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Theatre Of Tragedy
Theatre of Tragedy was a Norwegian band from Stavanger, active between 1993 and 2010. They are best known for their earlier albums, which influenced the gothic metal genre. History Formation (1993) Theatre of Tragedy was founded on 2 October 1993 by vocalist Raymond István Rohonyi, guitarists Pål Bjåstad and Tommy Lindal. Drummer Hein Frode Hansen had recently quit his former band Phobia and started looking for a new musical project to play in. A friend of his told Hein that a band called Suffering Grief was looking for a new drummer, and after contacting them, he joined the band. At the time, Suffering Grief was composed of vocalist Raymond István Rohonyi and guitarists Pål Bjåstad and Tommy Lindal. No bassist had joined the band yet, but Eirik T. Saltrø had agreed to play with them in live concerts. After finding a rehearsal place, the band decided to work upon a couple of piano arrangements composed by Lorentz Aspen. The vocals, at the time, were almost entirely compos ...
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Stavanger
Stavanger, officially the Stavanger Municipality, is a city and municipalities of Norway, municipality in Norway. It is the third largest city and third largest metropolitan area in Norway (through conurbation with neighboring Sandnes) and the administrative center of Rogaland county. The municipality is the fourth most populous in Norway. Located on the Stavanger Peninsula in southwest Norway, Stavanger counts its official founding year as 1125, the year the Stavanger Cathedral was completed. Stavanger's core is to a large degree 18th- and 19th-century wooden houses that are protected and considered part of the city's cultural heritage. This has caused the town center and inner city to retain a small-town character with an unusually high ratio of detached houses, and has contributed significantly to spreading the city's population growth to outlying parts of Greater Stavanger. The city's population rapidly grew in the late 20th century due to its oil industry. Stavanger is know ...
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Piano
A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament. A musician who specializes in piano is called a pianist. There are two main types of piano: the #Grand, grand piano and the #Upupright piano. The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a Bridge (instrument), bridge to a Soundboard (music), soundboard that amplifies the sound by Coupling (physics), coupling the Sound, acoustic energy t ...
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Assembly (Theatre Of Tragedy Album)
''Assembly'' is the fifth studio album by the Norwegian metal band Theatre of Tragedy, released in 2002. It continued the group's move from gothic to a more electronic and pop style of music. This style was described as similar to "Siouxsie and the Banshees jamming with Ace of Base". ''Assembly'' was the last Theatre of Tragedy album featuring the vocals of Liv Kristine. According to Kristine the band fired her by email, citing musical differences. While '' Musique'' themes mentioned radios, streetfighting and nightlife, the songs on ''Assembly'' generally focus more on people than technology, such as in "Play" and "Let You Down". The album's modern setting is still emphasised by "Automatic Lover", which refers to modern nightlife, and "Universal Race", which uses space travel as a metaphor for sexual intercourse. A limited edition of the album contains the cover of " You Keep Me Hangin' On" as bonus track. The song was originally a hit by The Supremes and was also made fa ...
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Early Modern English
Early Modern English (sometimes abbreviated EModEFor example, or EMnE) or Early New English (ENE) is the stage of the English language from the beginning of the Tudor period to the English Interregnum and Restoration, or from the transition from Middle English, in the late 15th century, to the transition to Modern English, in the mid-to-late 17th century. Before and after the accession of James I to the English throne in 1603, the emerging English standard began to influence the spoken and written Middle Scots of Scotland. The grammatical and orthographical conventions of literary English in the late 16th century and the 17th century are still very influential on modern Standard English. Most modern readers of English can understand texts written in the late phase of Early Modern English, such as the '' King James Bible'' and the works of William Shakespeare, and they have greatly influenced Modern English. Texts from the earlier phase of Early Modern English, suc ...
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Musique (album)
''Musique'' is the fourth studio album by the Norwegian metal band Theatre of Tragedy, released in 2000. The title on the album's cover, , is the pronunciation of the English word "music" transcribed in the International Phonetic Alphabet. ''Musique'' is the album that marked for the band the change from gothic metal with Early Modern English lyrics to a more electronic style, using Modern English. The change in musical direction for Theatre of Tragedy was associated with a change from traditional gothic and supernatural themes to lyrics based on modern life, including technology ("Machine", "Radio"), nightlife ("Image", "The New Man") and streetfighting ("Crash/Concrete"). The song "Commute" has the line "It's more fun to commute" in its lyrics, possibly a reference to Kraftwerk's "It's More Fun to Compute" from their '' Computer World'' album, which in turn is a reference to "It's more fun to compete" found on old pinball machines. Metal Mind Productions reissued the albu ...
