Tomb Of John De Pitchford
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Tomb Of John De Pitchford
The Tomb of John De Pitchford is a 13th-century carved effigy and tomb chest in St Michael and All Angels’ Church, Pitchford, Shropshire, England.Fryer (1921), p. 14 Although little record survives of John De Pitchford's life apart from that he died in 1285. He is assumed to have been either a knight or sheriff.Tummers (1980), p. 21Fryer (1921), p. 54 His monument is positioned in the chancel of the church, and is made from solid oak, making it one of only three extant 13th-century English tombs retaining their original wooden elements.Tummers (1980), p. 30The other two are in Westminster Abbey and Salisbury Cathedral. See Tummers (1980), p. 30 Description De Pitchford's head rests on a flat and shallow cushion, and is dressed in garments that include a knee length surcoat.Tummers (1980), pp. 70—71 He holds a sword but his shield is now missing (the remnants of its holding strap can be seen on his left side).Tummers (1980), p. 76 The animal at his feet may be either a lion or ...
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Tomb Effigy
A tomb effigy (French language, French: ''gisant'' ("lying")) is a sculpted effigy of a deceased person usually shown lying recumbent on a rectangular slab, presented in full ceremonial dress or wrapped in a shroud, and shown either dying or shortly after death. Such Funerary art, funerary and commemorative reliefs were first developed in Ancient Egyptian and Etruscan civilization, Etruscan cultures, and appear most frequently in Western European tombs from the late 11th century, in a style that continued in use through the Renaissance and early modern period, and is still sometimes used. They typically represent the deceased in a state of "eternal repose", with hands folded in prayer, lying on a pillow, awaiting resurrection. A husband and wife may be depicted lying side by side. Medieval life-size recumbent effigies were first used for tombs of royalty and senior clerics, before spreading to the nobility. A particular type of late medieval effigy was the ''transi'', or cadaver ...
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Pitchford
Pitchford is a small village in the English county of Shropshire. It is located between Cantlop and Acton Burnell and stands on an affluent of the River Severn. Pitchford takes its name from a bituminous spring/pitch in the village, located near The Row Brook. It is home to Pitchford Hall, one of the most notable Elizabethan houses in Britain. The Church of St Michael and All Angels stands near to the house which contains a carved oak 13th century Tomb of John De Pitchford, effigy of Sir John de Pitchford. It is also the name for the civil parish. History Population Census data during the years 1881– 1961 shows that Pitchford's population decreased while the total population of England and Wales increased conversely. Housing information recorded through the years of 1831–1961 shows the number of houses in the area fluctuated between 35 and 43 houses during this time. Statistics from the 2001 census show that the number of households with residents was 44. In 2001, its tota ...
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Shropshire
Shropshire (; abbreviated SalopAlso used officially as the name of the county from 1974–1980. The demonym for inhabitants of the county "Salopian" derives from this name.) is a Ceremonial counties of England, ceremonial county in the West Midlands (region), West Midlands of England, on the England–Wales border, border with Wales. It is bordered by Cheshire to the north-east, Staffordshire to the east, Worcestershire to the south-east, Herefordshire to the south, and the Welsh principal areas of Powys and Wrexham County Borough, Wrexham to the west and north-west respectively. The largest settlement is Telford, while Shrewsbury is the county town. The county has an area of and a population of 498,073. Telford in the east and Shrewsbury in the centre are the largest towns. Shropshire is otherwise rural, and contains market towns such as Oswestry in the north-west, Market Drayton in the north-east, Bridgnorth in the south-east, and Ludlow in the south. For Local government i ...
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William De Valence, 1st Earl Of Pembroke
{{Infobox noble, name=William de Valence , christening_date= , noble family= , house-type= , father= Hugh X of Lusignan , mother= Isabella of Angoulême , birth_name= , birth_date={{c. 1227 , birth_place= , christening_place= , styles= , death_date=13 June 1296 , death_place= , burial_date= , burial_place= Westminster Abbey, occupation= , memorials= , website= , other_titles= , native_name= Guillaume de Lusignan , title=Earl of Pembroke , reign-type= , image=ShieldOfWilliamDeValence.jpg , caption=Heraldic shield of de Valence from his tomb in Westminster Abbey. Champlevee enamel with Diapering: ''Barry of argent and azure, an orle of martlets gules'' , alt= , CoA= , more=no , succession= , reign= , predecessor= , full name= , successor= , suc-type= , spouse= Joan de Munchensi , spouse-type=Wife , issue-type= , issue=6 , issue-link= , issue-pipe= , module=  William de Valence (died 13 June 1296), born Guillaume de Lusignan, was a French nobleman and knight who became important ...
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William Longespée, 3rd Earl Of Salisbury
William Longespée, 3rd Earl of Salisbury (In or before 11677 March 1226) ("Long Sword", Latinised to ''de Longa Spatha'') was an Anglo-Norman nobleman, primarily remembered for his command of the English forces at the Battle of Damme and for remaining loyal to his half-brother, King John, until shortly before John's death. His nickname "Longespée" is generally taken as a reference to his great physical height and the oversized weapons that he used. Early life William was an illegitimate son of Henry II, King of England. His mother was unknown for many years until the discovery of a charter William made that mentions "''Comitissa Ida, mater mea''" (Countess Ida, my mother). This referred to Ida de Tosny, a member of the prominent Tosny (or Toesny) family, who had married Roger Bigod, 2nd Earl of Norfolk in 1181. In 1188, William was recognized as son of King Henry II and received the honour of Appleby, Lincolnshire. Eight years later, his half brother King Richard I mar ...
