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Thierri De Soissons
Raoul de Soissons (1210/15 – c. 1270) was a French nobleman, Crusader, and trouvère. He was the second son of Raoul le Bon, Count of Soissons, and became the Sire de Coeuvres in 1232. Raoul participated in three Crusades. Life In 1239, Raoul joined his lord Peter I, Duke of Brittany, on the crusade of King Theobald I of Navarre. There, he and Peter split off from the main army, split their force in half, and successfully conducted a cattle raid against a Muslim caravan. During a sojourn in the Kingdom of Cyprus he met and wed Alice (died 1246), the queen-mother and a claimant to the Kingdom of Jerusalem, in 1241. In 1243 he returned to France, but joined the Seventh Crusade led by Louis IX in 1248. He is last mentioned on the Eighth Crusade in 1270, and it is usually assumed that he died on that expedition. Songs Raoul composed the ''jeu parti'' "Sir, loez moi a loisir" with Theobald of Navarre. He also dedicated his "Rois de Navare et sire de Vertu" ('King of Navarre a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Nobility
The French nobility () was an Aristocracy, aristocratic social class in France from the France in the Middle Ages, Middle Ages until its abolition on 23 June 1790 during the French Revolution. From 1808 to 1815 during the First French Empire, First Empire the Emperor Napoleon, Napoléon bestowed titles that were recognized as a new nobility by the Charter of 1814, Charter of 4 June 1814 granted by List of French monarchs, King Louis XVIII of France. From 1814 to 1848 (Bourbon Restoration in France and July Monarchy) and from 1852 to 1870 (Second French Empire) the French nobility was restored as a hereditary distinction without any privileges and new hereditary titles were granted. Since the beginning of the French Third Republic on 4 September 1870 the French nobility has no legal existence and status. However, the former authentic titles transmitted regularly can be recognized as part of the name after a request to the Department of Justice. Families of the French nobility c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Envoi
Envoi or envoy in poetry is used to describe: * A short stanza at the end of a poem such as a ballad, used either to address an imagined or actual person or to comment on the preceding body of the poem. * A dedicatory poem about sending the book out to readers, a postscript."envoy, n.1". OED Online. September 2019. Oxford University Press. https://www-oed-com.ezp.lib.unimelb.edu.au/view/Entry/63102?redirectedFrom=envoi (accessed October 31, 2019). * Any poem of farewell, including a farewell to life. The word ''envoy'' or ''l'envoy'' comes from the Old French, where it means '[the] sending forth'. Originally it was a stanza at the end of a longer poem, which included a dedication to a patron or individual, similar to a Tornada (Occitan literary term), tornada. More recent examples are dedicatory poems as part of a collection, or an individual poem about farewell or moving on. Envoi is both a type of poem, and is often used as a title. Form The envoi is relatively fluid in form. I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theodore Karp
Theodore Cyrus Karp (17 July 1926 – 5 November 2015) was an American musicologist. His principal area of study was Secular music, mainly mediaeval monophony, especially the music of the trouvères. He was a major contributor in this area to the ''Grove Dictionary of Music and Musicians''. Biography Born in New York, New York, he attended Queens College of the City University of New York, where he received his B.A. in 1947. He later attended the Juilliard School of Music and, from 1949 to 1950, the Catholic University of Leuven. He returned to New York University, where he studied under Curt Sachs and Gustave Reese. He received his PhD from New York University in 1960. In 1963 he was taken on as a faculty member by the University of California at Davis and in 1971 became a music professor. He moved to Northwestern University in 1973, where he was dean of the department until 1988 and a professor until his retirement in 1996. Besides trouvère monophony, Karp wrote articles on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' ( ; usually abbreviated fl. or occasionally flor.; from Latin for 'flourished') denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are Will (law), wills Attestation clause, attested by John Jones in 1204 and 1229, as well as a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)", even though Jones was born before ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mensural Notation
Mensural notation is the musical notation system used for polyphony, polyphonic European vocal music from the late 13th century until the early 17th century. The term "mensural" refers to the ability of this system to describe precisely measured rhythmic durations in terms of numerical proportions amongst note values. Its modern name is derived from the terminology of medieval theorists, who used terms like ''musica mensurata'' ("measured music") or ''cantus mensurabilis'' ("measurable song") to refer to the rhythmically defined polyphonic music of their age, as opposed to ''musica plana'' or ''musica choralis'', i.e., Gregorian plainchant. Mensural notation was employed principally for compositions in the tradition of vocal polyphony, whereas plainchant retained its own, older system of neumes, neume notation throughout the period. Besides these, some solely instrumental music could be written in various forms of instrument-specific tablature notation. Mensural notation grew o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bar Form
