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The Ride In The Sun
''The Ride in the Sun'' (German: ''Der Ritt in die Sonne'') is a 1926 German silent film directed by Georg Jacoby and starring Livio Pavanelli, Paul Heidemann and Hugo Werner-Kahle. The film's sets were designed by art director Walter Reimann. Cast *Livio Pavanelli as Fritz Jacobsen *Paul Heidemann as Jonny Reimers * Hugo Werner-Kahle as Hieronymi *Hans Mierendorff as Marquis d'Orsay * Elga Brink as Dina * Elena Lunda as Bianca Bell *Henry Bender Henry Bender (born Harry Bandheimer; 1867–1933) was a German stage and film actor.Chandler p. 272 He appeared in more than a hundred films during his career. Selected filmography * ''The Devil'' (1918) * '' Madeleine'' (1919) * ''Whitechapel'' ... as Richwald, the banker References External links * Films of the Weimar Republic Films directed by Georg Jacoby German silent feature films German black-and-white films {{1920s-Germany-silent-film-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Georg Jacoby
Georg Jacoby (23 July 1882 – 21 February 1964) was a German film director and screenwriter. , bfi.org.uk; accessed 11 December 2016. Biography Jacoby was born in Mainz, Germany, the son of Wilhelm Jacoby (1855–1925), a German comedic playwright, who concentrated largely on creating farces, such as ''The Duchess of Athens'' (1883) and ''Pension Schöller (play), Pension Schöller'' (1890), which he co-authored with Carl Laufs. Georg adapted ''Pension Schöller'' into film versions on no fewer than three occasions. In 1923, Georg Jacoby gave Marlene Dietrich her film debut, casting her in a small role in ''The Little Napoleon'' (1923). His involvement with large-budget Italian epic ''Quo Vadis (1924 film), Quo Vadis'' (1924), which was a critical and commercial disaster, damaged his reputation. He rebuilt his career by direct ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Reimann
Walter Reimann (2 June 1887 – 8 November 1936) was a German painter and art director. He was an Expressionist and member of the group of artists associated with Zurich magazine, Der Sturm. He worked on the production design of a number of films during his career, the most important of which was ''The Cabinet of Dr. Caligari''. Along with fellow members of the ''Der Sturm'' group, Walter Röhrig and Hermann Warm, Reimann created skewed, dreamlike sets that distorted geometry and indicated the interior states of mind of the characters. ''The Cabinet of Dr. Caligari'' was an international success and the production design has had a lasting influence on other movies - especially in the horror and film noir genres - since then. The Caligari design is echoed in the sets produced by Universal Studios for their series of classic monster movies in the 1930s. Reimann continued to work as an art director in Germany until his death in 1936, but none of his subsequent designs had the imp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Directed By Georg Jacoby
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Films Of The Weimar Republic
A film, also known as a movie or motion picture, is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and (less commonly) other sensory stimulations. Etymology and alternative terms The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in the United States is "movie", while in Europe, "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Bender
Henry Bender (born Harry Bandheimer; 1867–1933) was a German stage and film actor.Chandler p. 272 He appeared in more than a hundred films during his career. Selected filmography * ''The Devil'' (1918) * '' Madeleine'' (1919) * ''Whitechapel'' (1920) * '' The Lord of the Beasts'' (1921) * '' Murder Without Cause'' (1921) * '' The Hunt for the Truth'' (1921) * ''The Adventuress of Monte Carlo'' (1921) * '' Peter Voss, Thief of Millions'' (1921) * '' The Riddle of the Sphinx'' (1921) * ''The Two Pigeons'' (1922) * '' Marie Antoinette, the Love of a King'' (1922) * ''Miss Rockefeller Is Filming'' (1922) * '' Sunken Worlds'' (1922) * '' His Excellency from Madagascar'' (1922) * ''The Girl with the Mask'' (1922) * ''Horrido'' (1924) * '' Gobseck'' (1924) * '' The Most Beautiful Woman in the World'' (1924) * '' Express Train of Love'' (1925) * ''Flight Around the World'' (1925) * '' Cock of the Roost'' (1925) * '' Give My Regards to the Blonde Child on the Rhine'' (1926) * '' The Blue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elena Lunda
Elena Lunda (1896–unknown) was an Italian actress known for her work in silent films. She was the daughter of Vittorio Lunda Gondola ( Gundulić) from Ragusa/Dubrovnik and Celeste Grossi. She was married to actor Alfredo Bertone and appeared in 35 Italian silent films between 1919 and 1928. Selected filmography * '' The Sphinx'' (1920) * '' The Knot'' (1921) * '' The Second Wife'' (1922) * '' La Boheme'' (1923) * '' The Redemption'' (1924) * '' Take Care of Amelia'' (1925) * '' Women You Rarely Greet'' (1925) * '' Women Who Fall by the Wayside'' (1925) * '' The Assmanns'' (1925) * '' The Man on the Comet'' (1925) * '' The Love Trap'' (1925) * ''The Ride in the Sun ''The Ride in the Sun'' (German: ''Der Ritt in die Sonne'') is a 1926 German silent film directed by Georg Jacoby and starring Livio Pavanelli, Paul Heidemann and Hugo Werner-Kahle. The film's sets were designed by art director Walter Reimann. ...'' (1926) * '' The Giant of the Dolomites'' (1927) * '' Company ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elga Brink