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Surcoat
A surcoat or surcote is an outer garment that was commonly worn in the Middle Ages by soldiers. It was worn over armor to show insignia and help identify what side the soldier was on. In the battlefield the surcoat was also helpful with keeping the sun off the soldier and their armor which helped prevent heat stroke and heat exhaustion. The name derives from French language, French meaning "over the coat", a long, loose, often sleeveless coat reaching down to the feet. History Men's surcoat From about the late 12th century, knights wore long, flowing surcoats. From the early to mid 13th century, these were frequently emblazoned with their personal Coat of arms, arms, over their armour. These usually extended to about mid-calf, had slits in the bottom front and back, allowing the wearer to ride comfortably, and were either sleeved or sleeveless. Some historians believe that the practice of wearing white surcoats was adopted during the Crusades, their main purpose being to reflect ...
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Niche (architecture)
In architecture, a niche (Canadian English, CanE, or ) is a recess or cavity constructed in the thickness of a wall for the reception of decorative objects such as statues, busts, urns, and vases. In Classical architecture examples are an exedra or an apse that has been reduced in size, retaining the half-dome heading usual for an apse. In the first century B.C, there was no exact mention of niches, but rather a zotheca or small room. These rooms closely resemble alcoves similar to a niche but slightly larger. Different sizes and sculpture methods suggest the term niche was understood. Greeks and Romans especially, used niches for important family tombs. Etymology The word derives from the Latin (), via the French . The Italian ''Contrade of Siena#Nicchio (Seashell), nicchio'' () may also be involved in the origin of the word, as the traditional decoration for the top of a niche is a scallop shell, hence also the alternative term of semi-dome, "conch" for a semi-dome, usually ...
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Trefoil Arch
A trefoil arch, or three-foiled cusped arch (occasionally trilobite arch, no connection to an actual trilobite), is an arch incorporating the shape or outline of a trefoil – three overlapping circles. It has been widely used for its symbolic significance in Christian architecture. Trefoil arches are common in Gothic architecture for portals and decoration. Trefoil or "trilobed" arches are also a characteristic feature of decorated portals in late Fatimid architecture and Mamluk architecture in Egypt, from approximately the 12th to 16th centuries. File:Rampillon Saint-Éliphe 491.JPG, Trefoil arch in the choir of the parish Church of Saint-Eliphe (13th century), Rampillon, Seine-et-Marne ( Ile-de-France) File:Normandie Calvados Bayeux4 tango7174.jpg, Trefoil arches at the Bayeux Cathedral (11th century), Calvados, Normandy, France See also * Multifoil arch A multifoil arch (or polyfoil arch), also known as a cusped arch, polylobed arch, or scalloped arch, is an arch c ...
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Arch
An arch is a curved vertical structure spanning an open space underneath it. Arches may support the load above them, or they may perform a purely decorative role. As a decorative element, the arch dates back to the 4th millennium BC, but structural load-bearing arches became popular only after their adoption by the Ancient Romans in the 4th century BC. Arch-like structures can be horizontal, like an arch dam that withstands the horizontal hydrostatic pressure load. Arches are usually used as supports for many types of vaults, with the barrel vault in particular being a continuous arch. Extensive use of arches and vaults characterizes an arcuated construction, as opposed to the trabeated system, where, like in the architectures of ancient Greece, China, and Japan (as well as the modern steel-framed technique), posts and beams dominate. Arches had several advantages over the lintel, especially in the masonry construction: with the same amount of material it can have ...
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Heraldry
Heraldry is a discipline relating to the design, display and study of armorial bearings (known as armory), as well as related disciplines, such as vexillology, together with the study of ceremony, Imperial, royal and noble ranks, rank and genealogy, pedigree. Armory, the best-known branch of heraldry, concerns the design and transmission of the Achievement (heraldry), heraldic achievement. The achievement, or armorial bearings usually includes a coat of arms on a escutcheon (heraldry), shield, helmet (heraldry), helmet and Crest (heraldry), crest, together with any accompanying devices, such as supporters, Heraldic badge, badges, Heraldic flag, heraldic banners and mottoes. Although the use of various devices to signify individuals and groups goes back to Ancient history, antiquity, both the form and use of such devices varied widely, as the concept of regular, hereditary designs, constituting the distinguishing feature of heraldry, did not develop until the High Middle Ages. It i ...
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Buildings And Structures Completed In The 13th Century
A building or edifice is an enclosed structure with a roof, walls and windows, usually standing permanently in one place, such as a house or factory. Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for numerous factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the concept, see ''Nonbuilding structure'' for contrast. Buildings serve several societal needs – occupancy, primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical separation of the human habitat (a place of comfort and safety) from the ''outside'' (a place that may be harsh and harmful at times). buildings have been objects or canvasses of much artistic expression. In recent years, interest in sustainable planning and building practi ...
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