Bar form (German: ''die Barform'' or ''der Bar'') is a musical form of the pattern AAB. Original use The term comes from the rigorous terminology of the Meistersinger guilds of the 15th to 18th century who used it to refer to their songs and the songs of the predecessors, the Minnesang, minnesingers of the 12th to 14th century. In their work, a ''Bar'' is not a single stanza (which they called a ''Liet'' or ''Gesätz''); rather, it is the whole song. The word ''Bar'' is most likely a shortening of ''Barat'', denoting a skillful thrust in fencing. The term was used to refer to a particularly artful song – the type one composes in songwriters' guilds. The AAB pattern does, however, describe each stanza in a Meistersinger's ''Bar'', which is divided into two ''Stollen'' (A), which are collectively termed the ''Aufgesang'', followed by an ''Abgesang''. The musical form thus contains two repetitions of one melody (''Stollen'' – 'stanzas') followed by a different melody (''Abgesang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jaque De Cambrai
Jacques de Cambrai (''fl. c.'' 1260–80), sometimes Jaque or Jaikes, was a trouvère from Cambrai. He composed four '' chansons courtoises'', one ''pastourelle'', six devotional ''chansons'', and one Marian '' rotrouenge''. The Berne manuscript preserves all his works, nine of them uniquely. In addition, a chanson and the pastourelle are preserved in the manuscript Oxford Douce 308 and one of the devotional songs is also copied in two other sources.See Rivière, ed. 1978, p13. The Berne manuscript notes that his ''Haute dame, com rose et lis'' was modelled on (i.e. a contrafactum of) ''Ausi com l'unicorne sui'' by Theobald I of Navarre and ''Mere, douce creature'' on ''Quant voi la glaie meure'' by Raoul de Soissons. Otherwise none of his music survives, though staves for its transcription were prepared. Of all Jacques's works, only his ''rotrouenge'', the ''Retrowange novelle'', has no model mentioned in the manuscripts; its rubric reads only "Jaikes de Cambrai—De Notre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adam De La Bassée
Adam de la Bassée (died 25 February 1286) was a canon of the collegiate church of Saint Pierre in Lille, and a poet and musician associated with the circle of trouvères around Arras. Around 1280, he composed the ''Ludus super Anticlaudianum'' ("Play on the ''Anticlaudianus''"), a rhyming paraphrase of Alain de Lille's poem ''Anticlaudianus''. The ''Ludus'' is conserved in one known manuscript, ''F-Lm'' 316 in the Bibliothèque Municipale Jean Levy in Lille, which may be in part a work of Adam's own hand.Hughes, "Adam de la Bassée". Adam's influence can be seen in the ''romans'' composed around Lille, and possibly also in the ''Jeu de Robin et Marion'', written by Adam de la Halle after he left Arras in 1283. The form of the ''Ludus'', "a comprehensive musical anthology ... in which almost every contemporary sacred and secular style is represented", may have been copied directly for the ''Roman de Fauvel'', composed around 1316. Adam was probably not advanced in age when he died, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles I Of Naples
Charles I (early 1226/12277 January 1285), commonly called Charles of Anjou or Charles d'Anjou, was King of Sicily from 1266 to 1285. He was a member of the royal Capetian dynasty and the founder of the House of Anjou-Sicily. Between 1246 and 1285, he was Count of Provence and County of Forcalquier, Forcalquier in the Holy Roman Empire and Count of Anjou and Count of Maine, Maine in France. In 1272 he was proclaimed Kingdom of Albania (medieval), King of Albania, in 1277 he purchased a claim to the Kingdom of Jerusalem, and in 1278 he became Prince of Achaea after the previous ruler, William of Villehardouin, died without heirs. The youngest son of Louis VIII of France and Blanche of Castile, Charles was destined for a Church career until the early 1240s. He acquired Provence and Forcalquier through his marriage to their heiress, Beatrice of Provence, Beatrice. His attempts to restore central authority brought him into conflict with his mother-in-law, Beatrice of Savoy, and th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chansonnier
A chansonnier (, , Galician and , or ''canzoniéro'', ) is a manuscript or printed book which contains a collection of chansons, or polyphonic and monophonic settings of songs, hence literally " song-books"; however, some manuscripts are called chansonniers even though they preserve the text but not the music, for example, the Cancioneiro da Vaticana and Cancioneiro da Biblioteca Nacional, which contain the bulk of Galician-Portuguese lyrics. The most important chansonniers contain lyrics, poems and songs of the troubadours and trouvères used in the medieval music. Prior to 1420, many song-books contained both sacred and secular music, one exception being those containing the work of Guillaume de Machaut. Around 1420, sacred and secular music was segregated into separate sources, with large choirbooks containing sacred music, and smaller chansonniers for more private use by the privileged. Chansonniers were compiled primarily in France, but also in Italy, Germany and in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
