|
The War (Dix Triptych)
''The War'' (German: "Der Krieg"), sometimes known as the ''Dresden War Triptych'', is a large oil painting by Otto Dix on four wooden panels, a triptych with predella. The format of the work and its composition are based on religious triptychs of the Renaissance, like those by Matthias Grünewald. It was begun in 1929 and completed in 1932, and has been held by the Galerie Neue Meister in Dresden since 1968. It is one of several anti-war works done by Dix in the 1920s, inspired by his experience of trench warfare in the First World War. Background Dix was an art student in Dresden before the First World War. He was conscripted in 1915, and served in the Imperial German Army as a machine gunner on the Eastern and Western Fronts. He returned to study at the Dresden Academy of Fine Arts, and then in Italy. After the war, he was a founder of the short-lived avant-garde Dresdner Sezession art group, and then supported the post-expressionist New Objectivity movement. The anti-war ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dresden, Germany (Unsplash OLhTLD-RBsc)
Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label=Upper Sorbian, Drježdźany) is the capital city of the German state of Saxony and its second most populous city, after Leipzig. It is the 12th most populous city of Germany, the fourth largest by area (after Berlin, Hamburg and Cologne), and the third most populous city in the area of former East Germany, after Berlin and Leipzig. Dresden's urban area comprises the towns of Freital, Pirna, Radebeul, Meissen, Coswig, Radeberg and Heidenau and has around 790,000 inhabitants. The Dresden metropolitan area has approximately 1.34 million inhabitants. Dresden is the second largest city on the River Elbe after Hamburg. Most of the city's population lives in the Elbe Valley, but a large, albeit very sparsely populated area of the city east of the Elbe lies in the West Lusatian Hill Country and Uplands (the westernmost part of the Sudetes) and thus in Lusatia. Many boroughs west of the Elbe lie in the foreland of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The War (Dix Engravings)
''The War'' (German: ''Der Krieg'') is a series of 50 drypoint and aquatint etchings by German artist Otto Dix, catalogued by Florian Karsch as K.70 to K.119. The prints were published in Berlin in 1924 by Karl Nierendorf, in an edition which included separate high quality folio prints, and a lower-quality version with 24 prints bound together. It is often compared to Francisco Goya's series of 82 engravings ''The Disasters of War''. The British Museum, which holds a complete set of the folio prints, has described the series as "Dix's central achievement as a graphic artist"; the auction house Christie's has described it as "one of the finest and most unflinching depictions of war in western art". Background Dix was born in 1891, and studied art in Dresden before the First World War. He was conscripted in 1915, and served in the Imperial German Army as a machine gunner on both the Eastern Front (World War I), Eastern Front and the Western Front (World War I), Western Front. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Staatliche Kunstsammlungen Dresden
Staatliche Kunstsammlungen Dresden (, ''Dresden State Art Collections'') is a cultural institution in Dresden, Germany, owned by the State of Saxony. It is one of the most renowned and oldest museum institutions in the world, originating from the collections of the Saxon electors in the 16th century. Today, the Dresden State Art Collections consists of fifteen museums. Most of them are located in the Dresden Castle, the Zwinger and the Albertinum. History The museums belonging to the Staatliche Kunstsammlungen Dresden originated from the collections of the Saxon electors, several of whom were also Kings of Poland. Historical sources show that August I, Elector of Saxony, founded the electoral Kunstkammer (literally “art chamber”) in 1560, a collection of art located in the Dresden Castle. August the Strong and his son, August III, Kings of Poland, were important patrons and remarkable connoisseurs of the arts. They developed their art collections in a systematic fashio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Otto Dix
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dresden Triptych
The ''Dresden Triptych'' (or ''Virgin and Child with St. Michael and St. Catherine and a Donor'', or ''Triptych of the Virgin and Child'') is a very small hinged-triptych altarpiece by the Early Netherlandish painter Jan van Eyck. It consists of five individual panel paintings: a central inner panel, and two double-sided wings. It is signed and dated 1437, and in a permanent collection of the Gemäldegalerie Alte Meister, Dresden, with the panels still in their original frames. The only extant triptych attributed to van Eyck, and the only non-portrait signed with his personal motto, ''ALC IXH XAN'' ("I Do as I Can"),The words "As I Can" are a play on his name. Their spelling varies between examples, usually translated as ''Als ich can''. See Dhanens (1980), 188, 385 the triptych can be placed at the midpoint of his known works. It echoes a number of the motifs of his earlier works while marking an advancement in his ability in handling depth of space, and establishes iconographi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Holbein The Younger
Hans Holbein the Younger ( , ; german: Hans Holbein der Jüngere; – between 7 October and 29 November 1543) was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. He also produced religious art, satire, and Reformation propaganda, and he made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father Hans Holbein the Elder, an accomplished painter of the Late Gothic school. Holbein was born in Augsburg but worked mainly in Basel as a young artist. At first, he painted murals and religious works, and designed stained glass windows and illustrations for books from the printer Johann Froben. He also painted an occasional portrait, making his international mark with portraits of humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein worked for reformist clients while continuing t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Body Of The Dead Christ In The Tomb
