|
The Roar Of '74
''The Roar of '74'' is a studio album by Buddy Rich, with his big band, released on the Groove Merchant Records label in the United States. The album was released in the UK in 1974 on the Mooncrest label by B & C Records. Reception ''DownBeat'' assigned the release 4.5 stars. Reviewer James Schaffer noted that Rich takes no solos on any of the tracks. "Hearing Buddy play as only the drummer in a big band is something, especially when it’s his band. The sound is one of a total concept of no real “stars," just a very tight, hard-driving band". Track listing LP side A # "Nutville" (Horace Silver) – 4:47 # "Kilimanjaro Cookout" (Manny Albam) – 6:14 # "Big Mac" (Ernie Wilkins) – 5:54 # "Backwoods Sideman" ( John La Barbera) – 4:29 LP side B # "Time Check" (Don Menza) – 3:45 # " Prelude to a Kiss" (Duke Ellington, Mack Gordon, Irving Mills) – 3:32 # "Waltz of the Mushroom Hunters" (Greg Hopkins) – 7:16 # "Senator Sam" (Wilkins) – 4:40 Personnel ;Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Rich
Bernard "Buddy" Rich (September 30, 1917 – April 2, 1987) was an American jazz drummer, songwriter, conductor, and bandleader. He is considered one of the most influential drummers of all time. Rich was born and raised in Brooklyn, New York, United States. He discovered his affinity for jazz music at a young age and began drumming at the age of two. He began playing jazz in 1937, working with acts such as Bunny Berigan, Artie Shaw, Tommy Dorsey, Count Basie, and Harry James. From 1942 to 1944, Rich served in the U.S. Marines. From 1945 to 1948, he led the Buddy Rich Orchestra. In 1966, he recorded a big-band style arrangement of songs from ''West Side Story''. He found lasting success in 1966 with the formation of the Buddy Rich Big Band, also billed as the Buddy Rich Band and The Big Band Machine. Rich was known for his virtuoso technique, power, and speed. He was an advocate of the traditional grip, though he occasionally used matched grip when playing the toms. Despite ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernie Wilkins
Ernest Brooks Wilkins Jr. (July 20, 1922 – June 5, 1999) was an American jazz saxophonist, conductor and arranger who spent several years with Count Basie. He also wrote for Tommy Dorsey, Harry James, and Dizzy Gillespie. He was musical director for albums by Cannonball Adderley, Dinah Washington, Oscar Peterson, and Buddy Rich. Early career Ernest Brooks Wilkins Jr. was born on July 20, 1922 in St. Louis, Missouri. Wilkins grew up in a city rich with jazz blues where he was exposed to music early on. St. Louis in the 1930s shared many cultural influences with Kansas City, where mob-run clubs shaped a lively blues-centric sound. The music prioritized high quality over more experimental styles. Wilkins developed as a strong musician when he initially learned how to play piano and violin before taking up tenor saxophone in his teenage years. Ernie played tenor sax and clarinet with his brother Jimmy Wilkins, trombonist on "The Sumner High School Swingsters." Through band competi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz musical ensemble, ensembles. The trumpet group ranges from the piccolo trumpet—with the highest Register (music), register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to the 2nd Millenium BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, appearing in orchestras, concert bands, chamber music groups, and jazz ensembles. They are also common in popular music and are generally included in school bands. Sound is produced by vibrating the lips in a mouthpiece, which starts a standing wave in the air column of the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Saxophone
The baritone saxophone (sometimes abbreviated to "bari sax") is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass saxophone, bass. It is the lowest-pitched saxophone in common use — the bass, contrabass saxophone, contrabass and subcontrabass saxophone, subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as Rock music, rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Saxophone
The soprano saxophone is a small, high-pitched member of the saxophone family of woodwind instruments invented in the 1840s by Belgian instrument maker Adolphe Sax. Built in B♭ an octave above the tenor saxophone (or rarely, slightly smaller in C), the soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass, and subcontrabass. The soprillo and sopranino are rare instruments, making the soprano the smallest saxophone in common use. The instrument A transposing instrument pitched in the key of B, the modern soprano saxophone with a high F key has a range from concert A3 to E6 (written low B to high F) and is therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and is a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pat La Barbera
