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The Sirens And Ulysses
''The Sirens and Ulysses'' is a large oil painting on canvas by the English artist William Etty, first exhibited in 1837. It depicts the scene from Homer's ''Odyssey'' in which Ulysses (Odysseus) resists the bewitching song of the sirens by having his ship's crew tie him up, while they are ordered to block their own ears to prevent themselves from hearing the song. While traditionally the sirens had been depicted as human–animal chimeras, Etty portrayed them as naked young women, on an island strewn with corpses in varying states of decay. The painting divided opinion at the time of its first exhibition, with some critics greatly admiring it while others derided it as tasteless and unpleasant. Possibly owing to its unusually large size, , the work initially failed to sell, and was bought later that year at a bargain price by the Manchester merchant Daniel Grant. Grant died shortly afterwards, and his brother donated ''The Sirens and Ulysses'' to the Royal Manchester In ...
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The Sirens And Ulysses By William Etty, 1837
''The'' () is a grammatical Article (grammar), article in English language, English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the Most common words in English, most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when fol ...
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Peter Paul Rubens
Sir Peter Paul Rubens (; ; 28 June 1577 – 30 May 1640) was a Flemish artist and diplomat from the Duchy of Brabant in the Southern Netherlands (modern-day Belgium). He is considered the most influential artist of the Flemish Baroque tradition. Rubens's highly charged compositions reference erudite aspects of classical and Christian history. His unique and immensely popular Baroque style emphasized movement, colour, and sensuality, which followed the immediate, dramatic artistic style promoted in the Counter-Reformation. Rubens was a painter producing altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. He was also a prolific designer of cartoons for the Flemish tapestry workshops and of frontispieces for the publishers in Antwerp. In addition to running a large workshop in Antwerp that produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically educated humanist scholar and diplom ...
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The Spectator
''The Spectator'' is a weekly British magazine on politics, culture, and current affairs. It was first published in July 1828, making it the oldest surviving weekly magazine in the world. It is owned by Frederick Barclay, who also owns ''The Daily Telegraph'' newspaper, via Press Holdings. Its principal subject areas are politics and culture. It is politically conservative. Alongside columns and features on current affairs, the magazine also contains arts pages on books, music, opera, film and TV reviews. Editorship of ''The Spectator'' has often been a step on the ladder to high office in the Conservative Party in the United Kingdom. Past editors include Boris Johnson (1999–2005) and other former cabinet members Ian Gilmour (1954–1959), Iain Macleod (1963–1965), and Nigel Lawson (1966–1970). Since 2009, the magazine's editor has been journalist Fraser Nelson. ''The Spectator Australia'' offers 12 pages on Australian politics and affairs as well as the full UK ...
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The Gentleman's Magazine
''The Gentleman's Magazine'' was a monthly magazine founded in London, England, by Edward Cave in January 1731. It ran uninterrupted for almost 200 years, until 1922. It was the first to use the term '' magazine'' (from the French ''magazine'', meaning "storehouse") for a periodical. Samuel Johnson's first regular employment as a writer was with ''The Gentleman's Magazine''. History The original complete title was ''The Gentleman's Magazine: or, Trader's monthly intelligencer''. Cave's innovation was to create a monthly digest of news and commentary on any topic the educated public might be interested in, from commodity prices to Latin poetry. It carried original content from a stable of regular contributors, as well as extensive quotations and extracts from other periodicals and books. Cave, who edited ''The Gentleman's Magazine'' under the pen name "Sylvanus Urban", was the first to use the term '' magazine'' (meaning "storehouse") for a periodical. Contributions to the ma ...
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National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of over 2,300 paintings dating from the mid-13th century to 1900. The current Director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Digital, Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the Gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-thi ...
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Trafalgar Square
Trafalgar Square ( ) is a public square in the City of Westminster, Central London, laid out in the early 19th century around the area formerly known as Charing Cross. At its centre is a high column bearing a statue of Admiral Nelson commemorating the victory at the Battle of Trafalgar. The battle of 21 October 1805, established the British navy's dominance at sea in the Napoleonic Wars over the fleets of France and Spain. The site around Trafalgar Square had been a significant landmark since the 1200s. For centuries, distances measured from Charing Cross have served as location markers. The site of the present square formerly contained the elaborately designed, enclosed courtyard of the King's Mews. After George IV moved the mews to Buckingham Palace, the area was redeveloped by John Nash, but progress was slow after his death, and the square did not open until 1844. The Nelson's Column at its centre is guarded by four lion statues. A number of commemorative statu ...