''The Body of the Dead Christ in the Tomb'' is an oil and tempera on limewood painting created by the German artist and printmaker Hans Holbein the Younger between 1520 and 1522. The work shows a life-size, grotesque depiction of the stretched and unnaturally thin body of Jesus Christ lying in his tomb. Holbein shows the dead Son of God after he has suffered the fate of an ordinary human. Description The painting is especially notable for its dramatic dimensions (30.5 cm x 200 cm),Onfray, Michel.The Body of the Dead Christ in the Tomb (1521)". Tate Etc., 2006. Retrieved on May 4, 2009. and the fact that Christ's face, hands and feet, as well as the wounds in his torso, are depicted as realistic dead flesh in the early stages of putrefaction. His body is shown as long and emaciated while eyes and mouth are left open.Bätschmann & Griener, 88 Christ is shown with three visible wounds; on his hand, side and feet. Discussing the artist's use of unflinching realism, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pietà
The Pietà (; meaning "pity", "compassion") is a subject in Christian art depicting the Virgin Mary cradling the dead body of Jesus after his body was removed from the cross. It is most often found in sculpture Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sc .... The Pietà is a specific form of the Lamentation of Christ in which Jesus is mourned by the Virgin Mary alone. Context and development Pietà is one of the three common artistic representations of a sorrowful Virgin Mary, the other two being Mater Dolorosa (Mother of Sorrows) and Stabat Mater (art), Stabat Mater (the mother was standing). The other two representations are most commonly found in paintings, rather than sculpture, although combined forms exist. The Pietà developed in Germany (where it is called the "Ve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Descent From The Cross
The Descent from the Cross ( el, Ἀποκαθήλωσις, ''Apokathelosis''), or Deposition of Christ, is the scene, as depicted in art, from the Gospels' accounts of Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion (). In Byzantine art the topic became popular in the 9th century, and in the West from the 10th century. The Descent from the Cross is the 13th Station of the Cross, and is also the sixth of the Seven Sorrows of the Blessed Virgin Mary. Other figures not mentioned in the Gospels who are often included in depictions of this subject include John the Evangelist, who is sometimes depicted supporting a fainting Mary (as in the work below by Rogier van der Weyden), and Mary Magdalene. The Gospels mention an undefined number of women as watching the crucifixion, including The Three Marys, ( Mary Salome being mentioned in ), and also that the Virgin Mary and Mary Magdalene saw the burial (). These and further women and unnamed ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Isenheim Altarpiece
The ''Isenheim Altarpiece'' is an altarpiece sculpted and painted by, respectively, the Germans Nikolaus of Haguenau and Matthias Grünewald in 1512–1516. It is on display at the Unterlinden Museum at Colmar, Alsace, in France. It is Grünewald's largest work and is regarded as his masterpiece. It was painted for the Monastery of St. Anthony in Issenheim near Colmar, which specialized in hospital work. The Antonine monks of the monastery were noted for their care of plague sufferers as well as for their treatment of skin diseases, such as ergotism. The image of the crucified Christ is pitted with plague-type sores, showing patients that Jesus understood and shared their afflictions. The veracity of the work's depictions of medical conditions was unusual in the history of European art. Composition The altarpiece has two sets of wings, displaying three configurations: Wings closed: With the exception of certain holy days, the wings of the altarpiece were kept closed, disp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsche Marks
The Deutsche Mark (; English: ''German mark''), abbreviated "DM" or "D-Mark" (), was the official currency of West Germany from 1948 until 1990 and later the unified Germany from 1990 until the adoption of the euro in 2002. In English, it was typically called the "Deutschmark" (). One Deutsche Mark was divided into 100 pfennigs. It was first issued under Allied occupation in 1948 to replace the Reichsmark and served as the Federal Republic of Germany's official currency from its founding the following year. On 31 December 1998, the Council of the European Union fixed the irrevocable exchange rate, effective 1 January 1999, for German mark to euros as DM 1.95583 = €1. In 1999, the Deutsche Mark was replaced by the euro; its coins and banknotes remained in circulation, defined in terms of euros, until the introduction of euro notes and coins on 1 January 2002. The Deutsche Mark ceased to be legal tender immediately upon the introduction of the euro—in contrast to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hamburger Kunsthalle
The Hamburger Kunsthalle is the art museum of the Free and Hanseatic City of Hamburg, Germany. It is one of the largest art museums in the country. The museum consists of three connected buildings, dating from 1869 (main building), 1921 (Kuppelsaal) and 1997 (Galerie der Gegenwart), located in the Altstadt district between the Hauptbahnhof (central train station) and the two Alster lakes. The name ''Kunsthalle'' indicates the museum's history as an 'art hall' when it was founded in 1850. Today, the museum houses one of the few art collections in Germany that cover seven centuries of European art, from the Middle Ages to the present day. The Kunsthalle's permanent collections focus on North German painting of the 14th century, paintings by Dutch, Flemish and Italian artists of the 16th and 17th centuries, French and German drawings and paintings of the 19th century, and international modern and contemporary art. History The museum collection traces its origin to 1849, when it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> The War (Dix Triptych)")
.jpg "Click for more on -> Descent From The Cross")
