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The Other Side Of Round Midnight
''The Other Side of Round Midnight'' is an album by American jazz saxophonist Dexter Gordon recorded in 1985 and released on the Blue Note label.Dexter Gordon discography accessed November 1, 2010 The album was recorded during the making of 's 1986 film '' Round Midnight,'' and it consists of tracks that were not included in the -winning [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dexter Gordon
Dexter Gordon (February 27, 1923 – April 25, 1990) was an American jazz tenor saxophonist, composer, and bandleader. He was among the most influential early bebop musicians. Gordon's height was , so he was also known as "Long Tall Dexter" and "Sophisticated Giant". His studio and performance career spanned more than 40 years. Gordon's sound was commonly characterized as being "large" and spacious and he had a tendency to play behind the beat. He inserted musical quotes into his solos, with sources as diverse as "Happy Birthday to You, Happy Birthday" and well-known melodies from the operas of Richard Wagner, Wagner. Quoting from various musical sources is not unusual in jazz improvisation, but Gordon did it frequently enough to make it a hallmark of his style. One of his major influences was Lester Young. Gordon, in turn, was an early influence on John Coltrane and Sonny Rollins. Rollins and Coltrane then influenced Gordon's playing as he explored hard bop and modal playing d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
What Is This Thing Called Love?
"What Is This Thing Called Love?" is a 1929 popular song written by Cole Porter, for the musical '' Wake Up and Dream''. It was originally published by Harms and first performed by Elsie Carlisle in March 1929. The song has become a popular jazz standard and one of Porter's most often played compositions."What Is This Thing Called Love?" at jazzstandards.com. Retrieved 8 July 2009 Background ''Wake Up and Dream'' ran for 263 shows in London. The show was also noticed in New York, and the critics praised Tilly Losch's performance of the song. The show was produced on[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mads Vinding
Mads Vinding (born 7 December 1948, Copenhagen, Denmark) is a Danish jazz double-bassist. Music career Vinding began his professional career when he was 16 as the house bassist for Jazzhus Montmartre, a jazz club in Copenhagen. He has played on more than 800 recordings and more than 1000 Radio/TV shows. Awards * Best soloist, Nordring, 1978 * Ben Webster Prize, 1982 * Palæ Jazz Prize, 1997 * Launy Grøndahl's honorary prize, 2000 * Django d’Or, 2007 Gallery Image:mads-vinding01.jpg Image:mads-vinding02.jpg Image:mads-vinding_jean-michel-pilc.jpg Image:mads-vinding_billy-hart.jpg Discography * ''Mads Vinding Group'' (Cosmos Collector, 1977) * ''The Kingdom'' (Stunt, 1998) * ''Daddio Don'' (Stunt, 2000) * ''Six Hands Three Minds One Heart'' (Stunt, 2002) * ''Over the Rainbow'' (Cope, 2002) * ''Two Basses'' (ZYX/Touche/Weaving, 2005) * ''Abrikostræet'' (Calibrated, 2005) * ''In Our Own Sweet Way'' ( Storyville, 2009) * ''Open Minds'' (Storyville, 2011) * ''Composing'' ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cedar Walton
Cedar Anthony Walton Jr. (January 17, 1934 – August 19, 2013) was an American hard bop jazz pianist. He came to prominence as a member of drummer Art Blakey's band, The Jazz Messengers, before establishing a long career as a bandleader and composer. Several of his compositions have become jazz standards, including "Mosaic", "Bolivia (Walton song), Bolivia", "Holy Land", "Mode for Joe" and "Ugetsu/Fantasy in D". Early life Walton was born and grew up in Dallas, Texas."Pianist-Composer Cedar Walton Dies at Age 79" , ''DownBeat'', August 20, 2013. His mother Ruth, an aspiring concert pianist, was his first teacher, and took him to jazz performances around Dallas. Walton cited Nat King Cole, Bud Powell, Thelonious Monk and Art Tatum as his major influences on piano. He be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Palle Mikkelborg
Palle Mikkelborg (born 6 March 1941) is a Danish jazz trumpet player, composer, arranger and record producer. He is self-taught on the trumpet, although he studied conducting at the Royal Music Conservatory in Copenhagen. He became a professional musician in 1960 and joined the Danish Radiojazzgruppen three years later. Mikkelborg became their leader in 1967 and retained that position until 1972. In addition, he was a member of the Radioens Big Band over a similar time frame. He played trumpet in both, but also wrote, arranged, and conducted both. Forming a jazz quintet with drummer, Alex Riel they performed at the Montreux Jazz Festival and Newport Jazz Festival (1968). He later led an octet, V8, in the 1970s, and another outfit, Entrance, from the mid-1970s until 1985. His compositions were made for various ensembles, including extended pieces for larger outfits. In 1984, he composed ''Aura (Miles Davis album), Aura'', a tribute to Miles Davis. Discography As Leader *''The ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Freddie Hubbard
