Together In Electric Dreams
"Together in Electric Dreams" is a song by the British singer and composer Philip Oakey and Italian composer and producer Giorgio Moroder. It was written by Oakey and Moroder and recorded for the original soundtrack of the film '' Electric Dreams'' (1984). It later formed part of the joint album '' Philip Oakey & Giorgio Moroder'', released in 1985. Released as a single in the United Kingdom in September 1984, it proved a major commercial success, even eclipsing the original film it was intended to promote. It reached No. 3 in the UK Singles Chart, staying in the charts for thirteen weeks. The single also hit the Australian Top 5, and had minor chart success in New Zealand and the Netherlands. The film ''Electric Dreams'' was director Steve Barron's first full feature film. Barron's prior work included conceiving and directing a number of innovative music videos during the beginning of the 1980s. His biggest success up to that point had been as director of the music video for T ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Giorgio Moroder
Giovanni Giorgio Moroder (, ; born 26 April 1940) is an Italian composer and music producer. Dubbed the "Honorific nicknames in popular music, Father of Disco", Moroder is credited with pioneering Euro disco and electronic dance music. His work with synthesizers had a significant influence on several music genres such as hi-NRG, Italo disco, synth-pop, new wave, house, and techno music. While in Munich in the 1970s, Moroder started Oasis Records, later a subdivision of Casablanca Records. He is the founder of the former Musicland Studios in Munich, a recording studio used by many artists including the Rolling Stones, Electric Light Orchestra, Led Zeppelin, Deep Purple, Queen (band), Queen, and Elton John. He produced singles for Donna Summer during the mid-to-late 1970s disco era, including "Love to Love You Baby (song), Love to Love You Baby", "I Feel Love", "Last Dance (Donna Summer song), Last Dance", "MacArthur Park (song)#Donna Summer version, MacArthur Park", "Hot Stuff (D ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Human League
The Human League are an English synth-pop band formed in Sheffield in 1977. Initially an experimental electronic music, electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album ''Dare (album), Dare'' in 1981 after restructuring their lineup. The album contained four hit singles, including the UK/US number one hit "Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including "Mirror Man (The Human League song), Mirror Man", "(Keep Feeling) Fascination", "The Lebanon (song), The Lebanon", "Human (The Human League song), Human" (a second US No. 1) and "Tell Me When". The only constant band member since 1977 has been lead singer and songwriter Philip Oakey. Keyboard players Martyn Ware and Ian Craig Marsh both left the band in 1980 to form Heaven 17, leaving Oakey and Philip Adrian WAdrian Wrigh ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Huddersfield Daily Examiner
The ''Huddersfield Daily Examiner'' is an English local daily evening newspaper covering news and sport from Huddersfield, England, and its surrounding areas. History The first edition was published as a weekly, starting on 6 September 1851, as the ''Huddersfield & Holmfirth Examiner'', although the 'Holmfirth' was dropped from the title two years later. The newspaper has been published as a daily since 28 January 1871 when journalists on the title worked all weekend in order to forestall a rival and become the town's first daily paper. Since 1999 it has been part of the Trinity Mirror group, which is now known as Reach plc and is the largest newspaper publisher in the United Kingdom. The ''Examiner'' lays claim to a notable first in regional British journalism, as the first provincial UK newspaper to employ a woman journalist, in 1888. Recent developments ''Examiner'' journalist Adrian Sudbury was given recognition during his battle with terminal leukaemia between 2006 a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Number One (magazine)
''Number One'', initially rendered as ''No. 1'', was a British magazine dealing with pop music. It ran for nine years and was aimed at a mainly teenage market. Overview The magazine was published weekly and ran from 7 May 1983 to February 1992. It was intended as direct competition to ''Smash Hits'', which was at its peak at the time. Although ''No. 1'' contained fewer pages and less colour (at a similar price), the magazine claimed "our strength is our weekliness". One of the most popular aspects was that it published the singles and albums charts every week (obviously not possible for the fortnightly ''Smash Hits''). As the magazine was an IPC publication, it initially used the Top 75 singles & albums from its sister title, the ''NME''. However, in 1985 it started publishing the MRIB (Media Research Information Bureau) Network Chart, as used for Independent Local Radio's Sunday chart show. From October 1990, the CIN (Gallup) Top 75 Chart was used as BBC Magazines took ov ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Cameo Appearance
A cameo appearance, also called a cameo role and often shortened to just cameo (), is a brief guest appearance of a well-known person or character in a work of the performing arts. These roles are generally small, many of them non-speaking ones, and are commonly either appearances in a work in which they hold some special significance (such as actors from an original movie appearing in its remake) or renowned people making uncredited appearances. Short appearances by celebrities, film directors, politicians, athletes or musicians are common. A crew member of the movie or show playing a minor role can be referred to as a cameo role as well, such as director Alfred Hitchcock who made frequent cameo appearances in his films. Concept Originally, in the 1920s, a "cameo role" meant "a small character part that stands out from the other minor parts". The ''Oxford English Dictionary'' connects this with the meaning "a short literary sketch or portrait", which is based on the lite ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Leo The Lion (MGM)