Pat (Pascel Emmanuel) LaBarbera (born April 7, 1944) is an American-born Canadian jazz tenor, alto and soprano saxophonist, clarinetist, and flautist born in Mt. Morris, New York, most notable for his work as a soloist in Buddy Rich bands from 1967 to 1973. He moved to Toronto, Ontario in 1974, and is a member of the faculty at Humber College. La Barbera began working with Elvin Jones in 1975, touring Europe with him in 1979. While working with Buddy Rich, Pat also was working in groups led by Woody Herman and Louie Bellson. Pat has also played with Carlos Santana. LaBarbera has played a major role in the development of a generation of Canadian saxophonists. In 2000, he won a Juno Award for Best Traditional Instrumental Jazz Album for ''Deep in a Dream''."Juno Awards reach out to music's newcomers". ''National Post'', March 13, 2000. Pat is the brother of fellow musicians John LaBarbera (trumpet) and Joe LaBarbera (drums). Discography As a leader * 1975: ''Pass It On'' ( P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Saxophone
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgians, Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in the key of E♭ (musical note), E, smaller than the B♭ (musical note), B Tenor saxophone, tenor but larger than the B Soprano saxophone, soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, List of concert works for saxophone, solo repertoire, military bands, marching bands, pep bands, carnatic music, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Romano
Joseph S. Romano (April 17, 1932 – November 26, 2008) was an American jazz saxophonist. He was born in Rochester, New York, United States. Romano learned to play clarinet and alto and tenor sax as a child. He enlisted in the United States Air Force in the 1950s, then joined the band of Woody Herman in 1956; he played intermittently with Herman into the 1970s, including at major jazz festivals and on several worldwide tours. In the 1960s, he also played with Chuck Mangione, Sam Noto, and Art Pepper; he was a recurring sideman on Buddy Rich's albums between 1968 and 1974. In the 1970s, he played with Les Brown, Louie Bellson, Chuck Israels, Sam Noto again, and with the Thad Jones-Mel Lewis Orchestra. He did session work in California in the 1980s, in addition to working with Frank Capp and Nat Pierce. He died in Rochester in November 2008, from lung cancer, at the age of 76. References Other sources *Barry Kernfeld Barry Dean Kernfeld (born August 11, 1950) is an American ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Mills
Irving Harold Mills (born Isadore Minsky; January 18, 1894 Odessa, Ukraine – April 21, 1985) was a music publisher, musician, lyricist, and jazz promoter. He often used the pseudonyms Goody Goodwin and Joe Primrose. Personal life Mills was born to a Jewish family in Odessa, Russian Empire, although some biographies state that he was born on the Lower East Side of Manhattan in New York City. His father, Hyman Minsky, was a hatmaker who immigrated from Odessa to the United States with his wife Sofia (''née'' Dudis). Hyman died in 1905, and Irving and his brother, Jacob (1891–1979) worked odd jobs including bussing at restaurants, selling wallpaper, and working in the garment industry. By 1910, Mills was a telephone operator. Mills married Beatrice ("Bessie") Wilensky in 1911, and they subsequently moved to Philadelphia. By 1918, Mills was working for publisher Leo Feist. His brother, Jack, was working as a manager for McCarthy and Fisher, the music publishing firm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mack Gordon
Mack Gordon (born Morris Gittler; June 21, 1904 – February 28, 1959) was an American lyricist for the stage and film. He was nominated for the best original song Oscar nine times in 11 years, including five consecutive years between 1940 and 1944, and won the award once, for " You'll Never Know". That song, along with " The More I See You", has proved among his most enduring, and remains popular in films and television commercials to this day. " At Last" is another of his best-known songs. Biography Of Jewish heritage, Gordon was born in Grodno (modern-day western Belarus), then part of the Russian Empire. He emigrated with his mother and older brother to New York City in May 1907; the ship they sailed on was the S/S ''Bremen''; their destination was to his father in Guttenberg, New Jersey. Gordon appeared in vaudeville as an actor and singer in the late 1920s and early 1930s, but his songwriting talents were always paramount. He formed a partnership with English pianist Harr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American Jazz piano, jazz pianist, composer, and leader of his eponymous Big band, jazz orchestra from 1924 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become Standard (music), standards. He also recorded songs written by his bandsmen, such as Juan Tizol's "Caravan (1937 song), Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty five-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
