The Origin Of The Harp
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The Origin Of The Harp
''The Origin of the Harp'' is an oil nude history painting by the Irish artist Daniel Maclise, from 1842. Inspired by a work by the poet Thomas Moore, it shows a sea nymph metamorphosing into a harp. Strategically-placed seaweed prevents her from being completely nude. It was displayed at the Royal Academy's Summer Exhibition of 1842 at the National Gallery, in London. Today the painting is in the collection of the Manchester Art Gallery Manchester Art Gallery, formerly Manchester City Art Gallery, is a publicly owned art museum on Mosley Street in Manchester city centre, England. The main gallery premises were built for a learned society in 1823 and today its collection occupi ..., having been acquired in 1917. https://artuk.org/discover/artworks/the-1origin-of-the-harp-205484 References Bibliography * Ausoni, Alberto. ''Music in Art''. J. Paul Getty Museum, 2009. * Murray, Peter. ''Daniel Maclise, 1806-1870: Romancing the Past''. Crawford Art Gallery, 2009. * Weston, ...
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Daniel Maclise
Daniel Maclise (25 January 180625 April 1870) was an Irish history painter, literary and portrait painter, and illustrator, who worked for most of his life in London, England. Early life Maclise was born in Cork, Ireland (then part of the United Kingdom of Great Britain and Ireland), the son of Alexander McLish (also known as McLeish, McLish, McClisse or McLise), a tanner or shoemaker, but formerly a Scottish Highlander soldier. His education was of the plainest kind, but he was eager for culture, fond of reading, and anxious to become an artist. His father, however, placed him in employment, in 1820, in Newenham's Bank, where he remained for two years, before leaving to study at the Cork School of Art. In 1825 it happened that Sir Walter Scott was travelling in Ireland, and young Maclise, having seen him in a bookseller's shop, made a surreptitious sketch of the great man, which he afterwards lithographed. It became very popular, and led to many commissions for portraits ...
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National Gallery
The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of more than 2,300 paintings dating from the mid-13th century to 1900. The current director of the National Gallery is Gabriele Finaldi. The National Gallery is an exempt charity, and a non-departmental public body of the Department for Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge. Unlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-third ...
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Paintings Based On Poems
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual art, bringing in elements such as drawing, composition, gesture, narration, and abstraction. Paintings can ...
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19th-century Allegorical Paintings
The 19th century began on 1 January 1801 (represented by the Roman numerals MDCCCI), and ended on 31 December 1900 (MCM). It was the 9th century of the 2nd millennium. It was characterized by vast social upheaval. Slavery was Abolitionism, abolished in much of Europe and the Americas. The First Industrial Revolution, though it began in the late 18th century, expanded beyond its British homeland for the first time during the 19th century, particularly remaking the economies and societies of the Low Countries, France, the Rhineland, Northern Italy, and the Northeastern United States. A few decades later, the Second Industrial Revolution led to ever more massive urbanization and much higher levels of productivity, profit, and prosperity, a pattern that continued into the 20th century. The Catholic Church, in response to the growing influence and power of modernism, secularism and materialism, formed the First Vatican Council in the late 19th century to deal with such problems an ...
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Moon In Art
The Moon is Earth's only natural satellite. It orbits around Earth at an average distance of (; about 30 times Earth's diameter). The Moon rotates, with a rotation period ( lunar day) that is synchronized to its orbital period ( lunar month) of 29.5 Earth days. This is the product of Earth's gravitation having tidally pulled on the Moon until one part of it stopped rotating away from the near side, making always the same lunar surface face Earth. Conversley, the gravitational pull of the Moon, on Earth, is the main driver of Earth's tides. In geophysical terms, the Moon is a planetary-mass object or satellite planet. Its mass is 1.2% that of the Earth, and its diameter is , roughly one-quarter of Earth's (about as wide as the contiguous United States). Within the Solar System, it is the largest and most massive satellite in relation to its parent planet, the fifth-largest and fifth-most massive moon overall, and larger and more massive than all known dwarf planet ...
