The Italian Brigand's Wife
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The Italian Brigand's Wife
''The Italian Brigand's Wife'' is an 1826 genre painting by the French artist Léon Cogniet. It depicts the wife a brigand in the hills of Southern Italy, examining the plundered goods of a traveller including a length of silk which she holds up for inspection. Depictions of Italian outlaws were a common theme in romantic art of the era. Cogniet produced it as a pendant piece for a painting by his friend Achille-Etna Michallon depicting a brigand chief. Cogniet produced three versions of the painting during 1825 to 1826, possibly anticipating exhibiting one at the Salon of 1827. One of them is now in the collection of the Metropolitan Museum of Art in New York.https://www.metmuseum.org/art/collection/search/438633 See also * ''Italian Brigands Surprised by Papal Troops'', an 1831 painting by Horace Vernet Émile Jean-Horace Vernet (; 30 June 178917 January 1863) more commonly known as simply Horace Vernet, was a French painter of battles, portraits, and Orientalist subject ...
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Léon Cogniet
Léon Cogniet (29 August 1794 – 20 November 1880) was a French history and portrait painter. He is probably best remembered as a teacher, with more than one hundred notable students. Biography He was born in Paris. His father was a painter and wallpaper designer. In 1812, he enrolled at the École des Beaux-arts, where he studied with Pierre-Narcisse Guérin. He also worked in the studios of Jean-Victor Bertin. After failing an attempt to win the Prix de Rome in 1816, he won the following year with his depiction of ''Helen Rescued by Castor and Pollux''Grunchec, P. (1985). ''The Grand Prix de Rome: Paintings from the École des Beaux-Arts, 1797-1863''. Washington, DC: International Exhibitions Foundation. p. 66. . and received a stipend to study at the French Academy in Rome until 1822. Before leaving, he had his first exhibition at the Salon. In 1827, he created a series of murals on the life of Saint Stephen for the church of Saint-Nicholas-des-Champs. From 1833 to 183 ...
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Pendant Piece
In art, a pendant is one of two paintings, statues, reliefs or other type of works of art intended as a pair. Typically, pendants are related thematically to each other and are displayed in close proximity. For example, pairs of portraits of married couples are very common, as are symmetrically arranged statues flanking an altar. How they work Pendants may be the work of a single artist or of two artists, who in some instances might be in competition with one another. An example of the latter case is the pairing of the marble groups ''The Triumph of Faith over Idolatry'' by Jean-Baptiste Théodon and ''Religion Overthrowing Heresy and Hatred'' by Pierre Le Gros the Younger on the ''Altar of Saint Ignatius of Loyola'' (1695–1697/98), in the Church of the Gesù, Rome. When J. M. W. Turner bequeathed two of his paintings to the National Gallery in London with the clause that they should in perpetuity hang next to two landscape paintings by Claude Lorrain Claude Lorrain (; b ...
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Paintings In The Metropolitan Museum Of Art
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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1826 Paintings
Eighteen or 18 may refer to: * 18 (number) * One of the years 18 BC, AD 18, 1918, 2018 Film, television and entertainment * ''18'' (film), a 1993 Taiwanese experimental film based on the short story ''God's Dice'' * ''Eighteen'' (film), a 2005 Canadian dramatic feature film * 18 (British Board of Film Classification), a film rating in the United Kingdom, also used in Ireland by the Irish Film Classification Office * 18 (''Dragon Ball''), a character in the ''Dragon Ball'' franchise * "Eighteen", a 2006 episode of the animated television series ''12 oz. Mouse'' Science * Argon, a noble gas in the periodic table * 18 Melpomene, an asteroid in the asteroid belt Music Albums * ''18'' (Moby album), 2002 * ''18'' (Nana Kitade album), 2005 * '' 18...'', 2009 debut album by G.E.M. * ''18'' (Jeff Beck and Johnny Depp album), 2022 Songs * "18" (5 Seconds of Summer song), from their 2014 eponymous debut album * "18" (One Direction song), from their 2014 studio album ''Four'' * ...
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Paintings By Léon Cogniet
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ...
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Horace Vernet
Émile Jean-Horace Vernet (; 30 June 178917 January 1863) more commonly known as simply Horace Vernet, was a French painter of battles, portraits, and Orientalist subjects. Biography Early career Vernet was born to Carle Vernet, another famous painter, who was himself a son of Claude Joseph Vernet. He was born in the Paris Louvre, while his parents were staying there during the French Revolution. Vernet quickly developed a disdain for the high-minded seriousness of academic French art work which was distinguished by art influenced by Classicism, and decided to paint subjects taken mostly from contemporary life. During his early career, when Napoleon Bonaparte was in power, he began depicting the French soldier in a more familiar, vernacular manner rather than in an idealized, Davidian fashion; he was just twenty when he exhibited the ''Taking of an Entrenched Camp'' Some other of his paintings that represent French soldiers in a more direct, less idealizing style, include ...