Elisabeth Margarete Biermann (born Frey, formerly Brink; 2 April 1905 – 28 October 1985), known professionally as Elga Brink, was a German film actress. Brink rose to prominence in the early 1920s, when she starred in many silent films. Her last silent film was '' Marriage in Trouble'' in 1928. After silent films, Brink continued acting in sound films until her retirement in 1951. Her last role was in the 1951 movie ''Das fremde Leben.'' After her retirement, Brink remarried and worked as a clerk in Hamburg until her death in 1985. Life Elga Brink was born Elisabeth Margarete Frey in Berlin on 2 April 1905, the daughter of a banker in Berlin-Waidmannslust. Shortly after her birth, her surname was changed to Brink. Brink attended a business school before being introduced to silent films by Albert Pommer, the brother of Erich Pommer. Her first role was in a romantic comedy ''Lebenshunger'', where she played a supporting role alongside Ressel Orla. After several more films, Brink ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Mierendorff
Hans Mierendorff (born Johannes Reingold Mierendorff; 30 June 1882 – 26 December 1955) was a German stage and film actor. Selected filmography * '' A Night of Horror'' (1916) * '' Vengeance Is Mine'' (1916) * '' Hilde Warren und der Tod'' (1917) *'' The Sacrifice'' (1918) * '' The Mistress of the World'' (1919) * ''Whitechapel'' (1920) * '' Hearts are Trumps'' (1920) * '' The White Peacock'' (1920) * '' Night and No Morning'' (1921) * ''The Conspiracy in Genoa'' (1921) * '' Children of Darkness'' (1921) * '' The Sleeping Volcano'' (1922) * '' The Black Star'' (1922) * '' Man Against Man'' (1924) * '' Girls You Don't Marry'' (1924) * '' The Enchantress'' (1924) * '' Debit and Credit'' (1924) * '' The Second Mother'' (1925) * '' The Motorist Bride'' (1925) * '' Old Mamsell's Secret'' (1925) * '' Hussar Fever'' (1925) * '' Cock of the Roost'' (1925) * '' Oh Those Glorious Old Student Days'' (1925) * '' The Man Who Sold Himself'' (1925) * '' The Dealer from Amsterdam'' (1925) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Berghahn Books
Berghahn Books is a New York and Oxford–based publisher of scholarly books and academic journals in the humanities and social sciences, with a special focus on social and cultural anthropology, European history, politics, and film and media studies. It was founded in 1994 by Marion Berghahn. Books division Every year, Berghahn Books publishes approximately 140 new titles and around 80 paperback editions paperback editions and has a backlist of nearly 2,500 titles in print. New titles are published in both print and online, with the select digitization of the backlist currently being undertaken as part of the Berghahn Books Online platform. Many Berghahn titles have been reviewed on ''Choice''. Journals division Berghahn Journals currently publishes over 40 journals in those social science and humanities fields that complement its books list. This includes an annual series, ''Advances in Research'', launched in 2013. Its journals have been available online since 2001. B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Meyer (producer)
Leo Meyer (28 September 1891 – 1 July 1942) was a German film producer. He is sometimes also credited as Leo Meijer. Following the Nazi rise to power Meyer, who was Jewish, went into exile and emigrated to the Netherlands where he continued to produce films. Amongst the films that Meyer worked on in Weimar Germany was the war film '' Westfront 1918''.Ashkenazi p.199 Selected filmography * '' Rinaldo Rinaldini'' (1927) * '' Circle of Lovers'' (1927) * '' Sex in Chains'' (1928) * '' Somnambul'' (1929) * '' Marriage in Trouble'' (1929) * '' Westfront 1918'' (1930) * '' Panic in Chicago'' (1931) * ''The First Right of the Child ''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The ...'' (1932) References Bibliography * Ashkenazi, Ofer. ''Weimar Film and Modern Jewish Identity''. Palgrav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film without synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of inter- title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era, which existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in larger cities, an orchestra—would play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intertitle
In films and videos, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (hence, ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In the silent film era, intertitles were mostly called "subtitles", but also "leaders", "Caption (text), captions", "titles", and "headings", prior to being named intertitles, and often had Art Nouveau, Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