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Collection Of Manchester Art Gallery
Collection or Collections may refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer science * Collection (linking), the act of linkage editing in computing * Garbage collection (computing), automatic memory management method Mathematics * Set (mathematics) * Class (set theory) * Family of sets * Indexed family * Multiset * Parametric family Albums Collection * ''Collection'' (Soccer Mommy album), 2017 * ''Collection'' (2NE1 album), 2012 * ''Collection'' (Agnes album), 2013 * ''Collection'' (Arvingarna album), 2002 * ''Collection'' (Jason Becker album), 2008 * ''Collection'' (Tracy Chapman album), 2001 * ''Collection'' (The Charlatans album) * ''Collection'' (Dave Grusin album), 1989 * ''Collection'' (The Jam album) * ''Collection'' (Wynonna Judd album) * ''Collection'' (Magnus Uggla album), 1985 * ''Collection'' (Men Without Hats album), 1996 * ''Collection'' (MFÖ album), 2003 * ''Collection'' (Mike Oldfield alb ...
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Oil On Canvas Paintings
An oil is any nonpolar chemical substance that is composed primarily of hydrocarbons and is hydrophobic (does not mix with water) and lipophilic (mixes with other oils). Oils are usually flammable and surface active. Most oils are unsaturated lipids that are liquid at room temperature. The general definition of oil includes classes of chemical compounds that may be otherwise unrelated in structure, properties, and uses. Oils may be animal, vegetable, or petrochemical in origin, and may be volatile or non-volatile. They are used for food (e.g., olive oil), fuel (e.g., heating oil), medical purposes (e.g., mineral oil), lubrication (e.g. motor oil), and the manufacture of many types of paints, plastics, and other materials. Specially prepared oils are used in some religious ceremonies and rituals as purifying agents. Etymology First attested in English 1176, the word ''oil'' comes from Old French ''oile'', from -4; we might wonder whether there's a point at which it's a ...
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Nude Paintings Of Women
Nudity is the state of being in which a human is without clothing. While estimates vary, for the first 90,000 years of pre-history, anatomically modern humans were naked, having lost their body hair, living in hospitable climates, and not having developed the crafts needed to make clothing. As humans became behaviorally modern, body adornments such as jewelry, tattoos, body paint and scarification became part of non-verbal communications, indicating a person's social and individual characteristics. Indigenous peoples in warm climates used clothing for decorative, symbolic or ceremonial purposes but were often nude, having neither the need to protect the body from the elements nor any conception of nakedness being shameful. In many societies, both ancient and contemporary, children might be naked until the beginning of puberty. Women may not cover their breasts due to the association with nursing babies more than with sexuality. In the ancient civilizations of the Med ...
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History Paintings
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. Hi ...
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Allegorical Paintings
As a literary device or artistic form, an allegory is a narrative or visual representation in which a character, place, or event can be interpreted to represent a meaning with moral or political significance. Authors have used allegory throughout history in all forms of art to illustrate or convey complex ideas and concepts in ways that are comprehensible or striking to its viewers, readers, or listeners. Writers and speakers typically use allegories to convey (semi-) hidden or complex meanings through symbolic figures, actions, imagery, or events, which together create the moral, spiritual, or political meaning the author wishes to convey. Many allegories use personification of abstract concepts. Etymology First attested in English in 1382, the word ''allegory'' comes from Latin ''allegoria'', the latinisation of the Greek ἀλληγορία (''allegoría''), "veiled language, figurative", literally "speaking about something else", which in turn comes from ἄλλος ( ...
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1842 Paintings
__NOTOC__ Year 184 ( CLXXXIV) was a leap year starting on Wednesday of the Julian calendar. At the time, it was known as the Year of the Consulship of Eggius and Aelianus (or, less frequently, year 937 ''Ab urbe condita''). The denomination 184 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place China * The Yellow Turban Rebellion and Liang Province Rebellion break out in China. * The Disasters of the Partisan Prohibitions ends. * Zhang Jue leads the peasant revolt against Emperor Ling of Han of the Eastern Han dynasty. Heading for the capital of Luoyang, his massive and undisciplined army (360,000 men), burns and destroys government offices and outposts. * June – Ling of Han places his brother-in-law, He Jin, in command of the imperial army and sends them to attack the Yellow Turban rebels. * Winter – Zhang Jue dies of illness while his broth ...
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Paintings By Daniel Maclise
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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