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Extended Play
An extended play (EP) is a Sound recording and reproduction, musical recording that contains more tracks than a Single (music), single but fewer than an album. Contemporary EPs generally contain up to eight tracks and have a playing time of 15 to 30 minutes. An EP is usually less cohesive than an album and more "non-committal". An extended play (EP) originally referred to a specific type of 45 revolutions per minute, rpm phonograph record other than 78 rpm standard play (SP) and 33 rpm LP record, long play (LP), but , also applies to mid-length Compact disc, CDs and Music download, downloads. EPs are considered "less expensive and less time-consuming" for an artist to produce than an album, and have long been popular with punk and indie bands. In K-pop and J-pop, they are usually referred to as Mini-LP, mini-albums. Background History EPs were released in various sizes in different eras. The earliest multi-track records, issued around 1919 by Grey Gull Records, were Vertic ...
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A Rose For The Dead
''A Rose for the Dead'' is an EP released by the Norwegian gothic metal band Theatre of Tragedy in 1997. It was the band's last release using the doom metal-influenced sound that Theatre of Tragedy had originally adopted. "A Rose for the Dead" and "Der Spiegel" are leftovers from the '' Velvet Darkness They Fear '' recording sessions, which were completed after the release of that album. "As the Shadows Dance" is the English-sung version of the single " Der Tanz der Schatten", while the remixes involved the electro-industrial musician Bruno Kramm of the German duo Das Ich. Finally, "Decades" is a cover version of a Joy Division song, which Theatre of Tragedy had recorded for a Norwegian tribute album. Track listing Personnel Theatre of Tragedy *Raymond Rohonyi - vocals *Liv Kristine Espenæs - vocals *Tommy Lindal - guitars *Geir Flikkeid - guitars (he had already left the band at time of publication) *Lorentz Aspen - keyboards *Eirik T. Saltrø - bass *Hein Frode Hansen - drum ...
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Velvet Darkness They Fear
''Velvet Darkness They Fear'' is the second studio album by the Norwegian gothic metal band Theatre of Tragedy. It was released in 1996 by Massacre Records. The album was issued in the US by Century Media Records in 1997. In 2021, it was elected by ''Metal Hammer'' as the 14th best symphonic metal album of all time. Music ''Velvet Darkness They Fear'' continued Theatre of Tragedy's particular brand of gothic metal, first heard in their first album, ''Theatre of Tragedy'', defined by alternating and occasionally overlapping male death growls and sung female vocals. This style, which was copied later by many metal bands, is generally known as 'Beauty and the Beast'. ''Velvet Darkness They Fear'' also continued the use of Raymond Rohonyi's Early Modern English lyrics. "Der Tanz der Schatten", which is written in German, is the exception. The songs themselves rarely have a clear story, but death, undeath, demons and similar supernatural elements are all prominent. The lyrics t ...
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Theatre Of Tragedy (album)
''Theatre of Tragedy'' is the first studio album by the Norwegian gothic metal band Theatre of Tragedy. The album was issued in the US by Century Media Records in 1998. Track listing Personnel Theatre of Tragedy *Raymond I. Rohonyi – vocals, lyrics *Liv Kristine – vocals *Pål Bjåstad – guitar *Tommy Lindal – guitar *Eirik T. Saltrø – bass guitar *Lorentz Aspen – keyboards *Hein Frode Hansen – drums Guest musicians *Anders Måreby – cello on tracks 4 and 5 Production *Dan Swanö – engineering Engineering is the practice of using natural science, mathematics, and the engineering design process to Problem solving#Engineering, solve problems within technology, increase efficiency and productivity, and improve Systems engineering, s ..., mixing with Theatre of Tragedy References External links * Theatre of Tragedy albums 1995 debut albums Massacre Records albums {{1990s-death-metal-album-stub ...
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Demo (music)
A demo (shortened from "demonstration") is a song or group of songs typically recorded for limited circulation or for reference use, rather than for general public release. A demo is a way for a musician to approximate their ideas in a fixed format, such as cassette tape, compact disc, or digital audio files, and to thereby pass along those ideas to record labels, producers, or other artists. Musicians often use demos as quick sketches to share with bandmates or arrangers, or simply for personal reference during the songwriting process; in other cases, a songwriter might make a demo to send to artists in hopes of having the song professionally recorded, or a publisher may need a simple recording for publishing or copyright purposes. Background Demos are typically recorded on relatively crude equipment such as "boom box" cassette recorders, small four- or eight-track machines, or on personal computers with audio recording software. Songwriters' and publishers' demos are re ...
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