Frederick Dewayne Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. He played bebop, hard bop, and post-bop styles from the early 1960s onwards. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop. Career beginnings Hubbard started playing the mellophone and trumpet in his school band at Arsenal Technical High School in Indianapolis, Indiana. Trumpeter Lee Katzman, former sideman with Stan Kenton, recommended that he begin taking trumpet lessons at the Arthur Jordan Conservatory of Music (now the Jordan College of the Arts at Butler University) with Max Woodbury, principal trumpeter of the Indianapolis Symphony Orchestra. In his teens, Hubbard worked locally with brothers Wes Montgomery, Wes and Monk Montgomery, and worked with bassist Larry Ridley and saxophonist James Spaulding. In 1958, at the age of 20, he moved to New York and began playing with some of the best jazz players of the era, including Philly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Saxophone
The soprano saxophone is a small, high-pitched member of the saxophone family of woodwind instruments invented in the 1840s by Belgian instrument maker Adolphe Sax. Built in B♭ an octave above the tenor saxophone (or rarely, slightly smaller in C), the soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass, and subcontrabass. The soprillo and sopranino are rare instruments, making the soprano the smallest saxophone in common use. The instrument A transposing instrument pitched in the key of B, the modern soprano saxophone with a high F key has a range from concert A3 to E6 (written low B to high F) and is therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and is a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Studio Davout
Studio Davout was a recording studio located in Paris, France. It was created in 1965 by Yves Chamberland later joined by Claude Ermelin.Yves Chamberland and Claude Ermelin are defectors from Europa Sonor studios. It was built in the 1,200 m2 of an old cinema, "Le Davout", which opened prior to 1946. It was torn down in 2017, along with a few adjacent buildings to build a brand new elementary school and daycare center, which opened its doors in September 2024. Albums recorded at the studio * Rika Zaraïm² ** ''Prague'' ( EP) (1966) *France Gall ** '' Les sucettes'' (EP) (1966) *Francis Lai ** ''A Man and a Woman'' (Soundtrack) (1966) *Michel Legrand ** ''The Young Girls of Rochefort'' (1967) ** '' The Thomas Crown Affair'' (1968) *Patrick Rondat ** ''Just for Fun'' (1989) ** ''Rape of the Earth'' (1991) * Sheila ** ''Adios Amor'' (EP) (1967) *Brigitte Fontaine with Jean-Claude Vannier ** ''Brigitte Fontaine Est...Folle'' (1968) *Karlheinz Stockhausen ** ''Aus den sieben Tagen'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billy Rose
Billy Rose (born William Samuel Rosenberg; September 6, 1899 – February 10, 1966) was an American impresario, theatrical showman, lyricist and columnist. For years both before and after World War II, Billy Rose was a major force in entertainment, with shows such as ''Billy Rose's Crazy Quilt'' (1931), ''Jumbo'' (1935), '' Billy Rose's Aquacade'' (1937), and '' Carmen Jones'' (1943). As a lyricist, he is credited with many songs, notably " Don't Bring Lulu" (1925), " Tonight You Belong To Me" (1926), " Me and My Shadow" (1927), "More Than You Know" (1929), " Without a Song" (1929), " It Happened in Monterrey" (1930), and "It's Only a Paper Moon" (1933). Despite his accomplishments, Rose may be best known today as the husband of comedian and singer Fanny Brice (1891–1951). Life and work Rose was born to a Jewish family in New York City. He attended Public School 44, where he was the 50-yard dash champion. While in high school, Billy studied shorthand under John Robert Greg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Arlen
Harold Arlen (born Hyman Arluck; February 15, 1905 – April 23, 1986) was an American composer of popular music, who composed over 500 songs, a number of which have become known worldwide. In addition to composing the songs for the 1939 film ''The Wizard of Oz'' (lyrics by Yip Harburg), including "Over the Rainbow", which won him the Oscar for Academy Award for Best Original Song, Best Original Song, he was nominated as composer for 8 other Oscar awards. Arlen is a highly regarded contributor to the Great American Songbook. "Over the Rainbow" was voted the 20th century's No. 1 song by the Recording Industry Association of America, RIAA and the National Endowment for the Arts, NEA. Life and career Arlen was born in Buffalo, New York, the child of a Jewish hazzan, cantor. His twin brother died the next day. He learned to play the piano as a youth, and formed a band, Hyman Arluck's Snappy Trio, at age 15. He left home at 16 against his parents' wishes; within two years, he was per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It's Only A Paper Moon (song)
"It's Only a Paper Moon" is a popular song published in 1933 with music by Harold Arlen and lyrics by Yip Harburg and Billy Rose. Background It was originally titled "If You Believed in Me", but later went by the more popular title "It's Only a Paper Moon". The song was written for an unsuccessful 1932 Broadway play called '' The Great Magoo'' that was set in Coney Island. Claire Carleton first performed this song on December 2, 1932. It was used in the movie '' Take a Chance'' in 1933 when it was sung by June Knight and Charles "Buddy" Rogers. Paul Whiteman recorded a hit version later that year, released on the Victor label in October 1933 featuring Bunny Berigan on trumpet and Peggy Healy on vocals. A version released a month before Whiteman's was by Henry King and His Pierre Hotel Orchestra on the Vocalion label. Another popular 1933 recording was done by Cliff Edwards. The song's lasting fame stems from its revival by popular artists during the last years of World War II ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
