|
Timeline Of Shakespeare Criticism
This article is a collection of quotations and other comments on English playwright William Shakespeare and his works. Shakespeare enjoyed recognition in his own time, but in the 17th century, some poets and authors began to consider him as the supreme dramatist and poet of all times of the English language. No other dramatist has been performed even remotely as often on the British (and later the world) stage as Shakespeare. Editors and critics have studied the dramatic performances of his texts as well as the language of Shakespeare. His works are read and studied not only by poets and authors, but also by psychoanalysts, psychologists and philosophers. 17th century Ben Jonson, 1630: "I remember the players have often mentioned it as an honor to Shakespeare, that in his writing, whatsoever he penned, he never blotted out a line. My answer hath been, 'Would he had blotted a thousand,' which they thought a malevolent speech. I had not told posterity this but for their ignora ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Dennis (dramatist)
John Dennis (16 September 1658 – 6 January 1734) was an English critic and dramatist. Life He was born in the parish of St Andrew Holborn, London, in 1658. He was educated at Harrow School and Caius College, Cambridge, where he took his B.A. degree in 1679. In the next year he was fined and dismissed from his college for having wounded a fellow student with a sword. He was, however, received at Trinity Hall, where he took his M.A. degree in 1683. After travelling in France and Italy, he settled in London, where he became acquainted with Dryden, and close to Wycherley, Congreve and the leading literary figures of his day; and being made temporarily independent by inheriting a small fortune, he devoted himself to literature. The Duke of Marlborough procured him a place as one of the queen's waiters in the customs with a salary of £20 a year. This he afterwards disposed of for a small sum, retaining, at the suggestion of Lord Halifax, a yearly charge upon it for a long t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Literary Criticism
Literary criticism (or literary studies) is the study, evaluation, and interpretation of literature. Modern literary criticism is often influenced by literary theory, which is the philosophical discussion of literature's goals and methods. Though the two activities are closely related, literary critics are not always, and have not always been, theorists. Whether or not literary criticism should be considered a separate field of inquiry from literary theory is a matter of some controversy. For example, the ''Johns Hopkins Guide to Literary Theory and Criticism'' draws no distinction between literary theory and literary criticism, and almost always uses the terms together to describe the same concept. Some critics consider literary criticism a practical application of literary theory, because criticism always deals directly with particular literary works, while theory may be more general or abstract. Literary criticism is often published in essay or book form. Academic literar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy
Comedy is a genre of fiction that consists of discourses or works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium. The term originated in ancient Greece: in Athenian democracy, the public opinion of voters was influenced by political satire performed by comic poets in theaters. The theatrical genre of Greek comedy can be described as a dramatic performance pitting two groups, ages, genders, or societies against each other in an amusing ''agon'' or conflict. Northrop Frye depicted these two opposing sides as a "Society of Youth" and a "Society of the Old". A revised view characterizes the essential agon of comedy as a struggle between a relatively powerless youth and the societal conventions posing obstacles to his hopes. In this struggle, the youth then becomes constrained by his lack of social authority, and is left with little choice but to resort to ruses w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Plays Of William Shakespeare ''The Plays of William Shakespeare'' was an 18th-century edition of the dramatic works of William Shakespeare, edited by Samuel Johnson and George Steevens. Johnson announced his intention to edit Shakespeare's plays in his ''Miscellaneous Observations on Macbeth'' (1745), and a full ''Proposal'' for the edition was published in 1756. The edition was finally published in 1765. In the "Preface" to his edition, Johnson justifies trying to determine the original language of the Shakespearean plays. To benefit the reading audience, he added explanatory notes to various passages. Later editors followed Johnson's lead and sought to determine an authoritative text of Shakespeare. Background Johnson began reading Shakespeare's plays and poetry when he was a young boy. He would involve himself so closely with the plays that he was once terrified by the Ghost in '' Hamlet'' and had to "have people about him". Johnson's fascination with Shakespeare continued throughout his life, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> John Dennis (dramatist)")
