now in the museum at Paestum, Italy, is a frescoed tomb that dates to around 500 to 475 BCE, and is famous for the mysterious subject matter of the ceiling fresco, a lone diver leaping into a pool of water. The context of the tomb is disputed: there has been scholarly debate about whether the tomb was built by people from the nearby Greek settlement of "Poseidonia", now Paestum, or by an ancient Italic tribe living in the surrounding countryside. The tomb was built with five large stone slabs, each with a fresco attributed to one of two artists. The four walls are decorated with scenes of a symposium which is uncommon for a funerary context. Description The Tomb of the Diver is an archaeological monument, built in about 500 to 475 BCE and found by the Italian archaeologist Mario Napoli on 3 June 1968 during his excavation of a small necropolis about 1.5 km south of the Ancient Greece, Greek city of Paestum in Magna Graecia, in what is now southern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomb Of The Bulls
The Tomb of the Bulls () is an Etruscan civilization, Etruscan tomb in the Necropolis of Monterozzi near Tarquinia, Lazio, Italy. It was discovered in 1892 and has been dated back to either 540–530 BC or 530–520 BC. According to an inscription Arath Spuriana apparently commissioned the construction of the tomb. It is named after the two bulls which appear on one of its frescoes. It is the earliest example of a tomb with complex frescoes in the necropolis, and the stylistic elements are derived from Ionians, Ionian Greek culture. Along with the frescoes of the Tomb of the Whipping these paintings are relatively rare examples of explicit sexual scenes in Etruscan art, which were far more common in Ancient Greek art. Like other Etruscan tombs, it would originally have contained many grave goods, especially Etruscan pottery, now removed. Description The entrance to the tomb leads to the main chamber. The back wall of the main chamber is opposite to the entrance and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tomb Of The Augurs
The Tomb of the Augurs (Italian ''Tomba degli Àuguri'') is an Etruscan burial chamber so called because of a misinterpretation of one of the fresco figures on the right wall thought to be a Roman priest known as an augur. The tomb is located within the Necropolis of Monterozzi near Tarquinia, Lazio, Italy, and dates to around 530-520 BC. This tomb is one of the first tombs in Tarquinia to have figural decoration on all four walls of its main or only chamber.''A History of Roman Art'', Enhanced Edition, Wadsworth CENGAGE Learning, Boston, 2010 The wall decoration was frescoed between 530-520 BC by an Ionian Greek painter, perhaps from Phocaea, whose style was associated with that of the Northern Ionic workers active in Elmali. This tomb is also the first time a theme not of mythology, but instead depictions of funerary rites and funerary games are seen.''The Great Centuries of Painting: Etruscan Painting'', Second Edition, The World Publishing Company, Cleveland, 1952 Descri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italic Peoples
The concept of Italic peoples is widely used in linguistics and historiography of ancient Italy. In a strict sense, commonly used in linguistics, it refers to the Osco-Umbrian languages, Osco-Umbrians and Latino-Faliscan languages, Latino-Faliscans, speakers of the Italic languages, a subgroup of the Indo-European languages, Indo-European language family. In a broader sense, commonly used in historiography, all the ancient peoples of Italy are referred to as Italic peoples, including the non-Indo-European ones, as Rhaetian people, Rhaetians, Ligures and Etruscan civilization, Etruscans. As the Latins (Italic tribe), Latins achieved a dominant position among these tribes, by virtue of the expansion of the Ancient Rome, Roman civilization, the other Italic tribes adopted Latin language and culture as part of the process of Romanization (cultural), Romanization. Classification The Italics were an ethnolinguistic group who are identified by their use of the Italic languages, which ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Art
Etruscan art was produced by the Etruscan civilization in central Italy between the 10th and 1st centuries BC. From around 750 BC it was heavily influenced by Greek art, which was imported by the Etruscans, but always retained distinct characteristics. Particularly strong in this tradition were figurative sculpture in terracotta (especially life-size on sarcophagi or temples), wall-painting and metalworking especially in bronze. Jewellery and engraved gems of high quality were produced. Etruscan sculpture in cast bronze was famous and widely exported, but relatively few large examples have survived (the material was too valuable, and recycled later). In contrast to terracotta and bronze, there was relatively little Etruscan sculpture in stone, despite the Etruscans controlling fine sources of marble, including Carrara marble, which seems not to have been exploited until the Romans. The great majority of survivals came from tombs, which were typically crammed with sarcophag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Etruscan Architecture
Etruscan architecture was created between about 900 BC and 27 BC, when the expanding civilization of ancient Rome finally absorbed Etruscan civilization. The Etruscans were considerable builders in stone, wood and other materials of temples, houses, tombs and city walls, as well as bridges and roads. The only structures remaining in quantity in anything like their original condition are tombs and walls, but through archaeology and other sources we have a good deal of information on what once existed. From about 630 BC, Etruscan architecture was heavily influenced by Greek architecture, which was itself developing through the same period. In turn it influenced Roman architecture, which in its early centuries can be considered as just a regional variation of Etruscan architecture. But increasingly, from about 200 BC, the Romans looked directly to Greece for their styling, while sometimes retaining Etruscan shapes and purposes in their buildings. The main monumental forms of Etru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Lamp
An oil lamp is a lamp used to produce light continuously for a period of time using an oil-based fuel source. The use of oil lamps began thousands of years ago and continues to this day, although their use is less common in modern times. They work in the same way as a candle but with fuel that is liquid at room temperature, so that a container for the oil is required. A textile wick drops down into the oil, and is lit at the end, burning the oil as it is drawn up the wick. Oil lamps are a form of lighting, and were used as an alternative to candles before the use of electric lights. Starting in 1780, the Argand lamp quickly replaced other oil lamps still in their basic ancient form. These in turn were replaced by the kerosene lamp in about 1850. In small towns and rural areas the latter continued in use well into the 20th century, until such areas were finally Electrification, electrified and light bulbs could be used. Sources of fuel for oil lamps include a wide variety of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amphora
An amphora (; ; English ) is a type of container with a pointed bottom and characteristic shape and size which fit tightly (and therefore safely) against each other in storage rooms and packages, tied together with rope and delivered by land or sea. The size and shape have been determined from at least as early as the Neolithic Period. Amphorae were used in vast numbers for the transport and storage of various products, both liquid and dry, but mostly for wine. They are most often ceramic, but examples in metals and other materials have been found. Versions of the amphorae were one of many shapes used in Ancient Greek vase painting. The amphora complements a vase, the pithos, which makes available capacities between one-half and two and one-half tons. In contrast, the amphora holds under a half-ton, typically less than . The bodies of the two types have similar shapes. Where the pithos may have multiple small loops or lugs for fastening a rope harness, the amphora has two expa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
