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The Funeral Of The Virgin Mary
''The Funeral of the Virgin Mary'' is a 1605-1609 oil on canvas painting by Ludovico Carracci, now in the Galleria nazionale di Parma. Caracci produced this work, its pendant ''The Apostles at the Virgin's Tomb'' and other frescoes for the chancel of the Duomo di Piacenza Piacenza Cathedral ( it, Duomo di Piacenza), fully the Cathedral of Santa Maria Assunta e Santa Giustina, is a Roman Catholic cathedral in Piacenza, Italy. The current structure was built between 1122 and 1233 and is one of the most valuable examp ..., dedicated to the Virgin Mary. They were commissions from Claudio Rangoni, bishop and nobleman. Their dating is based on letters from the artist himself, who in 1606 wrote to Ferrante Carlo that he was to busy to send the painting he requested "having already begun a large work for the most illustrious Bishop of Piacenza". Following the Treaty of Tolentino and looting by Napoleon's troops, ''Funeral'' and ''Apostles'' were both taken to France in 1796. Only in ...
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Ludovico Carracci, I Funerali Della Vergine
Ludovico () is an Italian masculine given name. It is sometimes spelled Lodovico. The feminine equivalent is Ludovica. Persons with the name Ludovico Given name * Ludovico D'Aragona (1876–1961), Italian socialist politician * Ludovico Ariosto (1474–1533), Italian poet * Ludovico Avio (1932–1996), Argentine football forward * Ludovico Baille (1764–1839), Italian historian * Ludovico Balbi (1540–1604), Italian composer * Ludovico Barassi (1873–1953), Italian jurist * Ludovico Barbo (1381–1443), Italian monastic life reformer * Ludovico Bertonio (1552–1625), Italian Jesuit missionary * Ludovico Bidoglio (1900–1970), Argentinian footballer * Ludovico Brea (c. 1450–c. 1523), Italian painter * Ludovico di Breme (1780–1820), Italian writer * Ludovico Ottavio Burnacini (1636–1707), Italian architect and stage designer * Ludovico Buti (c. 1560–after 1611), Italian painter * Ludovico Camangi (1903–1976), Italian politician * Lodovico Campalastro, Italian painte ...
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Ludovico Carracci
Ludovico (or Lodovico) Carracci (21 April 1555 – 13 November 1619) was an Italian, early- Baroque painter, etcher, and printmaker born in Bologna. His works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion and are credited with reinvigorating Italian art, especially fresco art, which was subsumed with formalistic Mannerism. He died in Bologna in 1619. Biography Ludovico apprenticed under Prospero Fontana in Bologna and traveled to Florence, Parma, and Venice, before returning to his hometown. Together with his cousins Annibale and Agostino Carracci, Ludovico worked in Bologna on the fresco cycles depicting Histories of ''Jason and Medea'' (1584) in Palazzo Fava, and the ''Histories of Romulus and Remus'' (1590-1592) for the Palazzo Magnani. Their individual contributions to these works are unclear, although Annibale, the younger than Ludovico by 5 years had gained fame as the best of the three. This led t ...
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Pendants (art)
In art, a pendant is one of two paintings, statues, reliefs or other type of works of art intended as a pair. Typically, pendants are related thematically to each other and are displayed in close proximity. For example, pairs of portraits of married couples are very common, as are symmetrically arranged statues flanking an altar. Pendants may be the work of a single artist or of two artists, who in some instances might be in competition with one another. An example of the latter case is the pairing of the marble groups ''The Triumph of Faith over Idolatry'' by Jean-Baptiste Théodon and ''Religion Overthrowing Heresy and Hatred'' by Pierre Le Gros the Younger on the ''Altar of Saint Ignatius of Loyola'' (1695–1697/98), in the Church of the Gesù, Rome. When J. M. W. Turner bequeathed two of his paintings to the National Gallery in London with the clause that they should in perpetuity hang next to two landscape paintings by Claude Lorrain Claude Lorrain (; born Clau ...
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Duomo Di Piacenza
Piacenza Cathedral ( it, Duomo di Piacenza), fully the Cathedral of Santa Maria Assunta e Santa Giustina, is a Roman Catholic cathedral in Piacenza, Italy. The current structure was built between 1122 and 1233 and is one of the most valuable examples of a Romanesque cathedral in northern Italy. The dedication is to the Assumption of the Virgin Mary and to Saint Justina. It is the seat of the diocese of Piacenza-Bobbio. Architecture The cathedral has a total external length of 85 m, and a façade height of 32 m, dimensions which make it the largest Romanesque church in Emilia-Romagna. The façade, in Veronese pink marble and gilded stone, is horizontally divided by a gallery that dominates the three portals, decorated with capitals and Romanesque statues. The interior has a nave and two aisles, divided by twenty-five massive pillars. Its noteworthy frescoes were made in the 14th-16th centuries by Camillo Procaccini and Ludovico Carracci, while the frescos inside the dom ...
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Treaty Of Tolentino
{{unreferenced, date=June 2018 The Treaty of Tolentino was a peace treaty between Revolutionary France and the Papal States, signed on 19 February 1797 and imposing terms of surrender on the Papal side. The signatories for France were the French Directory's Ambassador to the Holy See, François Cacault, and the rising General Napoleon Bonaparte and opposite them four representatives of Pius VI's Curia. It was part of the events following the invasion of Italy in the early stages of the French Revolutionary Wars. Having defeated the Austrians at the Battle of Mantua, at the Arcola Bridge and in the Battle of Rivoli, Napoleon had no more enemies in northern Italy and was able to devote himself to the Papal States. Following nine months of negotiations between France and the Papal States, in February 1797 9,000 French soldiers invaded the Papal Romagna Region, leaving the Pope no choice but to accept the French terms. Terms The treaty added 15 million livre to the indemnity of 2 ...
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Piacenza
Piacenza (; egl, label= Piacentino, Piaṡëinsa ; ) is a city and in the Emilia-Romagna region of northern Italy, and the capital of the eponymous province. As of 2022, Piacenza is the ninth largest city in the region by population, with over 102,000 inhabitants. Westernmost major city of the region of Emilia-Romagna, it has strong relations with Lombardy, with which it borders, and in particular with Milan. It was once defined by Leonardo da Vinci as "Land of passage", in his Codex Atlanticus, by virtue of its crucial geographical location. Piacenza integrates characteristics of the nearby Ligurian and Piedmontese territories added to a prevalent Lombard influence, favored by communications with the nearby metropolis, which attenuate its Emilian footprint. Piacenza is located at a major crossroads at the intersection of Route E35/A1 between Bologna and Milan, and Route E70/A21 between Brescia and Turin. Piacenza is also at the confluence of the Trebbia, draining the no ...
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Collections Of The Galleria Nazionale Di Parma
Collection or Collections may refer to: * Cash collection, the function of an accounts receivable department * Collection (church), money donated by the congregation during a church service * Collection agency, agency to collect cash * Collections management (museum) ** Collection (museum), objects in a particular field forms the core basis for the museum ** Fonds in archives ** Private collection, sometimes just called "collection" * Collection (Oxford colleges), a beginning-of-term exam or Principal's Collections * Collection (horse), a horse carrying more weight on his hindquarters than his forehand * Collection (racehorse), an Irish-bred, Hong Kong based Thoroughbred racehorse * Collection (publishing), a gathering of books under the same title at the same publisher * Scientific collection, any systematic collection of objects for scientific study Collection may also refer to: Computing * Collection (abstract data type), the abstract concept of collections in computer sci ...
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Paintings By Ludovico Carracci
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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Paintings Of The Virgin Mary
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narra ...
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