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Italian Brigands Surprised By Papal Troops
''Italian Brigands Surprised by Papal Troops'' is an 1831 painting produced in Rome by Horace Vernet. It is kept at the Walters Art Museum, in Baltimore. History The painter Horace Vernet came to Italy in 1829, when he was already a well-known artist. He remained there until 1834 and worked as the director of the French Academy in Rome. During his travels, he made around 20 paintings with the same colorful subjects and episodes of local life in the Roman countryside. They were works comparable to other painters who traveled Italy and mixed artistic classicism with research into color and local costumes. Vernet was considered a leader among these French painters, making him the juste milieu between the traditions of Romanticism and Neoclassicism. The painting was recorded in the "John T. Johnston Collection", which was sold by its owner to William T. Walters of Baltimore on 20 December 1876 for $10,110, the most expensive work in Johnston's collection. In 1894, it passed to Henry ...
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Salon Of 1827
The Salon (), or rarely Paris Salon (French: ''Salon de Paris'' ), beginning in 1667 was the official art exhibition of the in Paris. Between 1748 and 1890 it was arguably the greatest annual or biennial art event in the Western world. At the Salon of 1761, thirty-three painters, nine sculptors, and eleven engravers contributed. Levey, Michael. (1993) ''Painting and sculpture in France 1700–1789''. New Haven: Yale University Press, p. 3. From 1881 onward, it was managed by the Société des Artistes Français. Origins In 1667, the royally sanctioned French institution of art patronage, the (a division of the Académie des beaux-arts), held its first semi-public art exhibit at the Salon Carré. The Salon's original focus was the display of the work of recent graduates of the École des Beaux-Arts, which was created by Cardinal Mazarin, chief minister of France, in 1648. Exhibition at the Salon de Paris was essential for any artist to achieve success in France for at least ...
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Achille-Etna Michallon
Achille Etna Michallon (22 October 1796 – 24 September 1822) was a French painter. Michallon was the son of the sculptor Claude Michallon and nephew of the sculptor Guillaume Francin. He studied under Jacques-Louis David and Pierre-Henri de Valenciennes. In 1817, Michallon won the inaugural Prix de Rome for landscape painting. He travelled to Italy in 1818 and remained there for over two years. This trip had a profound influence on his work. Before he had much time to develop what he had learned however, he died at the age of 25 of pneumonia, a tragedy which cut short the life of a talented and well respected artist who could have gone on to win lasting fame. Though it is often disputed, it is thought that at one time, Corot was his pupil. Selective list of works * ''The Oak and the Reed'' (1816), Fitzwilliam Museum, based on the version of Aesop's fable by Jean de la Fontaine * ''Study of a Tree'', (), National Gallery National Gallery, National Gallery, London * ''Démocri ...
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Romanticism
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity and objectivity (philosophy), subjectivity, imagination, and appreciation of nature in society and culture in response to the Age of Enlightenment and the Industrial Revolution. Romanticists rejected the social conventions of the time in favour of a moral outlook known as individualism. They argued that passion (emotion), passion and intuition were crucial to understanding the world, and that beauty is more than merely an classicism, affair of form, but rather something that evokes a strong emotional response. With this philosophical foundation, the Romanticists elevated several key themes to which they were deeply committed: a Reverence (emotion), reverence for nature and the supernatural, nostalgia, an idealization of the past as ...
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Oil Painting
Oil painting is a painting method involving the procedure of painting with pigments combined with a drying oil as the Binder (material), binder. It has been the most common technique for artistic painting on canvas, wood panel, or oil on copper, copper for several centuries. The advantages of oil for painting images include "greater flexibility, richer and denser color, the use of layers, and a wider range from light to dark". The oldest known oil paintings were created by Buddhism, Buddhist artists in Afghanistan, and date back to the 7th century AD. Oil paint was later developed by Europeans for painting statues and woodwork from at least the 12th century, but its common use for painted images began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of egg tempera paints for panel paintings in most of Europe, though not for Orthodox icons or wall paintings, where tempera a ...
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Silk
Silk is a natural fiber, natural protein fiber, some forms of which can be weaving, woven into textiles. The protein fiber of silk is composed mainly of fibroin and is most commonly produced by certain insect larvae to form cocoon (silk), cocoons. The best-known silk is obtained from the cocoons of the larvae of the mulberry silkworm ''Bombyx mori'' reared in captivity (sericulture). The shimmering appearance of silk is due to the triangular Prism (optics), prism-like structure of the silk fibre, which allows silk cloth to refract incoming light at different angles, thus producing different colors. Harvested silk is produced by several insects; but, generally, only the silk of various moth caterpillars has been used for textile manufacturing. There has been some research into other types of silk, which differ at the molecular level. Silk is mainly produced by the larvae of insects undergoing holometabolism, complete metamorphosis, but some insects, such as webspinners and Gr ...
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