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Brighton
Brighton () is a seaside resort and one of the two main areas of the City of Brighton and Hove in the county of East Sussex, England. It is located south of London. Archaeological evidence of settlement in the area dates back to the Bronze Age, Roman and Anglo-Saxon periods. The ancient settlement of "Brighthelmstone" was documented in the '' Domesday Book'' (1086). The town's importance grew in the Middle Ages as the Old Town developed, but it languished in the early modern period, affected by foreign attacks, storms, a suffering economy and a declining population. Brighton began to attract more visitors following improved road transport to London and becoming a boarding point for boats travelling to France. The town also developed in popularity as a health resort for sea bathing as a purported cure for illnesses. In the Georgian era, Brighton developed as a highly fashionable seaside resort, encouraged by the patronage of the Prince Regent, later King George IV, who ...
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Marie De' Medici Cycle
The Marie de' Medici Cycle is a series of twenty-four paintings by Peter Paul Rubens commissioned by Marie de' Medici, widow of Henry IV of France, for the Luxembourg Palace in Paris. Rubens received the commission in the autumn of 1621. After negotiating the terms of the contract in early 1622, the project was to be completed within two years, coinciding with the marriage of Marie's daughter, Henrietta Maria. Twenty-one of the paintings depict Marie's own struggles and triumphs in life. The remaining three are portraits of herself and her parents. The paintings now hang in the Louvre in Paris. Commission Much speculation exists on the exact circumstances under which Marie de' Medici decided to commission Rubens to paint "such a grandiose project, conceived in truly heroic proportions".Saward, p. 2. John Coolidge suggests the cycle may have even been commissioned to rival another famous series of Rubens, ''The Constantine Tapestries'', which he designed in his studio at the same ...
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Nereid
In Greek mythology, the Nereids or Nereides ( ; grc, Νηρηΐδες, Nērēḯdes; , also Νημερτές) are sea nymphs (female spirits of sea waters), the 50 daughters of the ' Old Man of the Sea' Nereus and the Oceanid Doris, sisters to their brother Nerites. They often accompany Poseidon, the god of the sea, and can be friendly and helpful to sailors (such as the Argonauts in their search for the Golden Fleece). Etymology The synonyms Νηρηΐδες and Νημερτές are etymologically unrelated. Νηρηΐδες is a patronymic, describing them as the daughters of Nereus. Νημερτές means literally 'not-mistaking', and there is an adjective of the same form meaning 'clear', 'unmistakable', or 'true'. Mythology The Nereids symbolized everything that is beautiful and kind about the sea. Their melodious voices sang as they danced around their father. They are represented as beautiful women, crowned with branches of red coral and dressed in white sil ...
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York Art Gallery
York Art Gallery is a public art gallery in York, England, with a collection of paintings from 14th-century to contemporary, prints, watercolours, drawings, and ceramics. It closed for major redevelopment in 2013, reopening in summer of 2015. The building is a Grade II listed building and is managed by York Museums Trust. History Foundation and development The gallery was created to provide a permanent building as the core space for the second Yorkshire Fine Art and Industrial Exhibition of 1879, the first in 1866 having occupied a temporary chalet in the grounds of Bootham Asylum. The 1866 exhibition, which ran from 24 July to 31 October 1866 was attended by over 400,000 people and yielded a net profit for the organising committee of £1,866. A meeting of this committee in April 1867 committed to "applying this surplus in providing some permanent building to be devoted to the encouragement of Art and Industry". The result was the development of a second exhibition, housed in ...
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Art UK
Art UK is a cultural, education charity in the United Kingdom, previously known as the Public Catalogue Foundation. Since 2003, it has digitised more than 220,000 paintings by more than 40,000 artists and is now expanding the digital collection to include UK public sculpture. It was founded for the project, completed between 2003 and 2012, of obtaining sufficient rights to enable the public to see images of all the approximately 210,000 oil paintings in public ownership in the United Kingdom. Originally the paintings were made accessible through a series of affordable book catalogues, mostly by county. Later the same images and information were placed on a website in partnership with the BBC, originally called ''Your Paintings'', hosted as part of the BBC website. The renaming in 2016 coincided with the transfer of the website to a stand-alone site. Works by some 40,000 painters held in more than 3,000 collections are now on the website. The catalogues and website allow readers ...
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The Sirens And Ulysses By William Etty, 1837 (Sirens)
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pr ...
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