Leo the Lion is the mascot for the Cinema of the United States, Hollywood film studio Metro-Goldwyn-Mayer; its former sister company MGM Resorts; and its predecessor Goldwyn Pictures. The iconic logo was created by artist Lionel S. Reiss, who served as art director at Paramount Pictures. Since 1917, and through the time Metro-Goldwyn-Mayer was formed in 1924 by the merger of Marcus Loew's Metro Pictures, Samuel Goldwyn's Goldwyn Pictures and Louis B. Mayer's company, several different lions have been used for the MGM logo. Although MGM has referred to all of the lions used in their trademark as "Leo the Lion", only the lion in use since 1957 was actually named "Leo". In 2021, MGM debuted a new logo which utilizes a CGI-animated render of Leo. This version of the logo remains in use as of 2023 by Amazon MGM Studios, mainly for film productions following their acquisition of the studio in 2022. History Goldwyn Pictures lions (1917–1924) The lion was chosen as the company's m ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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LinnDrum
The LinnDrum, often erroneously referred to as the LM-2, is a drum machine manufactured by Linn Electronics between 1982 and 1985. About 5,000 units were sold. Development The LinnDrum was designed by the American engineer Roger Linn. It was cheaper and more widely produced than his first drum machine, the Linn LM-1, which had been affordable only to wealthy musicians and studios. Release The LinnDrum sold far more units than the Linn LM-1 and its successor, the Linn 9000, combined. It was used by artists and producers including Trevor Horn, Stock Aitken Waterman, Sandy Vee, Justin Hayward, and Michael Jackson Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American singer, songwriter, dancer, and philanthropist. Dubbed the "King of Pop", he is regarded as Cultural impact of Michael Jackson, one of the most culturally significan .... When Linn Electronics closed in 1986, Forat Electronics purchased its assets and offered service, sounds, and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Roland Jupiter-8
The Jupiter-8, or JP-8, is an eight-voice polyphonic analog subtractive synthesizer introduced by Roland Corporation in early 1981. The Jupiter-8 was Roland's flagship synthesizer for the first half of the 1980s. Approximately 3,300 units have been produced. Although it lacked the soon-to-be standard of MIDI control, later production series of the Jupiter-8 did include Roland's proprietary Digital Control Bus, DCB interface. The instrument had many advanced features for its time, including the ability to split the Electric keyboard, keyboard into two zones, with separate patch (synthesizer), patches active on each zone. Two years after the release of the Jupiter-8, Roland released the more affordable Roland Jupiter-6, Jupiter-6 synthesizer with built-in MIDI control but an otherwise slightly reduced set of features. In 2011, three decades after the release of the original Jupiter series, Roland released the fully digital Roland Jupiter-80, Jupiter-80 and Roland Jupiter-50, Jupi ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tempo
In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given musical composition, composition, and is often also an indication of the composition's character or atmosphere. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and, if a specific metrical pace is desired, is usually measured in beat (music), beats per minute (bpm or BPM). In modern classical compositions, a "metronome mark" in beats per minute, indicating only measured speed and not any form of expression, may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in bpm. Tempo (the underlying pulse of the music) is one of the three factors that give a piece of music its texture (music), texture. The others are meter (music), meter, which is indicated by a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Common-time
A time signature (also known as meter signature, metre signature, and measure signature) is an indication in music notation that specifies how many note values of a particular type fit into each measure ( bar). The time signature indicates the meter of a musical movement at the bar level. In a music score the time signature appears as two stacked numerals, such as (spoken as ''four–four time''), or a time symbol, such as (spoken as ''common time''). It immediately follows the key signature (or if there is no key signature, the clef symbol). A mid-score time signature, usually immediately following a barline, indicates a change of meter. Most time signatures are either simple (the note values are grouped in pairs, like , , and ), or compound (grouped in threes, like , , and ). Less common signatures indicate complex, mixed, additive, and irrational meters. Time signature notation Most time signatures consist of two numerals, one stacked above the other: * The ''l ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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E-flat Major
E-flat major is a major scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has three flats. Its relative minor is C minor, and its parallel minor is E minor, (or enharmonically D minor). The E-flat major scale is: Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The E-flat harmonic major and melodic major scales are: Scale degree chords The scale degree chords of E-flat major are: * Tonic – E-flat major * Supertonic – F minor * Mediant – G minor * Subdominant – A-flat major * Dominant – B-flat major * Submediant – C minor * Leading-tone – D diminished Characteristics The key of E-flat major is often associated with bold, heroic music, in part because of Ludwig van Beethoven's usage. His ''Eroica Symphony'', ''Emperor Concerto'' and ''Grand Sonata'' are all in this key. Beethoven's (hypothetical) 10th Symphony is also in E-flat. B ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Key (music)
In music theory, the key of a piece is the group of pitches, or scale, that forms the basis of a musical composition in Western classical music, jazz music, art music, and pop music. A particular key features a '' tonic (main) note'' and its corresponding '' chords'', also called a ''tonic'' or ''tonic chord'', which provides a subjective sense of arrival and rest. The tonic also has a unique relationship to the other pitches of the same key, their corresponding chords, and pitches and chords outside the key. Notes and chords other than the tonic in a piece create varying degrees of tension, resolved when the tonic note or chord returns. The key may be in the major mode, minor mode, or one of several other modes. Musicians assume major when this is not specified; for example, "this piece is in C" implies that the key of the piece is C major. Popular songs and classical music from the common practice period are usually in a single key; longer pieces in the classical repe ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |