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The Rape Of A Sweet Young Girl
''The Rape of a Sweet Young Girl'' (french: Le Viol d'une jeune fille douce) is a Canadian satirical comedy-drama film, directed by Gilles Carle and released in 1968. The film stars Julie Lachapelle as Julie, a young sexually liberated woman who gets pregnant from a casual but consensual sexual encounter and wrestles with whether to have the baby or go for an abortion, while her older brothers Raphaël (Daniel Pilon), Gabriel ( Donald Pilon) and Joachim (André Gagnon) decide, without listening to Julie's own perspective, that she has been raped and set off to find the "assailant", and themselves end up committing rape against another young woman. Following its Canadian theatrical premiere in 1968, the film was screened at the 18th Berlin Film Festival in 1968 as part of Young Canadian Film, a lineup of films by emerging Canadian filmmakers, and in the Director's Fortnight stream at the 1969 Cannes Film Festival The 22nd Cannes Film Festival was held from 8 to 23 May 1969. At th ...
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Gilles Carle
Gilles Carle, (July 31, 1928As fully funny, Carle had pleasure to always give himself one year less, and to let people think wrongly that he was born in 1929, "The Year of the Big World Crash": see on the Quebec French newspapers that many writers verified that, after his death, and corrected his year of birth for 1928 and his age for 81. – Also see oCinememorialthe translation of what her younger daughter, Valerie Duchesne-Carle, wrote on Twitter: "He was born in 1928 not in 1929. My father always missed this little oddity." – November 28, 2009) was a French Canadian director, screenwriter and painter. Gilles Carle, who was a key figure in the development of a commercial Quebec cinema, worked as a graphic artist and writer before he joined the National Film Board of Canada in 1960. His innovative debut feature, ''La Vie heureuse de Léopold Z.'', tracked the adventures of a snowplough operator during a madcap Christmas Eve. But after the NFB rejected several of his projects ...
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Cinema Canada
''Cinema Canada'' (1972–1989) is a defunct Canadian film magazine, which served as the trade journal of record for the Canadian film and television sector. The magazine had its origins in the Canadian Society of Cinematographers (CSC), which began publishing a bi-monthly newsletter under the name ''Canadian Cinematography'' in 1962. In 1967, the publication's name was changed to ''Cinema Canada''. In 1972, the CSC approached George Csaba Koller and Phillip McPhedran of Toronto to produce a glossier format. However, this association lasted only four issues, after which McPhedran resigned for personal reasons. Koller continued to edit and publish the magazine, which became independent of the CSC in the fall of 1973. It was scrappy, provocative and ashamedly nationalistic. In March 1975, a non-profit organization, the Cinema Canada Foundation, was formed, and in September of that year it was transferredto Jean-Pierre Tadros and Connie Tadros, who moved the editorial office to Mont ...
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Films Directed By Gilles Carle
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sens ...
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Films About Rape
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensiti ...
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Canadian Satirical Films
Canadians (french: Canadiens) are people identified with the country of Canada. This connection may be residential, legal, historical or cultural. For most Canadians, many (or all) of these connections exist and are collectively the source of their being ''Canadian''. Canada is a multilingual and multicultural society home to people of groups of many different ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. Following the initial period of French and then the much larger British colonization, different waves (or peaks) of immigration and settlement of non-indigenous peoples took place over the course of nearly two centuries and continue today. Elements of Indigenous, French, British, and more recent immigrant customs, languages, and religions have combined to form the culture of Canada, and thus a Canadian identity. Canada has also been strongly influenced by its linguistic, geographic, and ...
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Canadian Comedy-drama Films
Canadians (french: Canadiens) are people identified with the country of Canada. This connection may be residential, legal, historical or cultural. For most Canadians, many (or all) of these connections exist and are collectively the source of their being ''Canadian''. Canada is a multilingual and multicultural society home to people of groups of many different ethnic, religious, and national origins, with the majority of the population made up of Old World immigrants and their descendants. Following the initial period of French and then the much larger British colonization, different waves (or peaks) of immigration and settlement of non-indigenous peoples took place over the course of nearly two centuries and continue today. Elements of Indigenous, French, British, and more recent immigrant customs, languages, and religions have combined to form the culture of Canada, and thus a Canadian identity. Canada has also been strongly influenced by its linguistic, geographic, and eco ...
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1968 Films
The year 1968 in film involved some significant events, with the release of Stanley Kubrick's '' 2001: A Space Odyssey'', as well as two highly successful musical films, '' Funny Girl'' and ''Oliver!'', the former earning Barbra Streisand the Academy Award for Best Actress (an honour she shared with Katharine Hepburn for her role in ''The Lion in Winter'') and the latter winning both the Best Picture and Best Director awards. Top-grossing films (U.S.) The top ten 1968 released films by box office gross in North America are as follows: Events * November 1 – The MPAA's film rating system is introduced. Awards Palme d'Or (Cannes Film Festival): canceled due to events of May 1968 Golden Lion (Venice Film Festival): :'' Die Artisten in der Zirkuskuppel: Ratlos'' (''Artists under the Big Top: Perplexed''), directed by Alexander Kluge, West Germany Golden Bear (Berlin Film Festival): :''Ole dole doff'' (''Who Saw Him Die?''), directed by Jan Troell, Sweden Films released U ...
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1969 Cannes Film Festival
The 22nd Cannes Film Festival was held from 8 to 23 May 1969. At this festival a new non-competitive section called Directors' Fortnight was added, in response to the cancellation of the 1968 festival. The Grand Prix du Festival International du Film went to '' If....'' by Lindsay Anderson. The festival opened with ''Sweet Charity'', directed by Bob Fosse. Jury The following people were appointed as the Jury of the 1969 film competition: Feature films *Luchino Visconti (Italy) (president) *Chinghiz Aitmatov (Soviet Union) * Marie Bell (France) *Jaroslav Boček (Czechoslovakia) * Veljko Bulajić (Yugoslavia) *Stanley Donen (USA) *Jerzy Glucksman (Sweden) (student) *Robert Kanters (France) (critic) *Sam Spiegel (USA) Short films *Charles Duvanel (Switzerland) *Mihnea Gheorghiu (Romania) *Claude Soulé (France) (CST official) Official selection In competition - Feature film The following feature films competed for the Grand Prix du Festival International du Film: *''Ådalen 31'' ...
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Director's Fortnight
The Directors' Fortnight (french: Quinzaine des Réalisateurs) is an independent selection of the Cannes Film Festival. It was started in 1969 by the French Directors Guild after the events of May 1968 resulted in cancellation of the Cannes festival as an act of solidarity with striking workers. The Directors' Fortnight showcases a programme of shorts and feature films and documentaries A documentary film or documentary is a non-fictional motion-picture intended to "document reality, primarily for the purposes of instruction, education or maintaining a historical record". Bill Nichols has characterized the documentary in ter ... worldwide. Artistic directors Programming is overseen by an artistic director. The current artistic director is Paolo Moretti who has programmed Director's Fortnight since 2018. * – 1969–1999 * – 1999–2003 * Olivier Père – 2004–2009 * Frédéric Boyer – 2009–2011 * – 2012–2018 * – 2018– Awards *Art Cinema Award *SACD Prize ...
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Gerald Pratley
Gerald Arthur Pratley (September 3, 1923 – March 14, 2011) was a Canadian film critic and historian. Piers Handling"Gerald Arthur Pratley" ''The Canadian Encyclopedia'', September 18, 2011. A longtime film critic for the Canadian Broadcasting Corporation, he was historically most noted as founder and director of the Ontario Film Institute, a film archive and reference library which was acquired by the Toronto International Film Festival in 1990 and became the contemporary Film Reference Library and TIFF Cinematheque. Born in London, England, Pratley emigrated to Canada in 1946 and joined the CBC two years later. For the CBC he hosted various radio shows about cinema, including ''The Movie Scene'', ''Music from the Films'' and ''Pratley at the Movies'', between 1948 and 1975. He was a writer for various publications including '' Variety'', ''Canadian Film Weekly'', ''Canadian Film Digest'', ''Hollywood Digest'' and '' Films in Review''.
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André Lamy
André Lamy (19 July 1932 – 2 May 2010) was a Canadian film producer, who served as Canada's Government Film Commissioner from 1975 until 1979. In this position he was the Chairman of the National Film Board of Canada (NFB). Lamy was born in Montreal, Quebec, and studied at two universities; the Université de Montréal and McGill University. During the 1960s he worked as a producer for the Montreal-based company Niagara Films, and then later with Onyx Films, a company which was owned by his brother, Pierre Lamy. In this period he worked on several important films, including Claude Fournier's ''Deux femmes en or''. Released in 1970, this held the record for the most profitable film made in Quebec for the following sixteen years. In 1970 Lamy was recruited to become the Assistant Film Commissioner of the NFB, making him Sydney Newman's deputy in the running of the organisation. As Newman spoke only English, Lamy took a leading role in the NFB's French language output; ...
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